द फ़र्स्ट ऑर्डर के खिलाफ़ रेसिसटेन्स वॉर को पुनर्जीवित करने और जेडी के तरीकों को सीखने के लिए, रे ल्यूक स्काईवॉकर से प्रशिक्षण लेता है.द फ़र्स्ट ऑर्डर के खिलाफ़ रेसिसटेन्स वॉर को पुनर्जीवित करने और जेडी के तरीकों को सीखने के लिए, रे ल्यूक स्काईवॉकर से प्रशिक्षण लेता है.द फ़र्स्ट ऑर्डर के खिलाफ़ रेसिसटेन्स वॉर को पुनर्जीवित करने और जेडी के तरीकों को सीखने के लिए, रे ल्यूक स्काईवॉकर से प्रशिक्षण लेता है.
- 4 ऑस्कर के लिए नामांकित
- 26 जीत और कुल 99 नामांकन
सारांश
Reviewers say 'Star Wars: The Last Jedi' garners varied reactions, with praise for its innovative storytelling, stunning visuals, and complex character arcs, especially Rey and Kylo Ren. It is celebrated for pushing Star Wars boundaries but criticized for plot inconsistencies and character missteps. The portrayal of Luke Skywalker and new characters sparks debate, alongside mixed opinions on humor and pacing. Despite the backlash, the film is acknowledged for its ambition and bold narrative direction within the Star Wars universe.
फ़ीचर्ड समीक्षाएं
This cinematic catastrophe, masquerading as a continuation of the beloved Star Wars saga, is an utter disgrace to the franchise and a desecration of everything that once made it great. Director Rian Johnson's feeble attempt to leave his mark on this illustrious universe falls short in every conceivable way, leaving fans and cinephiles alike bewildered and dismayed.
From the very outset, it becomes apparent that The Last Jedi lacks any coherent vision or respect for the source material. Johnson takes delight in tearing down the established mythology, tossing aside the profound themes and intricate character arcs that have captivated audiences for decades. Instead, we are subjected to a hodgepodge of convoluted plotlines and laughable attempts at subversion, all executed with a lack of finesse and intelligence that is truly astonishing.
Gone are the iconic heroes we once held dear, replaced by hollow caricatures of their former selves. Mark Hamill's portrayal of Luke Skywalker, a character etched into the annals of cinematic history, is reduced to a moping hermit devoid of purpose or conviction. The essence of Luke's struggle and growth, painstakingly developed over multiple films, is discarded in favor of a disillusioned old man who resorts to throwing tantrums like a petulant child. It is a disservice to Hamill's talent and an insult to the audience's intelligence.
Furthermore, the new characters introduced in The Last Jedi are equally unimpressive. Rey, portrayed by Daisy Ridley, continues to be a one-dimensional Mary Sue, effortlessly mastering the Force without any training or struggle. The potential for compelling storytelling is squandered, replaced by a tedious parade of nonsensical twists and contrived romantic entanglements. The script is riddled with cringe-inducing attempts at humor, which only serve to further undermine any semblance of seriousness or gravitas.
Visually, the film offers little respite from its narrative failings. The action sequences lack the grandeur and precision that once defined the franchise, devolving into a cacophony of meaningless explosions and flashy yet empty spectacle. The once awe-inspiring space battles are reduced to uninspired video game sequences, bereft of any emotional weight or strategic depth. Even the iconic lightsaber duels, once choreographed with elegance and purpose, now feel like nothing more than a choreographed mess of flashy acrobatics.
It is clear that The Last Jedi suffers from a severe lack of creative vision, guided by a director who either misunderstands or deliberately disregards the essence of the Star Wars saga. The film's attempts at subversion and reinvention fall flat, resulting in a disjointed and unsatisfying experience that tarnishes the legacy of its predecessors. Star Wars: Episode VIII - The Last Jedi is an abomination, an insult to the intelligence of its audience, and a dark stain on the once-shining galaxy far, far away.
From the very outset, it becomes apparent that The Last Jedi lacks any coherent vision or respect for the source material. Johnson takes delight in tearing down the established mythology, tossing aside the profound themes and intricate character arcs that have captivated audiences for decades. Instead, we are subjected to a hodgepodge of convoluted plotlines and laughable attempts at subversion, all executed with a lack of finesse and intelligence that is truly astonishing.
Gone are the iconic heroes we once held dear, replaced by hollow caricatures of their former selves. Mark Hamill's portrayal of Luke Skywalker, a character etched into the annals of cinematic history, is reduced to a moping hermit devoid of purpose or conviction. The essence of Luke's struggle and growth, painstakingly developed over multiple films, is discarded in favor of a disillusioned old man who resorts to throwing tantrums like a petulant child. It is a disservice to Hamill's talent and an insult to the audience's intelligence.
Furthermore, the new characters introduced in The Last Jedi are equally unimpressive. Rey, portrayed by Daisy Ridley, continues to be a one-dimensional Mary Sue, effortlessly mastering the Force without any training or struggle. The potential for compelling storytelling is squandered, replaced by a tedious parade of nonsensical twists and contrived romantic entanglements. The script is riddled with cringe-inducing attempts at humor, which only serve to further undermine any semblance of seriousness or gravitas.
Visually, the film offers little respite from its narrative failings. The action sequences lack the grandeur and precision that once defined the franchise, devolving into a cacophony of meaningless explosions and flashy yet empty spectacle. The once awe-inspiring space battles are reduced to uninspired video game sequences, bereft of any emotional weight or strategic depth. Even the iconic lightsaber duels, once choreographed with elegance and purpose, now feel like nothing more than a choreographed mess of flashy acrobatics.
It is clear that The Last Jedi suffers from a severe lack of creative vision, guided by a director who either misunderstands or deliberately disregards the essence of the Star Wars saga. The film's attempts at subversion and reinvention fall flat, resulting in a disjointed and unsatisfying experience that tarnishes the legacy of its predecessors. Star Wars: Episode VIII - The Last Jedi is an abomination, an insult to the intelligence of its audience, and a dark stain on the once-shining galaxy far, far away.
They spend so much money for CGI and budget.
Can someone honestly answer, why they don't hire some of the best writers in hollywood? They have the cash..
Star Wars is a joke to them. RIP star wars
The Last Jedi is a well-made film; it's visually stunning and well directed. The problem is that it singlehandedly ruined the sequel trilogy by closing the second chapter with a dead end. There are truly baffling character decisions, awkward humor, useless subplots - it's by far the most frustrating Star Wars movie because of the potential it had. If it were 20 minutes shorter, it could have been something special, but the last act sees our characters in the exact same spot as they began. As a standalone movie, it's watchable. As the second part of a trilogy, it's a disaster.
I really want to sit across from Rian Johnson and Kathleen Kennedy and ask them honest questions:
1. Do you know what "heavy-handed" means?
2. In film school, or in any time in your career, did you ever learn about building tension, or making the audience care about characters, or continuity from a previous installment?
3. Is this a Star Wars movie or a Marvel movie version of Star Wars?
1. Do you know what "heavy-handed" means?
2. In film school, or in any time in your career, did you ever learn about building tension, or making the audience care about characters, or continuity from a previous installment?
3. Is this a Star Wars movie or a Marvel movie version of Star Wars?
After George Lucas's execrable prequels and the mediocre The Force Awakens, I've learnt to keep my expectations low for any new Star Wars films in order to avoid total disappointment. Having just seen The Last Jedi, it appears that I haven't been keeping them low enough.
The reasons for my loathing are the same as those noted in the countless scathing reviews here on IMDb, so I won't go into drawn out detail - suffice to say that the film frequently beggars belief, is massively bloated, defies logic and is full of misplaced humour (the worst moments being the horrible 'steam iron' gag and BB-8's handy coin launcher).
3 out of 10, solely for the impressive special effects. Writer/director Rian Johnson shouldn't be allowed within 12 parsecs of another Star Wars sequel.
The reasons for my loathing are the same as those noted in the countless scathing reviews here on IMDb, so I won't go into drawn out detail - suffice to say that the film frequently beggars belief, is massively bloated, defies logic and is full of misplaced humour (the worst moments being the horrible 'steam iron' gag and BB-8's handy coin launcher).
3 out of 10, solely for the impressive special effects. Writer/director Rian Johnson shouldn't be allowed within 12 parsecs of another Star Wars sequel.
'Lilo & Stitch' Joins the Billion Dollar Box Office Club
'Lilo & Stitch' Joins the Billion Dollar Box Office Club
Lilo & Stitch just reached the $1 billion mark at the worldwide box office. Take a look at the top-grossing movies of all time.
क्या आपको पता है
- ट्रिवियाMark Hamill and Rian Johnson revealed at a BAFTA screening that Hamill asked to play a CG character in addition to his role as Luke Skywalker, saying that he had done it before (he had previously done CGI work for the computer game Squadron 42 (2026) (which is the separate solo campaign of Star Citizen)). In the film he plays Dobbu Scay, the character who puts money inside BB-8 in the Casino scenes.
- गूफ़When Poe gets permission to leave the bridge and runs towards the X-Wing bay, several pilots on the bridge follow him, including the alien C'ai Threnalli. However, immediately after C'ai runs out of frame, there is a reaction shot of Finn with C'ai still standing at a console in the background.
- भाव
Kylo Ren: I'll destroy her. And you. And all of it.
Luke Skywalker: No. Strike me down in anger and I'll always be with you. Just like your father.
- क्रेज़ी क्रेडिटIn loving memory of our princess, Carrie Fisher.
- इसके अलावा अन्य वर्जनThe home video releases (both physical and digital) include a version with an isolated score. It is accessible through the Movies Anywhere app.
- कनेक्शनEdited into If Star Wars Wasn't Serious (2014)
- साउंडट्रैकAquarela Do Brasil
Written by Ary Barroso
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Star Wars: Episode VIII - The Last Jedi?Alexa द्वारा संचालित
- Finn needed a pilot to escape the First order in Episode VII, how did he learn to fly in this film?
- How did Kylo Ren get his helmet back when he left it on Starkiller base?
- When does this take place in the Star Wars timeline?
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Star Wars: आख़री योद्धा
- फ़िल्माने की जगहें
- Salar de Uyuni, Bolivia(ending battle exterior scenes)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $31,70,00,000(अनुमानित)
- US और कनाडा में सकल
- $62,01,81,382
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $22,00,09,584
- 17 दिस॰ 2017
- दुनिया भर में सकल
- $1,33,44,07,706
- चलने की अवधि2 घंटे 32 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें