Graceland

I have thoroughly enjoyed the show up till this point in the series. It began similar to other series in which, like the negative reviews have said, has all the clichés we've seen before, delivering an idea we've seen before. After the first couple of episodes I would have given it about a 5 compared to other USA shows like Psych and Suits which are strong 8 or 9s. But after these few episodes, the series begins to flip the clichés on their head. Without spoiling anything, the roles perceived at the beginning of the show are switched up with many of the characters holding a secret over their heads. The one secret that has began to shift the story line really has changed the structure of the show using dramatic irony to really give the show an interesting and dramatic twist. The twist and turns as well as the cliffhangers at the end of the episodes really hooked me and even if you don't appreciate the acting( which I still think is good enough) you should at least be able to appreciate the unpredictably towards the end of the series. In summary, I feel like the negative reviews are slightly justified but don't judge this series on the first episode as it really just sets the scene rather than beginning to further the story line of the show.

Something this layered and suspenseful that is based on actual events doesn't come along often and when it does it should be given more than 3 seasons to establish a fan base. Yes some of it is incredulous but there would have to be some of that to offset the reality and gore of violence that is based on reality. Add to that a fine cast of actors and you get a winning combination. Such a shame it was canceled to make room for something fluffy. It's hard to understand why this wasn't renewed, especially given the cliffhanger at the end of Season 3, along with unfinished story lines that would have been exciting to explore. Why is it that once you're hooked on the drama and the characters a network decides to cancel? I don't understand why networks don't query their audiences before making these decisions! There's a reason Idol and other talent shows allow audiences (customers) to vote!!!

I have watched this show 3 times all together AND I CAN NOT UNDERSTAND WHY IT ENDED LIKE THAT. SUCH A CLIFFHANGER. I loved this show from the day it debuted on Tv and I have never been this sad about a tv serie. ITS BEEN 5 years since it ended and I still can't suck it up.😢😢😭😣

I'm not sure what show the poor reviews were watching, but it couldn't have been Graceland.

This show is entertaining and well paced. The acting of the two leads is spot on and the supporting cast, especially Manny Montana, are excellent. There's chemistry and great banter along with a darkness that most USA shows don't have.

Also, if you didn't like the first episode, give the second a shot, the show improves greatly between the pilot and 2nd and goes upwards from there.

Give this show a chance, you will not regret it.

Despite the title (the show is only in the most tangential sense Elvis related, thank goodness), we felt we had to watch at least the pilot because of the presence of admirable Broadway actors Aaron Tveit (NEXT TO NORMAL & CATCH ME IF YOU CAN), Daniel Sunjata (TAKE ME OUT) and Courtney Vance (SIX DEGREES OF SEPARATION).

Vance, as the head of the FBI at Tveit's character's graduation, may not prove an ongoing character (inexplicably for a personality of his calibre, IMDb doesn't even mention him in the Pilot Episode at present!), but he SHOULD be as he serves as a solid grounding for a location and character heavy tale of young cross-agency enforcement agents living and working out of a luxurious beach front headquarters seized from an Elvis-fanatic drug lord (hence the name for the house and series) before the series ever begins.

The true leads in the story about drug enforcement and possibly the investigation of the enforcers are Tveit as the young hotshot just out of training academy with top scores and unlimited potential and Sunjata as the experienced but still charismatically young agent (one of the few with Academy scores exceeding Tveit's own) who is to field train Tveit. The hour and 15 minute pilot was languorously paced but ultimately got in its share of moments of excitement among the hot locations (was the opening shot really intended to evoke the opening shot of THE USUAL SUSPECTS?) and potentially enjoyable cross currents of character relationships in the unusually large ensemble.

The USA Network has made a name for itself with quirky character "mysteries" which entertain on many levels and, despite an unfortunate European-style preference for ultra-short "seasons," allowing the well ensembles time to develop followings. Given that time, with slightly tighter story telling, GRACELAND should be another in a popular line-up of lightly challenging USA entertainment. It has something for everyone between beach skin, vicarious luxury, post collegiate kidding, an underlying frisson of mistrust and dark underpinnings and the promise of developing character interplay among the large cast (who will turn out to be bad guys beyond stealing from the communal refrigerator? Who will mate with whom?).

In some ways GRACELAND looks like it wants to be a cross between the BIG BROTHER HOUSE and TRAFFIC. If they can get the mix to gel, and they seem to be off to a good start despite one or two moments which strain credibility - but which may actually be parts of the story supposedly "based on fact," they could have something very special. At the very least it's worth a second look.