IMDb रेटिंग
6.4/10
5.5 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA psychopathic Japanese executive accidentally triggers a journalist's 'dark side'. They begin to connect over the Internet and make a complicated bond.A psychopathic Japanese executive accidentally triggers a journalist's 'dark side'. They begin to connect over the Internet and make a complicated bond.A psychopathic Japanese executive accidentally triggers a journalist's 'dark side'. They begin to connect over the Internet and make a complicated bond.
- पुरस्कार
- 5 जीत और कुल 5 नामांकन
फ़ीचर्ड समीक्षाएं
Don't miss out on this movie, and if you seen I saw the Devil then you must watch this .I saw a trailer recently and I had no Idea what was going on in the trailer. I noticed that Merantua films, xyz films, and Gareth Evans was involved in this project. If you have seen the raid, or raid 2 you know that those three things I've listed are not going to disappoint you. The movie revolves around a Japanese psychopath who kills for the fun and feeling of it. There are very few movies in which they show the mind of a killer and how he thinks at times. The effects in this movie look very realistic . I really love the blend between the Indonesian and Japanese world. Don't give the movie a bad rating because you thought it was disturbing . The movie competes with I saw the Devil, and The Chaser. Acting-9/10 Score-10/10 Violence- 10/10 Story-9/10 Overall :10/10
Following two storylines that gradually become entwined, 'Killers' represents another calculated effort from Timo Tjahjanto and his brother: a dark psychological thriller that follows a serial killer and a journalist and their murky psyches that lead to their violent actions.
Nomura is the charismatic but vicious psychopath who targets women, kidnaps them, and brutally kills them in a myriad of ways on film, then posts his kills online for the disturbing pleasure of voyeurs. Bayu is an ambitious journalist with issues of his own, and soon his dark side will be unleashed after encountering Nomura's footage online. So begins a descent into bloodshed for Bayu, who's vigilante crusade unlocks grimy secrets while sending him down a path that almost feels like his true calling as he begins to interact with Nomura in more ways then he's comfortable.
Despite the subject matter, the Mo Brothers are keen to keep a focus on their narrative and central characters. They understand what to show the audience, and what not to show, when to show it, and vice versa. This prevents the violence from becoming gratuitous for the sake of it, keeping the murderous acts horrifying and not nauseating for the inclination of viewer intensity.
The story runs of steam towards the end, unable to sustain its carefully maintained momentum in the home stretch, but its an entertaining ride nonetheless. The tone is dark, the kills are bloody, and the line between right and wrong is crossed and re-crossed. It's a film that looks at the nature of violence, the catharsis of controlled torture, and saddles the viewer with plenty to contemplate as the story careers towards an inevitable showdown between two very unique yet ultimately villainous killers.
7.5/10
Nomura is the charismatic but vicious psychopath who targets women, kidnaps them, and brutally kills them in a myriad of ways on film, then posts his kills online for the disturbing pleasure of voyeurs. Bayu is an ambitious journalist with issues of his own, and soon his dark side will be unleashed after encountering Nomura's footage online. So begins a descent into bloodshed for Bayu, who's vigilante crusade unlocks grimy secrets while sending him down a path that almost feels like his true calling as he begins to interact with Nomura in more ways then he's comfortable.
Despite the subject matter, the Mo Brothers are keen to keep a focus on their narrative and central characters. They understand what to show the audience, and what not to show, when to show it, and vice versa. This prevents the violence from becoming gratuitous for the sake of it, keeping the murderous acts horrifying and not nauseating for the inclination of viewer intensity.
The story runs of steam towards the end, unable to sustain its carefully maintained momentum in the home stretch, but its an entertaining ride nonetheless. The tone is dark, the kills are bloody, and the line between right and wrong is crossed and re-crossed. It's a film that looks at the nature of violence, the catharsis of controlled torture, and saddles the viewer with plenty to contemplate as the story careers towards an inevitable showdown between two very unique yet ultimately villainous killers.
7.5/10
I was pretty excited to watch this since the trailers looked good, but I must say I was let down. Some good things here and there, but lacked substance.
The biggest issue for me would be that this film feels like two different films. You have the Japanese guy who is a pro serial killer and seems to have a troubled past, which I preferred of the two, and then you have the Indonesian guy who kind of becomes connected to the other guy. The only thing is, how he becomes connected is silly. Minor spoilers since this happens early on, but he kills some guys who are trying to rob him. It's a heat of the moment thing. But he then records them dying and uploads it online. There is no reasoning for this, other than the fact that they try to portray him as some kind of "Hulk" like character where he loses his mind and kills without regard, and all of a sudden he will snap out of it and regret it. It was completely unbelievable and felt contrived just to get these two main characters together, which is where another issues arises.
The poster says "From The Producers Of Cold Fish And The Raid", and thats what it feels like. It's like two different directors shot their own films, and then added in scenes where the two main characters talk on webcam and the finale. The reason why they connect at first seems to make sense, but how it ends just feels completely unmotivated. There was barely any connection between the two throughout, and then they expect us to find the finale really riveting. It just didn't work.
If this had JUST been the Japanese guys story, I would have liked it a lot more. His story had the most going on and brought up some interesting ideas that never really get fleshed out because we need to go back to the other guy in Indonesia. But together, they feel so disconnected and just make the run time longer than it should be.
While there was some good visual stuff that I liked, like the club scene, there were many editing and directing issues. A character runs through a group of guys who want to grab him, and somehow through wonky editing, he gets through them and ends up on the floor a few feet away from them. It seems like the directors just said "Yeah I really don't know how he would get out of this one... but it looks cool so just make him somehow escape."
If you liked the trailer, watch this at your own caution. It probably won't deliver in the way you expected.
The biggest issue for me would be that this film feels like two different films. You have the Japanese guy who is a pro serial killer and seems to have a troubled past, which I preferred of the two, and then you have the Indonesian guy who kind of becomes connected to the other guy. The only thing is, how he becomes connected is silly. Minor spoilers since this happens early on, but he kills some guys who are trying to rob him. It's a heat of the moment thing. But he then records them dying and uploads it online. There is no reasoning for this, other than the fact that they try to portray him as some kind of "Hulk" like character where he loses his mind and kills without regard, and all of a sudden he will snap out of it and regret it. It was completely unbelievable and felt contrived just to get these two main characters together, which is where another issues arises.
The poster says "From The Producers Of Cold Fish And The Raid", and thats what it feels like. It's like two different directors shot their own films, and then added in scenes where the two main characters talk on webcam and the finale. The reason why they connect at first seems to make sense, but how it ends just feels completely unmotivated. There was barely any connection between the two throughout, and then they expect us to find the finale really riveting. It just didn't work.
If this had JUST been the Japanese guys story, I would have liked it a lot more. His story had the most going on and brought up some interesting ideas that never really get fleshed out because we need to go back to the other guy in Indonesia. But together, they feel so disconnected and just make the run time longer than it should be.
While there was some good visual stuff that I liked, like the club scene, there were many editing and directing issues. A character runs through a group of guys who want to grab him, and somehow through wonky editing, he gets through them and ends up on the floor a few feet away from them. It seems like the directors just said "Yeah I really don't know how he would get out of this one... but it looks cool so just make him somehow escape."
If you liked the trailer, watch this at your own caution. It probably won't deliver in the way you expected.
Two men from different cultures, a journalist investigating a corrupt rich man in Jakarta, and a banker turned serial killer from Tokyo meet in a chat room and form an unholy alliance. The Japanese man abducts and tortures women on camera and uploads them on to the internet. The Indonesian writer becomes fascinated by the videos, and through a series of events becomes a killer himself. The movie switches back and forth between the two characters in a fairly seamless fashion. The acting is excellent, with vivid camera work, but be warned of some explicit and bloody violence. It runs a bit too long at two hours and eighteen minutes, but I still recommend Killers as one of the better films of 2014.
First, it has to be said that this film is brilliantly shot. The cinematography really is exquisite, and the whole film's aesthetic reminds me of the TV show Hannibal, in that it uses a slot of slow-motion and classic musical pieces as well as looking very elegant despite a lot of disturbing content and gore. The directing here is fine, the screenplay has some holes though. The performances are quite strong too, and really do seem to elevate their script's material. As a whole, this is very bloody and pretty horrifying, would not recommend it to the squeamish, but as a film, it's a fine one, if even very flawed at times. Seek it out.
क्या आपको पता है
- गूफ़सभी एंट्री में स्पॉइलर हैं
- साउंडट्रैकCello Sonata in E Minor RV40 Mov. 1
Composed by Antonio Vivaldi
Recorded at Treehouse Studio, Performed by Andreas Arianto & Rachmaninov Noor
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- How long is Killers?Alexa द्वारा संचालित
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बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $5,248
- चलने की अवधि2 घंटे 17 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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