The Paradise

This period piece about a young woman who starts work at a department store lead by a charismatic and impetuous director is an enjoyable piece of fluff with a lovely mix of drama, comedy, mystery, and romance. The first season, loosely on a novel, is thoroughly engaging. The second season is fairly compelling as well but also rather daft, with all sorts of logic issues and characters who personality traits have become oddly fluid.

The cast is excellent, particularly the lovely Joanna Vanderham in the main role and David Hayman as the mysterious Jonas. It's a shame this only got two seasons. Definitely recommended.

I normally avoid what I call "modern" costume-dramas like the plague, no "Downtons" or "Candlefords" in our house, but having read the source novel by Emile Zola (one of the rare novels my wife and I both enjoyed reading) and believing then that it had continued relevance in today's shopping mall, hypermarket, bigger-is-better consumer society, I was persuaded to tune in.

I'm rather glad I did, as, while I can easily see the soap suds gathering around the fringes, still Zola's story-telling skills shine through. I can't remember enough about the novel to place the appropriate episodes depicted here, although some of course were of modern invention, still I felt as a whole, the series maintained consistency, continuity and credibility throughout.

It's well acted with, in the lead roles, Emun Elliot as the charismatic retail supremo Moray (Mouret, in the original French) and Joanna Vanderham as the initially demure but fast developing shop-girl-in-a-hurry Denise, while the rest of cast support well, with the possible exception of Sarah Lancashire, who overplays the starchy department manageress, Miss Audrey.

I would carp at the sets which seem to be have been done on the cheap, you hardly get the impression that the store is large at all and as for the exteriors, it appears the BBC could only be bothered to dress up one section of the street outside the shop, giving an air of budget-cuts to proceedings.

Nevertheless, this was easy-to-watch family entertainment, which I'm pleased to see has been commissioned for a second series. We'll be watching.

I couldn't get into Mr. Selfridge but I enjoyed this show. It's a shame there are only two seasons. Why BBC, why??

The Paradise is just that! An amazing show which captivates you very quickly and has you thinking constantly. If it is not about the era, the times, the cast, or writing...It is what is next! I am a definite movie buff with hundreds of thousands of shows watched. Not to say anyone is qualified to say what is good or bad but The Paradise is just simply VERY good in many ways. This series was a refreshing step away from the overdone crime dramas and did not need or require nudity nor profanity to make is superb. Some here criticize the last episode(s) however they may not understand this - the writers knew the show would be canceled well before it ended, sadly, and were required to conjure up a somewhat appealing ending. I am highly disappointed, again, in the BBC's horrid decision to cancel. Those in the BBC who "decided" to cancel are far better off working as shoe makers or barbers and should kindly step out of the entertainment business.

Sometimes I think I know where this story is going and it suddenly takes a turn not expected.

At first glance many of the situations and characters seem so common or typical. As the story goes along the characters develop rich persona's and quirks of their own. Some of them need work but it's small criticism. Despite it's period setting, the feel is very contemporary and the writing style, sharp for period pieces. Still it's good for young and old. I don't often warm to these period pieces with women in long dresses and lace and the class differences being used as reason for conflict. Paradise seems to give equal standing to all its characters, regardless of class, and invents interesting back stories for so many of them. The sets and scenery and costume are good but not outstanding. The quality comes from the concept and the well written script.