Mr. Jones

Right up until its final act, "Mr. Jones" (2013) amazed me by how good it was. Here was a creative, thoughtful and extremely frightening found-footage horror movie. It was so damned good that I was surprised that I hadn't heard about it before.

The story idea was fresh and interesting — a young couple moves to an isolated forest cabin, only to discover that a mysterious neighbor is "Mr. Jones," a legendary anonymous folk artist. This hermit produces grotesque artworks — "scarecrows," totems and dreamcatchers that he then mails to apparently random recipients around the world. Not all of them are pleased with their macabre gifts, and their benefactor's identity and motivations become the stuff of urban legends. (Try to imagine H.R. Giger with a modus operandi like Banksy.) There is a lot more going on here than a cliché yarn about a supernatural bogeyman.

The script is smart, the story is well developed, and the tension builds slowly and effectively as the tale unfolds for our two protagonists. My only quibble is that the couple does incredibly stupid things, and are cheerfully curious about discoveries that should scare the hell out of them. But that is a failing of so many horror films that I decided not to let it bother me.

Then the movie loses its way. I'm disappointed to share here that this otherwise great film suffers because of its disjointed, meandering and consequently frustrating climax. It's too long, it's too confusing, and it spends far too much time repeating redundant shots and scare-moments.

We see one character, for example, pursued by multiple adversaries … repeatedly. Well, these adversaries stop being scary when the viewer eventually arrives at the conclusion that either A.) they can't catch this person or B.) they can't hurt this person.

At another point, a character must do something urgent, but receives contradictory instructions from different sources. This plot development could have been damned unnerving in the context of our story, but it's nearly lost in a confusing barrage of repetitive images and sounds. Writer-director Karl Mueller strives to immerse the viewer in a kind of surreal "nightmare." But he makes a mistake that is common for surreal horror films — portraying confused and disoriented characters does not always require the viewer to be confused and disoriented. A shorter, sparser, cleaner script would have saved what might have been a classic.

Oh, well. This movie was still fun enough. Again … much of it is quite excellent. And another viewer might not be as turned off by its conclusion as I was. I still recommend "Mr. Jones," if a little reluctantly. I'd rate it a 7 out of 10.

This one would have been rated so much higher by many users if it tried to be more coherent and not rely so much on the state of confusion/dream/hallucination. I'm not gonna tell them how to do their job, but I will state my opinion about it.

It has a little touch of "In the mouth of madness", don't get me wrong, I am not comparing them, the first one is truly a masterpiece, I mean, Carpenter, come on, but you can see some familiar drops here and there. The premise is good, the execution is good, the tension builds up nicely, Mr. Jones has quite the mystery air on him the only bad part, well, the really bad part, is that as time passes, this movie loses itself. I never fancied plots that needed too much thinking after it was over, sure, some brainstorming with friends is enjoyable, but when nobody can't put their finger on it, or there are just so many supposed meanings, it makes you not care at all in the end.

So, now that you know what's wrong with this one, it's up to you to decide if you'll give it a chance or pass it. I would definitely recommend it to most, cause I did enjoy it, sad it didn't end quicker.

Cheers!

Mr. Jones is a relatively fresh take on the found footage format, with an intriguing premise which involves the occult and has a Lovecraftian vibe to it.

As a horror fan, I was at least hoping for something interesting, if not scary ('cause I think found footage films lost their touch a while ago). Unfortunately, the film fails to provide any thrills throughout its brief running time, and ends up being very annoying (especially in its second half).

Mr. Jones himself is probably the most interesting aspect of the film, and manages to build up a bit of tension with his appearance, but whenever he goes offscreen we're back to a flat, suspense-free movie. Both of the main characters were okay and acted quite well, but they were given very little backstory, thus ending up being unsympathetic. But hey, at least they weren't screaming all the time...

Another good thing about the movie is its somewhat captivating first half which is presented as a documentary about nature (though switches its main subject to mr. Jones when the main characters become aware of his presence). But the second half betrays its found footage format and turns into a trippy, nightmarish mess. It's an unwelcome change of pace because it tries too hard to scare and fails.

Anyway, if you're planning on watching it, lower your expectations considerably or you will be disappointed. If you don't like found footage horror films, or trippy experiences, then I suggest you skip it.

Found footage with a twist? How many times have heard this one? Too many times to count. And not only was I skeptical, the movie kind of showed me that it was as I expected (which means not very good). But if you can stay with it through the end, you might get something of a "reward". By that I mean the really wicked ending, that is kind of psychedelic, even without the use of any enhancing drugs.

The effect is built up during the movie, which takes it sweet old time. Something that is sort of boring. Plus the characters are not really helping, doing what other horror movie stock characters do: wrong decisions, even when faced with consequences. But again, the ending almost makes up for that, if you like weird.

As you can tell by my opening line I am NOT a fan of found footage films. To me it is a gimmick, not a genre as people keep asserting it to be, and more often than not used to pass talentless schlock which can't get any funding off to the public. Despite this I HAVE seen many, and I always watch whatever I start to the very end, even if I find the experience painful.

With that said I will admit that Mr. Jones pulled it off for me. The plot is a little off beat, the acting is decent even if not brilliant, and the setting and atmosphere move solidly into the realm of creepy quite successfully. It uses found footage in a plausible way... the protagonists making a movie for a legitimate reason just as Mr. Jones does what he does for a legitimate reason. What started as a simple documentary turns surreal also for a legitimate reason. People who, as a rule, really enjoy the majority of found footage films, might not like it, and judging by the mixed reviews I would say this is so, but I think it is because it does defy conventional found footage stereotypes. There is not a lot of running around and screaming, and people frantically looking into the camera and blubbering. There are no scenes of what is happening in their rooms while the people sleep, which I think is the allure this gimmick offers to the fans of it. The 'watch what happens when no one is looking' appeal... 'it could also be happening to YOU!!!' It actually offers a surreal Hollywood ready story, with all its narrative elements boldly displayed on the surface, in a found footage format... and while I don't always love Hollywood either, in this case it was a relief to get a half decently crafted tale instead of the... you know... usual.