जब पाँच बच्चों तो वह मशीन मिलती है जो उन्हें अतीत में भेज सकती है, तो मौके अनन्त लगते हैं। पर अतीत बदलकर उन्होंने हमारी दुनिया का भविष्य खतरे में डाल दिया। क्या वे अपनी गलतियाँ सुधार पाएँगे ... सभी पढ़ेंजब पाँच बच्चों तो वह मशीन मिलती है जो उन्हें अतीत में भेज सकती है, तो मौके अनन्त लगते हैं। पर अतीत बदलकर उन्होंने हमारी दुनिया का भविष्य खतरे में डाल दिया। क्या वे अपनी गलतियाँ सुधार पाएँगे इससे पहले कि देर हो जाए?जब पाँच बच्चों तो वह मशीन मिलती है जो उन्हें अतीत में भेज सकती है, तो मौके अनन्त लगते हैं। पर अतीत बदलकर उन्होंने हमारी दुनिया का भविष्य खतरे में डाल दिया। क्या वे अपनी गलतियाँ सुधार पाएँगे इससे पहले कि देर हो जाए?
- निर्देशक
- लेखक
- स्टार
फ़ीचर्ड समीक्षाएं
"Project Almanac" is a sort of "The Butterfly Effect 4", with a similar storyline with many paradoxes. Each time that the teenagers interfere with the past for personal profit, the future changes and the responsible David tries to fix it. Unfortunately the funny adventure is ruined by the awful camera work. My vote is six.
Title (Brazil): "Projeto Almanaque" ("Project Almanac")
The story is pretty simple, but actually feels heart felt. David, a genius level teenager newly accepted to MIT, finds himself short on the money to pay his tuition there. This inadvertently leads him to discover an unfinished time machine his absent father left hidden in his basement. While it takes a while for the time travel elements to ramp up, there is fun to be had in seeing these kids build, experiment, and ultimately successfully travel through time. The film does a good job in allowing us to escape certain illogical elements, like how a group of teens with a fairly limited budget could create a fully functioning time machine, much less create one when no one else on earth seemingly could. David and his buddy Adam are already established as being geniuses from the moment the film begins. So, it's not much of a leap that together they could figure out how to complete the already crafted instructions and blueprints sitting in front of them. You could even say there's legitimacy to the use of the found footage style they went for. They even comment on the use of the camera, which at least shows they recognize that it's there.
However, despite some explanation that helps solidify the camera's constant presence, the film , like so many found footage films, would have benefited from simply being shot like a typical narrative. The film even goes the lengths to, strangely enough, be somewhere in between. We see edits that don't make sense for someone whose recording and we have music play over things like a montage. It's just bizarre to see and hear these things play out over a film that is supposed to pretend to be found off camcorder footage. And these production elements aren't bad, they're just out of place and show the film could have benefited from simply eschewing the found footage style all together. There's also some head scratching moments throughout that can be eye-roll-inducing, but I tend to be able to suspend my disbelief, so it didn't bother me as much.
The film overall isn't one I'd probably tell people to run out and see. But I'd certainly tell them it's not a bad film. Far from it, it's a surprise in the sub genre of found footage. And while it doesn't reach the heights of Chronicle, which I consider to be the peak of found footage, I do think it's one of the better found footage films.
But throw logic out of the window, because this is about teenagers. And while you get the obvious "what would you change, if you could" discussion, in the end it all boils down to personal advantage (mostly). And can you blame them? The twist at the end is kind of redundant, but it's there and better than the alternate endings that can be watched on the disc/special features. Enjoyable if you don't think too much
This uses the found footage idea and the shaky cam moves get tiresome. It adds nothing and has no real internal logic. The kids are all excited and hyper. Obviously, it's intended to inject energy into the movie. That also gets tiresome. The big turning point is Lollapalooza which only adds to the superficiality of the whole enterprise. The premise starts out well but the movie is a long slow downward slide. Its initial potential slowly fades away.
क्या आपको पता है
- ट्रिवियाThe movie took only nine months to write, film, and edit. Researching (on time travel) took approximately three months.
- गूफ़Allen draws circles on the board to explain the ripple effect on the plane crash. Later, David goes back in time to fix it. When he comes back, we see the board still has circles drawn on it though they shouldn't be there considering the plane crash never happened.
- भाव
Jessie Pierce: You know what I would've done if I was smart enough to build a time machine? I would've gone back in time to meet you sooner.
- क्रेज़ी क्रेडिटThe MTV Films logo featured some multicolored eyes, When we get to the last eye it zooms to it's iris and to reveal the logo A live-action shot of a cheering audience in a concert is inside in the "M".
- कनेक्शनFeatured in Smosh: TIME TRAVELING PICKUP MASTER (2015)
- साउंडट्रैकJungle
Written by Sam Harris, Alexander Grant, Jamie N. Commons & Michael Francis Gonzalez
Performed by Jamie N. Commons (as Jamie N Commons) and X Ambassadors
Courtesy of Interscope Records
Under license from Universal Music Enterprises
टॉप पसंद
- How long is Project Almanac?Alexa द्वारा संचालित
- How could the group time-travel from Georgia to Illinois? Did the device allow also for spatial displacement or is this a plot hole?
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Bienvenidos al ayer
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,20,00,000(अनुमानित)
- US और कनाडा में सकल
- $2,23,48,241
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $83,10,252
- 1 फ़र॰ 2015
- दुनिया भर में सकल
- $3,32,13,241
- चलने की अवधि1 घंटा 46 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1