छात्र कार्यकर्ताओं का एक समूह वर्षा वन को बचाने के लिए अमेज़ॉन में जाता है और जल्द ही उनको पता चलता है कि यहां वे अकेले नहीं हैं.छात्र कार्यकर्ताओं का एक समूह वर्षा वन को बचाने के लिए अमेज़ॉन में जाता है और जल्द ही उनको पता चलता है कि यहां वे अकेले नहीं हैं.छात्र कार्यकर्ताओं का एक समूह वर्षा वन को बचाने के लिए अमेज़ॉन में जाता है और जल्द ही उनको पता चलता है कि यहां वे अकेले नहीं हैं.
- पुरस्कार
- 1 जीत और कुल 6 नामांकन
Clara Vázquez
- Elder's Assistant
- (as Clara Vazquez)
फ़ीचर्ड समीक्षाएं
So first of all if you're not into gore or slather elements I wouldn't suggest watching it. I myself had pretty high expectations of this movie , since people told me it's very disturbing but I was disappointed. The movie isn't more brutal then any other cannibal movie ; well at least in my opinion. Honestly the Movie is just like wrong turn but with more cannibals and in a different terrain.the beginning was unnecessarily long ; especially one part where two of the people go taking a piss ; like the scene was so long and unnecessary in my opinion. Basically it's just a normal cannibal movie that's overrated in my opinion ye.
Eli Roth is a director whose fame certainly goes before him. These days you don't really get many directors unashamedly dedicated to the horror genre like you did in years gone by. I like Eli Roth for this reason and I do find him a somewhat engaging, funny and entertaining guy. On the flip side I would have to say that I have found his output to be somewhat patchy and uneven. And frustratingly sparse at that. The Green Inferno is his first feature film as director since Hostel: Part II from way back in 2007! It's a long time to be out of the game. The question would have to be has he came back in a good way? Well, despite the undoubted promise of the central idea, it's a film that is kind of as frustrating as most of his other work.
The basic idea here is to bring back a type of movie that only really existed briefly over thirty years ago. The cannibal film was a particularly notorious sub-genre. Most of the films got banned here in the UK; some still remain so to this day in their uncut forms. Their combination of graphic violence, sexual assault and real animal killing made them real bad boys of the horror genre. Cannibal Holocaust (1980) is the one film that Roth has mentioned in particular as an influence and for this viewer it is easily one of the most disturbing films I have ever seen. Its docudrama, found footage style mixed with a proper mean-spiritedness made it a pretty gruelling film but very well made. The Green Inferno takes a decidedly different approach to its material and it's not always a successful one. Where Holocaust was relentlessly confrontational, Roth's film is often quite jokey. This approach means that the tone overall fluctuates wildly but it definitely dissipates the overall threat posed by the cannibals. The choice of protagonists points to the change immediately in that it centres on a group of eco aware students who travel into the middle of the Amazonian rain-forest to stage a viral protest against some environment destroying workers, needless to say things take a bad turn and they wind up captive by a tribe of cannibals. The very fact that the film centres on a group of students makes this film surely the first cannibal film that doubles up as a teen movie! It's an awkward combination with a pretty ropey script and – the main girl played by Lorenzo Izzo aside - unlikable characters. The social commentary is not so unexpected for this type of movie, as Cannibal Holocaust had that too but it is modernised considerably here – the target is after all viral warriors who are more interested in being famous than for doing the right thing.
So how does it work simply as a horror movie? Well, it certainly has its fair share of gory violence. But it has less impact than it should because of the silly jokey tone that permeates it, even once the students have been captured. Because they aren't taking their situation seriously enough, it's hard for us in the audience to either unfortunately. The on-location photography certainly adds a fair bit it has to be said and the cannibals themselves are quite distinctive too, in particular the more prominent members of the tribe were somewhat creepy. I can't help feeling though that if Roth had reigned in the silly stuff and went full-on with this material with a more disciplined approach then it would have made for a far better film. It feels slightly like a missed opportunity and I am sad to say this as I was really on this one's side and had quite a bit of optimism for it.
The basic idea here is to bring back a type of movie that only really existed briefly over thirty years ago. The cannibal film was a particularly notorious sub-genre. Most of the films got banned here in the UK; some still remain so to this day in their uncut forms. Their combination of graphic violence, sexual assault and real animal killing made them real bad boys of the horror genre. Cannibal Holocaust (1980) is the one film that Roth has mentioned in particular as an influence and for this viewer it is easily one of the most disturbing films I have ever seen. Its docudrama, found footage style mixed with a proper mean-spiritedness made it a pretty gruelling film but very well made. The Green Inferno takes a decidedly different approach to its material and it's not always a successful one. Where Holocaust was relentlessly confrontational, Roth's film is often quite jokey. This approach means that the tone overall fluctuates wildly but it definitely dissipates the overall threat posed by the cannibals. The choice of protagonists points to the change immediately in that it centres on a group of eco aware students who travel into the middle of the Amazonian rain-forest to stage a viral protest against some environment destroying workers, needless to say things take a bad turn and they wind up captive by a tribe of cannibals. The very fact that the film centres on a group of students makes this film surely the first cannibal film that doubles up as a teen movie! It's an awkward combination with a pretty ropey script and – the main girl played by Lorenzo Izzo aside - unlikable characters. The social commentary is not so unexpected for this type of movie, as Cannibal Holocaust had that too but it is modernised considerably here – the target is after all viral warriors who are more interested in being famous than for doing the right thing.
So how does it work simply as a horror movie? Well, it certainly has its fair share of gory violence. But it has less impact than it should because of the silly jokey tone that permeates it, even once the students have been captured. Because they aren't taking their situation seriously enough, it's hard for us in the audience to either unfortunately. The on-location photography certainly adds a fair bit it has to be said and the cannibals themselves are quite distinctive too, in particular the more prominent members of the tribe were somewhat creepy. I can't help feeling though that if Roth had reigned in the silly stuff and went full-on with this material with a more disciplined approach then it would have made for a far better film. It feels slightly like a missed opportunity and I am sad to say this as I was really on this one's side and had quite a bit of optimism for it.
Gory, torture and alot of screaming. Its an Eli Roth movie, what do you expect.
Would've rated it higher but the ending in the credits made no sense.
Would've rated it higher but the ending in the credits made no sense.
...Of the 70's and early 80's. A group of college students travel to a remote Peruvian location to protest a natural gas company's encroachment on an isolated, primitive native village. The students initial efforts are a success, but when their plane out crashes into the jungle, the natives aren't exactly thankful for the Americans' good deeds, preferring to butcher them and eat them.
Roth skewers Western do-good-ism and liberal interference with foreign cultures, showing that even the best intentions can (literally) come back to bite them. The lead performance from Lorenza Izzo is good as the freshman student whose naivete is shattered in more ways than one. The rest of the cast just has to scream a lot. The violence is extreme, the blood copious, and the gore plentiful, but it becomes just a bunch of latex and Karo syrup after a while. I realized watching this that Roth seems to have specialized in the fear of the traveler in foreign lands, whether it's city folk in the deep country (Cabin Fever), Americans in Eastern Europe (the Hostel films), or South America (Aftershock and this movie). I would have given this a higher rating if it weren't for the nonsensical ending.
Roth skewers Western do-good-ism and liberal interference with foreign cultures, showing that even the best intentions can (literally) come back to bite them. The lead performance from Lorenza Izzo is good as the freshman student whose naivete is shattered in more ways than one. The rest of the cast just has to scream a lot. The violence is extreme, the blood copious, and the gore plentiful, but it becomes just a bunch of latex and Karo syrup after a while. I realized watching this that Roth seems to have specialized in the fear of the traveler in foreign lands, whether it's city folk in the deep country (Cabin Fever), Americans in Eastern Europe (the Hostel films), or South America (Aftershock and this movie). I would have given this a higher rating if it weren't for the nonsensical ending.
If you were hooked (pun, ha ha) on the SAW movies then this film will be a good after meal snack. Yes, it was way overboard meal preparation and surprisingly realistic body snacks (in most cheap slasher/slice/dice films the prosthetics look artificial). Filming and acting were better than expected and sold me. Part of the reason the acting was somewhat capturing was the reality of a tropical Peruvian forest and the gusto in which the novice tribal people took to their roles. End result is nobody (including the eco provocateurs, tribes peoples, deforesters) came away smelling like roses, in fact, I would not have been displeased if, in the end, they were all munched upon by the resident leopard, vanquisher of evil. A couple of picky points that lowered the rating. First, every tribal member (no matter the age) was totally painted in red clay like pigment - all the time; not realistic given the humid conditions and time they would have needed to apply said substance. Second, all the women (and young girls) wore tops to cover their breasts which as we all know about tropical tribes - that just doesn't happen. Third, why would the village attack the construction armed mercenaries in a clearing given their stealth in a forest. Fourth, a lot of gaps foremost was Samantha's escape then we hear nothing more. Supposedly we are suppose to pay attention to tattoos. Suggestion: Watch again, afterwards, with cast commentary as it's more interesting than the film.
क्या आपको पता है
- ट्रिवियाWhen Eli Roth and his crew approached villagers to be extras in the film, he soon realized that they had never seen a movie and had no concept of what one was. To demonstrate what a movie was, Eli brought a TV and a copy of Cannibal Holocaust (1980) and had a screening for everyone. The villagers loved it and thought it was a comedy. They gladly acted in the film.
- गूफ़As Kara is walking away after helping Justine chain herself to a tree, her face mask is on her arm; seconds later it's hanging on her neck and she is proceeding to put it on. All the while Justine is calling her name because her lock isn't working, then Justine appears struggling, then back to Kara getting her cell phone out of her pocket, but the mask seems to have disappeared, then it goes back to Justine, again still struggling with her lock, then back to Kara holding her cell phone up and magically her mask is back on her face. All this in a matter of seconds.
- क्रेज़ी क्रेडिटAfter the song credits and before the special thanks, there is a "brief history of the Italian cannibal genre and their many names, along with their directors and their many names".
- इसके अलावा अन्य वर्जनIn Singapore, the film was edited before it could be approved for release with an R21 rating. The distributor was made to remove an instance of strong graphic violence which the board felt was gratuitous; the scene in question occurs as the natives hold a man down and torture him cracking open his skull, removing his tongue and limbs, gouging his eyes out and severing his limbs. Without these cuts the film would have been refused classification.
- कनेक्शनFeatured in The Tonight Show with Jay Leno: एपिसोड #22.24 (2013)
- साउंडट्रैकJanitors
Performed by Ariel Levy Dor
Written by Ariel Levy Dor
Courtesy of Ariel Levy Dor
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Green Inferno?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Caníbales
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $50,00,000(अनुमानित)
- US और कनाडा में सकल
- $71,92,291
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $35,20,626
- 27 सित॰ 2015
- दुनिया भर में सकल
- $1,26,66,449
- चलने की अवधि
- 1 घं 40 मि(100 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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