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As several critics have observed, this wonderful film, just shown at TIFF, is destined to become this year's King's Speech (which began its Oscar run in Toronto too, though Philomena has already picked up accolades in Venice). Both British films have strongly emotional undercurrents leavened by wry humour, feature outstanding performances from the leads and are based on true stories.

Judi Dench, as the Irish woman whose out-of-wedlock son is taken from her by Catholic nuns and sold to a rich American couple in the 1950's, has never been better. She imbues the role with a mix of wisdom (after all, as she reminds us repeatedly, she was nurse for 30 years) and naiveté that would seem to be impossible were it not so deftly handled. While the cynical atheist portrayed by Steve Coogan rarely misses an opportunity to poke fun at her, more often than not she enjoys the last laugh.

Despite the consummate acting, and Frears' slick directing, the greatest treat of the film is Steve Coogan's screenplay. Given its subject matter, the story could easily have veered into melodrama, but just when it is on the verge of doing so Coogan pulls us back from the edge. Thankfully, Coogan himself is there to convey precisely the proper blend of sarcasm and compassion.

My wife talked me into going, I wanted to see Captain Philips but she was adamant this time. We both grew up in Ireland and I didn't want to see another one of those movies focused on stereotypes, the marketing blob types like the Quiet Man and Ryan's Daughter...stereotypical nonsense that lampoon our history and our culture. Steve Coogan and Judy Dench, especially Judy got it just right from the very start. They were smart, witty, serious and most of all, Judy was 'Irish' They really got the spirit of an Irish mom, that cocktail of guilt, generosity, inferiority and a heart to care for the entire world spot on. Dench in the hotel thanking everybody for being 'so nice' and getting who her son was as a child as others were today trying to 'break the news' to her...she wasn't just a step ahead, she was years ahead. Really excellent, really well done. Beautiful!

This was a great film. I haven't stopped thinking and talking about it since I saw it earlier today. This is a story that needed to be told: so much better than the typical blockbusters we are force-fed day by day. A very meaningful and poignant tale about what goes on in the heart of man and the secrets that can change lives if only known. My husband and I hugely enjoy the British style of acting with its dry humour and evident realism. A movie which portrays a reality that would be very close to home for thousands of people. Steve Coogan played his part very well. Judi Dench has excellent comic timing, which I haven't forgotten, having watched her in UK sitcoms in the old days. A must see. Well done to all involved.

Martin Sixsmith (Steve Coogan) is a former press secretary who was "resigned" in a dispute with the transport secretary. He is bitter and a laughing stock. As a former BBC reporter, he is approached by a waitress to do a story about her mother Philomena (Judi Dench). At a young age, she had a boy out of wedlock and was sent away to the nuns. There she works for them for 4 years to pay off her debt and her son was adopted to Americans. She had kept this secret for 50 years and now she wants to search for him. Martin takes Philomena to the convent but is given the polite runaround. It's only the start of a trans-Atlantic journey into the past.

The true life story is so compelling. It's been fictionalized a bit, but this is just a wonderful heartfelt story. Judi Dench is amazing. The best part of Philomena is her upbeat manner which always look for the best in everyone. It is truly incredible when she goes into the confessional. The conflict inside of her at that moment is heart breaking. The chemistry with Steve Coogan is light and emotional when it needs to be. It is a profoundly human story. Some critics may hate it for being anti-church. That is their prerogative but that would miss the profound love at its core.

Steve Coogan deserves utmost respect for producing and writing this film. His script is excellent, consistently witty and engaging on the surface whilst spinning many more layers beneath the surface which became unconsciously stirring. Normally with these kinds of films I find the humour becomes contrived, forced or inappropriate, like the writers/director buckle under a need to impress and please the audience. You won't find those jarring moments here - Philomena is expertly judged and balanced. The story itself is fascinating, and again Coogan's script steers clear from overt sentimentality to allow the humanity to speak for itself. A gentle, funny, heartbreaking and unforgettable film. I actually much prefer it to the Kings Speech.