The Heat

Sandra and Melissa have such an amazing chemistry! It's like they are just natural when it comes to working together. Of course this movie had some of the wall scenes and over the top moments but what do you expect from Melissa McCarthy. I enjoyed the movie and it was extremely funny and family-oriented and what is definitely needed during this Covid-19 pandemic time......many laughs.

This film is about two female officers with strong personalities, who have to work together against a drug gang.

The trailer of "The Heat" made me laugh hard, and wow the actual film made me laugh even harder! It's amazing how two strong personalities, one foul mouthed and the other egocentric, could be portrayed to be so likable. That's not an easy job, but they managed it. The film is filled with sharp witted insults and even more profane words, but the jokes does not rely on these at all. In fact there are so many clean jokes that are hilarious, such as three drinks are in fact one, or the interrogation scene that involves a phone book. It's really been many years since a comedy has made me laugh so hard. I laughed so hard that a curled up a few times, and by the end of the film I had a sore throat from laughing! I loved "The Heat", it is a sure fire must watch!

The good cop-bad cop routine gets a makeover in Paul Feig's (Bridesmaids, Freaks and Geeks) latest vehicle The Heat, by playing up the expert comic timing of two funny women to rather interesting effect. Straitlaced FBI special agent Sarah Ashburn (Sandra Bullock) has a natural instinct for busting hidden dope and comes armed with high qualifications, overconfidence and a motivation to prove herself. In a bid to win a promotion, she takes on a high-profile assignment in Boston and reluctantly partners Shannon Mullins (Melissa McCarthy), an in-your- face local detective whose vocabulary is generously peppered with expletives. Totally "real", she pulls no punches and plays by her own rules. Neither of them are the most popular officers around, likely a consequence of their raw ambition and overall refusal to abide by gender stereotypes in male-dominated profession.

Their partnership begins with a tumultuous start as Mullins takes offence at Ashburn's decision to interrogate her witness without permission, and her territorial reaction results in a hilarious confrontation in her boss's office. Ever the career-minded professional, Ashburn recognizes the importance of the partnership to her potential promotion, and decides to make peace in order to track down a drug cartel boss. The pair storm through the neighbourhoods of Boston, leveraging on each other's strengths while reconciling their differences.

When opposites are presented to each other, they form a mirror for the each other's shortcomings, and perhaps part of the attraction comes from the patching of those gaps. In an attempt to bug a cartel member's mobile phone, Ashburn steps out of her comfort zone and strips down while Mullins provides the distraction in an entertaining scene at the club. Sure, they're not the hottest girls around, but they're the ones who've got all the attention. The stakes go up when Mullins' brother's involvement with the cartel puts her family at risk. The belligerent partnership metamorphoses into warm friendship as both women come to emphathise with each other's vulnerabilities. Even when the world is against them, both detectives are more than confident of holding their own and solving the case on their own terms.

The story's direction is completely predictable, but it is the script – down-to-earth, genuine and liberally dowsed in R-rated language – that boosts the movie, alongside the winning appeal of the two leads. As she's established before in her Miss Congeniality films, Bullock is witty, naturally droll and looks good with a gun. McCarthy combines hard-nosed physicality with dewy-eyed tenderness, creating a character you can empathise with and would want on your side of the ring in a fight.

A respected writer, producer and director, director Feig is perhaps best known for the massive 2011 box-office hit Bridesmaids. The female-led comedy raked in global earnings of US$300 million, established leading star Kristin Wiig as a bonafide comedy film star and introduced McCarthy as a capable comedian with a physicality that's absent among most Hollywood actresses. The story here tries hard to make you laugh, sometimes too hard (you can tell Bullock knows when to milk it when she's delivering a particularly amusing line), but also unexpectedly tugs at your heartstrings: Bullock and McCarthy share a good chemistry and their scenes together, in particular the improv-heavy ones in the bar, demonstrate the rapport between the two.

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I cannot understand all the very negative reviews for this movie. They almost convinced me not to watch it. Fortunately, the decent reviews convinced me to take an chance, and I am glad I did. This movie is as good a comedy as any of the decent comedies to come out in the last two years, of which there were not many. The acting was top class. The script was very funny and the direction was just right. The leads complimented each other perfectly. The pace was very good and kept you interested. Even the slower part which was only a very small portion of the overall movie, but was one of the things which made it more human and easier to relate to. Well worth a look.

A fairly typical buddy cop comedy, but it's enjoyable and has plenty of laughs. Sandra Bullock plays a straight-laced, unlikable FBI agent who comes to Boston for a major drug investigation and pairs up with antagonistic tough gal police detective Melissa McCarthy. The value of a film like this lies entirely with the leads, and Bullock and McCarthy both deliver. Bullock is a talented comedian who almost never gets to show it in a watchable film. McCarthy, fresh off her hit Identity Thief, proves once again to be a talented physical comedienne (as does Bullock, actually), but what should never go unmentioned when talking about her is that she's a wonderful ad-libber. Almost everything she says is hilarious. The rest of the cast is fine, and the film in particular shines whenever they go to the well of McCarthy's loud-mouth Irish family (which includes Jane Curtin), who have a black velvet painting of Jesus hitting a home run at Fenway Park on their kitchen wall. The plot is, of course, rote, and it's probably not a film I'll be thinking about an hour after I've seen it, but it provided a pretty good time at the movies.