The Wolfpack

The documentary that leaves you with many different feelings. The failure of the father with the outside world, the psychological problems, the desperation of his mother, the silence of his mother maybe the cowardly, the communication of the boys with the father was given in a beautiful flow. More lively documentary with video recordings used in the past. Throughout the film you are watching with a lot of questions and emptiness. There is a lot of information, especially about his brothers, but his sister's world is not mentioned. 84 minutes is less, you think "but then" when the movie is over

The Angulos are an unusual family on the Lower East Side of Manhattan. The mother had met the Peruvian father while visiting. He fears dark government conspiracies and locked his family inside their apartment. They rarely go out and didn't go outside during one year. There are six boys and one girl who has mental difficulties. Their mother homeschooled the kids. The boys are movie fans and start recreating the films in their apartment.

Every family is unusual in their own way. Some families are unusual in every way. The cinematic hook for these boys is obviously their film reenactments. Their effort is pretty good considering the conditions. The movie does skim over some aspects which is not necessarily the filmmaker's fault. The father is probably the most fascinating character but he gets only a few scenes. Those scenes are very compelling but I want more. The filmmakers need to follow the guy. They need to find out what he does outside of the family. What does the family do for money? There's a blonde girl who suddenly shows up at the end. Who is she? There are a few questions that need better answers. The most compelling scene happens off screen. It's the first walk that the oldest boy takes outside without permission. He recounts the walk but it's not the same. It's a fascinating family but the movie leaves a few things unanswered.

In Wolfpack, winner of the Sundance Grand Jury Award (2015), the Angulo family is indeed alone and secluded from its environment. Secluded in their Lower Eastside of Manhattan apartment, the 6 children have rarely gone outside because father deems New York too dangerous. That's not the exceptional part of this odd-ball documentary.

The WOW factor is that the kids have grown up relatively unscathed by their isolation. Their saving grace has been their movie addiction, wherein they re-enact scenes from famous films such as Reservoir Dogs and The Dark Knight. Although we don't actually see them filming, we do watch them create ingenious costumes and devise tableaux to emphasize the drama, albeit fictional, found outside their cramped world. As in the recent Me and Earl and the Dying Girl, young people are turning to movies for their societal awareness and outlet for their creative impulses. It could be much worse.

That's all there is, Folks. First-time helmer Crystal Moselle doesn't allow much more depth, for instance on what makes their strong but not particularly articulate father, who gave his children Sanskrit names, do the things he does like imprisoning his kids to avoid their ruin from the streets of New York. Or why mom has been mostly withdrawn yet loving. However as in Grey Gardens, we are privileged observers without restraint, a virtue in documentary film making.

It's just that beyond the cardboard box Batman costumes and impressive toy guns, not much else happens. Perhaps it's the Seinfeld "about nothing" motif but only without Jerry's wit.

I enjoyed this.

I thought the nature of the family and the back story made the audience easily interested.the cuts to video footage of cinema footage and the boys leaving the apartment was an absolute winner.

While we don't get a full back story on the dad and his impact its impact is evident through the boys interaction with him. His dis like of or non acceptance is pretty evident by the way he acts when the boys finally go on a road trip. I liked it, great footage, easy to like the rogue characters and enough left unexplained to make it a good film overall

'The Wolfpack' doesn't come together

'The Wolfpack' is a film like no other. Sometimes that works well as it did in 'Inception', 'Pan's Labyrinth' and 'Blue Velvet.' At other times, it fails horribly, like it did in one of David Lynch's latest films (I stopped keeping up after a couple terrible films), 'Inland Empire.' 'The Wolfpack' is not completely terrible. It is interesting and takes on a unique subject. However, the film lacks focus and doesn't address the issues it highlights in any concrete manner.

I have the sense the director, Crystal Moselle, just ran into the family somewhere and decided to film them on a lark. Then after a couple of years, she decided to make a movie of it because graduation time in film school required her to present a film and the footage of nine people holed up in a Lower East Side tenement apartment was the only material she had available. Point is, there was no forethought in what the director/creator was doing, and it shows in the film.

Don't get me wrong. The film is interesting, and it's completely pointless. It's not quite surreal enough to stand on its own; it's far too repetitive for that. A dramatic moment in the film is when five of the brothers finally step out of the apartment together and see a film in a theater. That's it. While it might be dramatic for the brothers, the film doesn't convey that. The brothers also wonder aimlessly around Coney Island, and yes, the whole family takes an outing to a farm.

As a teacher I once had was fond of asking when I presented a paper, "So what?" So what indeed. With a subject this compelling, it's a shame there was only documentation of random repetitiveness. That isn't enough.

Rating: Rent it. It's been a long time since I intensely desired that a film end. It wasn't because I was uncomfortable with the subject, it was the feeling that I was ultimately just watching paint dry that made me want to leave. It's hard to believe that the film is only 80 minutes long.

Although the feelings of claustrophobia in the film's apartment work well on a large screen, there is not enough in the film to make it worth seeing in the theater. However, it wouldn't be a bad rental or better yet, a good sociological treatise. A cursory view of articles about the film tell us far more about the family than the film does, and that's a shame.

Peace, Tex Shelters