The Last of Robin Hood

The first time I saw Errol Flynn in a movie was The Dawn Patrol. I was blown away by his talent, since I'd expected him to be a swashbuckling stereotype; but, I was also impressed that someone in 1938 could give such a spot-on impression of an actor who hadn't yet been born: Kevin Kline. Once I found out Kevin Kline had made a biopic of Errol Flynn, I rented it as soon as I could.

The Last of Robin Hood is quite sad, as it focuses on the last portion of the great legend's life. I'll never understand why it took Hollywood so long to cast Kevin Kline in this movie, since he made a smash as "The Pirate King" in 1983. Had they cast him in an Errol Flynn biopic in 1985, 1990, 1995, 2000, it could have been a different kind of movie. The story could have been more exciting, featuring a star at the beginning of his career, or making a particularly memorable film. This movie shows how the great swashbuckler declined, his dependence on alcohol, his lack of career prospects, and his shocking romance with an underage girl. It's not uplifting, it doesn't honor his legacy, and it doesn't even pay tribute to his great talent. Simply put, it's depressing. If Flynn himself saw this movie, he'd probably be mortified.

Why is this movie worth watching, then? Because Kevin Kline is Errol Flynn. He brings the silver screen heartthrob back to life and puts him in another movie, something we all would love to see. Just as Robert Downey Jr. becomes Charlie Chaplin so completely, you forget it's not a documentary, you'll start to believe there were hidden cameras around Flynn's home that captured him in embarrassing moments. I might not have enjoyed watching this movie, but I was in awe of Kevin Kline's talent-just like I was of Errol Flynn's in The Dawn Patrol.

Errol Flynn, a "Larger than Life" Movie Star who Shined as Brightly as His On Screen Persona would let Him. An Adventurous and Handsome Man with Agile Abilities and a Killer Smile Who Could and Would Woo Audiences and Young Girls with Equal Ease.

His Self-Destructive Lifestyle is Legendary. In this Movie, Kevin Kline States..."I was told by a Doctor that if I didn't stop drinking and doing drugs I would be dead in six months...that was ten years ago and I have lived every day and night since, as if it would be my last."

He certainly Did. Considered a Rogue, a Womanizer, and Immature (all true), Flynn was a Likable and Fun Guy to be Around by most Accounts.

It seems that Beverly Aadland (Dakota Fanning) was Smitten and this is Their Story. The Last Two Years of Flynn's Life, totally Dedicated to Beverly, are Seen here as a Romantic Tale of Two People that are Devoted.

Sure, the Age Difference is Extreme and She is Under Age (15 but posses a birth certificate stating she's 18, acquired by her career controlling Mom played by Susan Sarandon). In the Movie Their Illicit Behavior is Shown as Respectful and Not Salacious.

It's a Little Movie about a Big Star and a Chorus Girl, Not an Unfamiliar Situation, and the Film Plays it perfectly Straight and Not Explosive.

The Good Cast is Better than the Soft-Peddled Script and Everything is Underwritten, Underplayed, and Undeserving of "My Wicked Wicked Ways" Author and Beverly Aadland.

Not an Awful Account of what happened, but perhaps Not as Good as it Might Have Been. Fiction is Stranger than Truth. After Viewing this You Might Not Think that Their Relationship was that Strange after all.

the last of Robin Hood. It's a heartfelt look back at the dying days of the Golden age of Hollywood. And of Hollywood's greatest swashbuckler and legendary hellraiser Errol Flynn. but its more then that. It's a tender love story about Errol Flynn and his last great love Beverly Aadland . Flynn met Beverly in the summer of 1957 he was a faded movie star she was a 15 year old would be actress. Sparks flew between them and that led to a serious relationship that was problematic at best illegal at worse. And Flynn wily old Flynn countered it by befriending Beverly's mother Florence. She becomes so smitten with Flynn and with the Hollywood scene she lets Flynn do anything he wants to with her daughter. The Tragic end that Errol Flynn suffered didn't end any of the messes he made . In fact he complicated Beverly's life worse in death then he did in life. In life towards the End Errol Flynn struggled to make Beverly a Movie star making the Cuban Rebel Girls a film so bad it will go down in immortality as Errol Flynn's last movie.

But Kevin Kline portrays Errol Flynn with Flynn's trade marked devil may care attitude He flows with confidence and he is damn near Perfect as Errol Flynn ! Dakota Fanning does a remarkable job as Beverly Aadland and there is real chemistry between the two leads. Susan Sarandon steals the movie as Beverly's mom Florence.

A well done movie about a sad time in Hollywood. When Robin Hood grew sick and old. and Captain Blood died penniless. But loved and he died still admired by his legions of fans. and most importantly. He died in the arms of the woman he loved. not even Hollywood could dream of a ending that wonderful for a man who was a legendary bad boy. Errol Flynn knew he was dying. and as he said in My wicked Wicked ways he had no regrets. he did it his way. And in the end he died happy.

A movie that should have won Oscars Galore and had a longer run in theaters. But it didn't and somehow that's fitting, And Somewhere Errol Flynn is raising a glass every time someone sees this movie and smiles and laughs. and says. "Did you really think they could get rid of Robin Hood that easy I'm still here old Chum"!

And we are grateful for this movie in reminding us that Errol Flynn was a legend every bit as a legend as say Robin Hood. And Legends don't die.

They just get bigger.

Kevin Kline is perfect as Errol Flynn, so much so that I cannot imagine anyone else doing this better.

Not only does he look like Flynn, but he captures his charm and almost childlike attitude to life. OK he was an alcoholic who probably wasted his life and died too early, but those who knew him always say he was a charmer who could light up the room. Mr Kline carries this perfectly.

Much has been made of his attraction to younger women but what so many fail to realise is how common this was back then, and not just in Hollywood. Chaplin to Elvis it was just how things were. Not excusing it in anyway but we cannot re-write history because we find it distasteful.

Many of those chorus girls we see in those old musicals were very young girls and sadly it is the case that most married or had relationships with much older men. Flynn was one of those men but he was not alone by any means.

Back to the movie. Susan Sarandon did a great job as the manipulating mother who wanted fame and fortune for her child regardless of the cost to her emotionally.

Dakota Fanning plays her part brilliantly and seems to have captured this young girl who knew what she wanted even though she also knew how wrong it all was. It does seem she genuinely loved Flynn and him her, but it is hard to know the real truth of their relationship.

I think it is a shame that we didn't see more of Flynn the movie star, but I guess the time line for this film means he was past his best by then? If you like old Hollywood stars or just like good biopics then you should enjoy this movie.

"In like Flynn," a colloquial expression based on the dissolute life of Errol Flynn.

Because Kevin Kline looks like an aging Errol Flynn (he died at 50), it's easy to believe Kline's depiction of the swashbuckling roué from early 20th Century American film in The Last of Robin Hood. Yet, if you want really to experience the bad boy who gave Robin life, read his autobiography, My Wicked, Wicked Ways. Sadly this film is a dull, soporific take on the last years of Flynn.

Not that Kevin Kline doesn't have the ability to be roguish like Flynn, it's just that he appears to have been directed to underplay the famous rake, a letdown for those of us hoping to experience the wild wicked one. Instead, this Flynn is pursuing a much younger woman, Beverly Aadland (Dakota Fanning), with a feeling of entitlement and an ennui-subtle sense of "been there."

More interesting than the moribund Flynn is Beverly's mom, Florence (Susan Sarandon) -- a stage mom if there ever was one. Her machinations to get her daughter into films are almost unbelievable. When she realizes her underage daughter is sleeping with Flynn, the other side of her ambition, the love of a mother, rings true as a contrast. However, she allows the affair. To their credit, Fanning and Kline seem to care about each other to the extent that any moral outrage about statutory rape is slightly mitigated.

Although the script doesn't allow for the dramatic energy that should accompany his shenanigans, brightening the dim movie is Sarandon's ambitious mom with dorky glasses and fat—she steals whatever show there is to take.

So if you want to witness the quiet decline of a glamorous pedophile, the coda to Flynn's checkered life is gently carried out by Kevin Kline as if in hospice. It's the last of an outrageous actor. R.I.P.