Hotel Noir

As I watched this, I'm reading the screenplay in my mind, and my eyes and mind popped. Great writing, great conversion from paper to print to film.

Danny Devito, early years you'd think from the setting, tells the tale.

But actually, I'm watching the 2016 re-release, aptly re-named Sin City. The original film, Hotel Noire, apparently 2012. Yet it seems to be 1940 something.

The cast expands, marvelously. Rosario Dawson. Kevin Connolly. Michael B. Jordan.

Malin Åkerman. Mandy Moore and Cameron Richardson, Rufus Sewell. Haven't researched it yet, but would love to know the House and team, including the screenwriter that wrote this.

Kudos.

This was a god awful endless snooze.

It starts out with Danny talking bout his life as shower door salesman,and how one good looking women came on to him once. Fron there it's just a bumpy downhill ride,with endless monologues and dialogues that never really manged to lift the movie,nor keep you awake.

It tries to be this really clever film noir,but you are neither entertained by nor interested in any of the characters nor their faith. You just want it to end.

I have never given Malin ackerman all that much thought as anything else than eye candy,so far she hasn't disappointed me yet.Her and Carla Gugino mostly work as eye candy and some lame sort of femme fatale, to draw people to the movie by name association .

In short stay away from this

AKA City of Sin. Another one of those Dollar Tree buys that most likely be viewed on slow evening. Of course, it doesn't help that you know the outcome from the very beginning, and that makes sitting through the film a chore.

Silly, funny, dark humor film. Many twists and turns. Outrageous events. Probably underrated.

I came to IMDb looking for a review to decide on whether to watch this and there wasn't one so I let that decide in the movie's favor as I figured to write one for it.

I liked it. Any movie with the word 'noir' in the title has work to do to avoid the clichés that the genre forces it to reference. The characters have to be one-dimensional and fit the molds. The dialog has to be clipped and clever. Yet this movie is homage to noir as well as being a fun yarn in its own right.

It's stylish and stylized with narration and inner monologues from multiple characters. There's flashbacks and story tangents from all the main characters, that stand on their own as but also get sewn together by the end. It's black and white but you stop noticing that early on because the medium matches the tone of the movie so well.

If you're in the mood for light story-telling that's well thought out then Hotel Noir is a fine place to spend an evening.