एक बुजुर्ग शेरिफ और उसका सैन्य दल नरभक्षी गुफा निवासियों से अपने शहर के डॉक्टर को बचाने के लिए निकल पड़ा.एक बुजुर्ग शेरिफ और उसका सैन्य दल नरभक्षी गुफा निवासियों से अपने शहर के डॉक्टर को बचाने के लिए निकल पड़ा.एक बुजुर्ग शेरिफ और उसका सैन्य दल नरभक्षी गुफा निवासियों से अपने शहर के डॉक्टर को बचाने के लिए निकल पड़ा.
- पुरस्कार
- 9 जीत और कुल 20 नामांकन
Michael Paré
- Mr. Wallington
- (as Michael Pare)
फ़ीचर्ड समीक्षाएं
This film is a great example of what Hollywood is sorely lacking these days: Originality! Like other reviewers have mentioned, this is slow burning western/horror flick that keeps building the suspense until the finale. It's not an edge-of-your-seat thriller that is loaded with action, but it has enough to keep your interest. It has more of a typical western feel to it in terms of character development. The dialogue is spot on for this genre. The acting is superb and plot is genuine. I think that it speaks volumes about the script given the fact that the actors signed on for minimum pay (that means they WANTED to be in this film for the script and plot). The gore is definitely there for the horror fans, although I would say that if you are seeking a lot of gore, you may be disappointed. It does have some that is pretty graphic. I definitely would not let children or even some teenagers watch this, its an adult movie. If you are a fan of westerns, I think you'll like it a lot. If you are a Kurt Russell fan, you will not be disappointed (this was his first western since Tombstone). Patrick Wilson and Matthew Fox make an excellent supporting cast and demonstrate their acting skills well. This is a new cult classic!
An impressive directorial debut from writer S. Craig Zahler, who also wrote this gruesome, filthy western of how wild the west can really get. More so impressive that the whole film was shot in just 21 days.
An outlaw drifter wanders into the town of Bright Hope unknowingly leading a tribe of savage, inbred, natives better known as Troglodytes which translates as Cave-dweller." During the night, these horrific abominations murder and kidnap some of the town folk, one being the wife of a crippled rancher, who then embarks on a rescue mission with the town sheriff, his old and incapable deputy and an over confident gunslinger.
Kurt Russell heads up the rescue posse as Sheriff Hunt, slipping comfortably into his western boots. Richard Jenkins plays his ageing deputy, Patrick Wilson the limping, desperate rancher and an impressive Matthew Fox who stole the screen, as the charismatic, narcissistic know-it- all who both annoying yet strangely likable, reminding me a little of Val Kilmer's Doc Holliday in Tombstone.
There's an air of mystery for the majority of the film, keeping the audience on tender hooks waiting to see what's in store for the rescue party. Are the kidnapped still alive? Dead? Or worse? While some elements are left to your imagination, you can only think of the worse, but what isn't, is nothing short of disturbing.
The gory violence is shocking to watch, even just hearing the graphic noises is enough. The sound is gruesome, bloody and unsettling. The climatic end was actually painful to watch, scarring the memory making me shudder just at the thought of it. The lack of a score only intensifies the haunting atmosphere.
Something has to be said for the special effects, make-up and the sound engineering that were all completely on point. I've never seen a more gory western, even more so than The Hateful Eight. The makeup and effects throughout are amazing but they really go beyond during the epic climax.
There's been a few disturbing films this year, visually, Neon Demon and imagination wise, Nocturnal Animals springing to mind but this one really made me wrench covering my mouth with both hands. It's like those good horrors you're too scared to watch but find yourself mesmerised to the screen regardless. This is certainly not one for the weak stomached. Kudos to director Zahler for created a stunning western with a difference, becoming borderline horror.
Running Time: 7 The Cast: 9 Performance: 8 Direction: 8 Story: 9 Script: 7 Creativity: 9 Soundtrack: 9 Job Description: 10 The Extra Bonus Points: 10 for the sound and graphic quality.
86% 9/10
An outlaw drifter wanders into the town of Bright Hope unknowingly leading a tribe of savage, inbred, natives better known as Troglodytes which translates as Cave-dweller." During the night, these horrific abominations murder and kidnap some of the town folk, one being the wife of a crippled rancher, who then embarks on a rescue mission with the town sheriff, his old and incapable deputy and an over confident gunslinger.
Kurt Russell heads up the rescue posse as Sheriff Hunt, slipping comfortably into his western boots. Richard Jenkins plays his ageing deputy, Patrick Wilson the limping, desperate rancher and an impressive Matthew Fox who stole the screen, as the charismatic, narcissistic know-it- all who both annoying yet strangely likable, reminding me a little of Val Kilmer's Doc Holliday in Tombstone.
There's an air of mystery for the majority of the film, keeping the audience on tender hooks waiting to see what's in store for the rescue party. Are the kidnapped still alive? Dead? Or worse? While some elements are left to your imagination, you can only think of the worse, but what isn't, is nothing short of disturbing.
The gory violence is shocking to watch, even just hearing the graphic noises is enough. The sound is gruesome, bloody and unsettling. The climatic end was actually painful to watch, scarring the memory making me shudder just at the thought of it. The lack of a score only intensifies the haunting atmosphere.
Something has to be said for the special effects, make-up and the sound engineering that were all completely on point. I've never seen a more gory western, even more so than The Hateful Eight. The makeup and effects throughout are amazing but they really go beyond during the epic climax.
There's been a few disturbing films this year, visually, Neon Demon and imagination wise, Nocturnal Animals springing to mind but this one really made me wrench covering my mouth with both hands. It's like those good horrors you're too scared to watch but find yourself mesmerised to the screen regardless. This is certainly not one for the weak stomached. Kudos to director Zahler for created a stunning western with a difference, becoming borderline horror.
Running Time: 7 The Cast: 9 Performance: 8 Direction: 8 Story: 9 Script: 7 Creativity: 9 Soundtrack: 9 Job Description: 10 The Extra Bonus Points: 10 for the sound and graphic quality.
86% 9/10
Bone Tomahawk is about a small group of cowboys who set out in search of a group of cannibals who have kidnapped some of their townspeople, including the wife of one of the rough riders. It may sound similar to a lot of other westerns in the sense that it's a rescue story, which is somewhat true in the beginning. The first half of the movie is a great character drama as it follows the group of four for a few day and nights as they travel to their destination. This is where some people might have a problem with the film and the pacing might become an issue. During this time, we get expanded knowledge about the men involved and I found it rather entertaining because the route to their destination is just as dangerous as the destination itself. Yes, the movie could have been trimmed down by about 10-12 minutes, but it wasn't too slow that I lost interest (like many others I have read did).
It is during this time where acting comes into play and, for the most part, it's all on point, especially Kurt Russell! To no surprise, he is the highlight of the movie and is no one to be trifled with. He gives a very gritty and convincing performance worthy of his filmography. As well as the three other gentlemen that ride along with him, they all hit their marks (even my boy Matthew Fox from LOST).
The only real problem outside of the pacing is Lili Simmons' awkwardly dull performance (mostly during her captivity). Normally I wouldn't point out such a small characters performance but it was seriously lacking. It could be because her character was poorly written for the type of situation she was in. For example, why was she so relaxed and showing barely any emotion in such a frightening situation? Yes she could have broken down mentally but that doesn't let her off the hook. Also her line delivery was highly questionable and her overall performance felt like dead weight.
But it is the final 45 minutes of the movie that will leave everyone talking. Bone Tomahawk explodes into the horror genre with its cannibalistic violence (is this the return of cannibalistic horror movies?). The action is swift, and I mean very swift, it really comes out of nowhere. And this was what I loved most about the movie, you know they are getting closer and closer to unprecedented evil but you aren't quite sure when or where they will strike. It's this trepidation that makes the final third of the movie so thrilling. They're clearly unprepared for the gauntlet that is waiting for them. I won't spoil anything but the movie really doesn't shy away from violence once they get to where they are going. Bone Tomahawk transcends from a slow moving western into a carnage fueled frenzy.
It is during this time where acting comes into play and, for the most part, it's all on point, especially Kurt Russell! To no surprise, he is the highlight of the movie and is no one to be trifled with. He gives a very gritty and convincing performance worthy of his filmography. As well as the three other gentlemen that ride along with him, they all hit their marks (even my boy Matthew Fox from LOST).
The only real problem outside of the pacing is Lili Simmons' awkwardly dull performance (mostly during her captivity). Normally I wouldn't point out such a small characters performance but it was seriously lacking. It could be because her character was poorly written for the type of situation she was in. For example, why was she so relaxed and showing barely any emotion in such a frightening situation? Yes she could have broken down mentally but that doesn't let her off the hook. Also her line delivery was highly questionable and her overall performance felt like dead weight.
But it is the final 45 minutes of the movie that will leave everyone talking. Bone Tomahawk explodes into the horror genre with its cannibalistic violence (is this the return of cannibalistic horror movies?). The action is swift, and I mean very swift, it really comes out of nowhere. And this was what I loved most about the movie, you know they are getting closer and closer to unprecedented evil but you aren't quite sure when or where they will strike. It's this trepidation that makes the final third of the movie so thrilling. They're clearly unprepared for the gauntlet that is waiting for them. I won't spoil anything but the movie really doesn't shy away from violence once they get to where they are going. Bone Tomahawk transcends from a slow moving western into a carnage fueled frenzy.
I expected some sort of comedy-horror/western hybrid, but what I mostly got was a serious western with noticeable horror touches thrown in (until its third act, where the horror becomes even more prominent). I was surprised at how seriously the film took itself, which I now think is a strength. It could have been so easy to just make it yet another goofy horror/comedy, but what we got instead is a very restrained, very well-made, sort of classic adventure story. The directing is on point and there's a great control over the tone of the film. The decision to have so much of the film silent and without any noticeable score was a great decision. The cast is aces and the three real supporting players (Fox, Russell, Jenkins) all get their time to shine without anything being forced.
In 2015 where we are used to seeing none stop CGI, thin plot, endless action trash...here we have the opposite, a real movie gem. It's a classically crafted western that ended up as a brutal cannibal masterpiece.
At first it does make the audience feel that theirs not much happening compared to general modern cinema but what we do have is quality acting, cinematography and script building up to the shocking and unpredictable end
I can't recommend this enough, unlike most films of today it's not made for profit it's made for quality film making, something which I fear today is few and far between
Go watch it
At first it does make the audience feel that theirs not much happening compared to general modern cinema but what we do have is quality acting, cinematography and script building up to the shocking and unpredictable end
I can't recommend this enough, unlike most films of today it's not made for profit it's made for quality film making, something which I fear today is few and far between
Go watch it
क्या आपको पता है
- ट्रिवियाShot in 21 days.
- गूफ़David Arquette's teeth go back and forth from rotten and black to normal and white.
- भाव
Sheriff Franklin Hunt: Say goodbye to my wife. I'll say hello to yours.
- कनेक्शनFeatured in Vecherniy Urgant: Alexander Oleshko (2015)
- साउंडट्रैकFour Doomed Men Ride Out
Written by Jeff Herriott & S. Craig Zahler
Performed by Haley-Marie Asher, Eleanor Barsch, Chir Dozoryst, Frank Hanson, Jeff Herriott, Kelly Jarvis, Brian Leeper, Elizabeth Marvitz, Brad Townsend & Benjamin Whitcomb
Published by Twilight Riders LLC
Courtesy of Twilight Riders LLC
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Кістяний томагавк
- फ़िल्माने की जगहें
- Paramount Ranch - 2813 Cornell Road, Agoura, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Western town and open landscape areas)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $18,00,000(अनुमानित)
- दुनिया भर में सकल
- $3,82,579
- चलने की अवधि2 घंटे 12 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें