Muscle Shoals

I liked "Muscle Shoals" for many reasons but the biggest one is that it taught me a lot about something I knew absolutely nothing about, as I'd never heard of the famed 'Muscle Shoals'. However, there's more to the film than that--it is quite interesting, has some surprisingly big name musicians who gave interviews (such as members of the Rolling Stones, Bono and some great R&B legends) and terrific music! So, unless you absolutely hate R&B, the blues and rock (and I know that there at least three of you out there), there is plenty that you'll enjoy about this one and it's worth seeing--as well as well made.

By the way, I have no idea why but this film, the Oscar-winning "20 Feet From Stardom" and "Sound City" all came out at about the same time---and ALL are very similar. So, if you like one, you probably would like to see the rest!

I always loved listening to the great albums recorded at the two Muscle Shoals studios, so I looked forward to seeing this documentary in the hopes of learning what exactly made the Muscle Shoals sound so distinctive.

Unfortunately, I think the musicians interviewed couldn't really explain what it was that made Muscle Shoals so special from a technical perspective. Bono, as always, was quite articulate, but he didn't offer anything technical. He instead talked philosophically about the power of the Tennessee River just as the Mississippi influenced the Blues. Most of the other musicians fell back on platitudes and clichés about funky white guys. Keith Richards was beyond hopeless as an interviewee. He seemed like he was doing a really bad Saturday Night Live impersonation of himself.

Don't get me wrong. The stories were entertaining. I particularly liked Greg Allman's story about how his brother Duane learned to play the slide guitar and Wilson Picket's story about the first time he came to Muscle Shoals. I also thought the documentary did a good job telling the history of the original FAME studio as well as the second studio started by the so-called "Swampers".

Nevertheless, I think at least one interview segment with a Rock historian or a musicologist to put everything in context and offer technical explanations would have been a great addition.

Finally, although it's clear that the Muscle Shoals musicians were far ahead of their fellow southerners on the issue of race, and the film rightly showcased this, it also showed clips of Lynyrd Skynyrd in concert proudly displaying a confederate flag. Displaying a confederate flag in 2013 is beyond bad taste. It's simply unacceptable.

Have you ever heard of Muscle Shoals, Alabama? Let me rephrase the question – have you heard an Aretha Franklin song? Have you ever grooved to Wicked Wilson Pickett's Land of 1000 Dances? Have you ever thought "Yes Percy Sledge, that is EXACTLY what happens when a man loves a woman!" Have you ever driven way to fast while the Rolling Stones' Brown Sugar blasted through your speakers? If you answered yes to any of those questions, then you have heard of Muscle Shoals, Alabama or at least you're heard the Muscle Shoals sound, the subject of the documentary Muscle Shoals from director Greg 'Freddy' Camalier.

In the interest of full disclosure, these are my people ya'll! I grew up just east of Muscle Shoals, also on the banks of the Tennessee River – "The Singing River" to the Native Americans who made their home there for millenia before Rick Hall founded FAME studios. Driven by a need to escape the crushing poverty and overwhelming tragedy that befalls him, Hall is the central figure in the story of the famed "Muscle Shoals sound" – well him and a group of homegrown, white as cotton studio musicians known as the "Swampers". These men shaped what ultimately proved to be some of the finest rock, soul, and R&B America would ever produce.

Music docs can really go either way, depending on such bureaucratic mundanities as rights and clearances. Muscle Shoals is a triumph, though. All personal bias aside, present day interviews with music luminaries, expertly deployed found footage and stills, and the greatest soundtrack a movie could hope for, all make Muscle Shoals one of the finest music documentaries you'll ever see. Let the participation of such bright lights as Aretha Franklin, Wilson Pickett, Mick Jagger, Keith Richards, Bono, Jerry Wexler, Percy Sledge, Alicia Keys, Gregg Allman, Clarence Carter, and Etta James serve as a testament to the enduring magic that is Muscle Shoals, FAME studios, and that greasy, soulful sound. The only puzzling thing about Muscle Shoals is how this story went so long without being told.

My only regret upon watching "Muscle Shoals" is that I somehow missed it when it was first released, some seven and a half years ago.

I grew up in the 70s, and occasionally heard about Muscle Shoals and the Swampers (they even got a mention in Lynyrd Skynyrd's "Sweet Home Alabama"). But even after turning to music as an avocation, I never learned the story of what made Muscle Shoals special. This documentary lays out the human side of the Muscle Shoals story in beautiful, often emotional detail.

At the heart of the story is Rick Hall, who grew up a dirt poor hillbilly in northern Alabama and had more than his share of tragedy and betrayal. Through sheer determination and a perfectionist's sensibility in the studio, he clawed his way to becoming one of the most consequential producers and studio owners of the 20th century.

Hall's original studio band, the Swampers, features as another "character" in the film. The Swampers became one of the most sought after back up bands in the 60s and 70s, and played on some of the most memorable hits of the era. What the viewer will find surprising is that these white country boys from northern Alabama backed some of the most soulful black music hits of the era.

The film also touches on the many musicians who recorded in Muscle Shoals, and features interviews with a number of them, including the Rolling Stones and Aretha Franklin. The film gives a little too much time to the Stones, and the film never really explains why Bono keeps popping up, but overall, considering who was still alive at the time, it strikes a good balance.

Then, of course, there is the music, itself. All I can say here is that you should watch this with a good sound system.

My only disappointment, and the reason I don't give it ten stars, is that we learn nothing about Rick Hall's engineering secrets. What did he do technically to bring about that special, warm, Muscle Shoals sound? I would have enjoyed learning more about that.

But that omission didn't detract from the film's emotional punch. Ultimately, this is a story about tragedy and triumph, friendship and betrayal, and the combination of music and emotion occasionally brought a tear to my eye. Highly recommended.

P.S. I saw one reviewer comment disparagingly about a clip of Lynyrd Skynyrd concert footage that showed a Confederate battle flag in the background. I don't know what the reviewer expected the filmmakers to do about that. The Confederate flag was used by more than one Southern rock band in the 70s and 80s, and it wouldn't have made sense to just erase that from the historical record, nor would it have been practical, from a filmmaking standpoint. One can debate over what it meant to people at the time, but it was what it was.

This is an important documentary if you have any interest in American Music. Well done and more information than you can believe. Musicians, songwriters and singers along with engineers and producers, tell how some of the greatest records of the past 60 years came to be.