Still Life

For me this was a film of two halves. The first half is setting the mood and pace. The music is lilting and swirls around the slow, deliberate focus on the lead charactor. This film is about attention to detail and compassion. What we are reminded of is how what may seem pointless or insignificant can be the a life's work for others. We are reminded of loneliness and contemplation. Our own families, connections and purpose. We follow John May in his journey, and we feel his heart.

About halfway through the emotion starts to build. The whimsical desperation of uncovering truth and trying to reach broken hearts and broken families. The stories that lie behind every person. The layers of charactor and how they present, to some a scoundrel to others a saint.

Finally, as the end of the movie approached, I cried.

Actually, I sobbed.

What was initially just something in my eye turned into streams of tears.

Although it could've stomped on my heart less, I loved the attention to detail, the acting and the cinematography. This film is one to remember for many reasons.

A tour-de-force by Eddie Marsan, in the quietest possible way. This is a poignant, thoughtful look at a man out of step with the modern world, who still holds to the (outdated) values of treating others with dignity and respect, in their last journey. He plays a British civil servant whose job is to organise funerals for those who have died alone, and locate their friends/relatives to advise them of their bereavement. After 22 years, he still pursues each new case with understated vigour, diligently seeking out anyone who may have had a connection to the deceased, but often being the sole attendant at the funeral.

It is a beautifully filmed slice-of-life on the themes of loneliness, loss and the disconnection of human beings in modern urban life. Marsan's performance is very authentic and affecting, and one is drawn in by his compassion and humanity. But then his Council decides it is inefficient - as a cost-cutting measure, you understand - to maintain his job, as "once they're dead, they don't care"... Marsan, battling till his final day in the face of bureaucratic indifference, finds some genuine connections and a ray of hope appears on his horizon...

This movie had lots of small moments of humour - a scene with two homeless men, and another with a Corrections officer are subtly amusing. But mostly, it is a thought-provoking homage to our humanity, and a reminder that social contacts with those we care for, are often the most positive, important and joyous moments of our lives. The movie sneaks up on you, and reaches into your soul, and I will remember it for a long time.

A great movie about discipline, responsibility and the importance of performing at your best whatever task you have to carry out. An important message in times of complain, protest and nihilism. The director powerfully uses images more and better than the dialogue. In this respect, he stands aside the great masters of the past (one name: Alfred Hitchcock, quite explicitly quoted in the movie) and won't fail to please all the true movie lovers. All actors are great, but it is the compassionate eye of the director that wins the scene. The soundtrack is also adding to the atmosphere and does its job remarkably well. Should I add that I truly enjoyed this little masterpiece?

This is a great film, absorbing from start to finish. The lead actor Eddie Marsan (playing John May) is outstanding.

Let me first say that this is not a comedy. It has a dark theme, loneliness and death. May works for the council and his delightful job is to track down relatives of people who have died alone. Sometimes though these people die alone for a good reason and so May is often the sole attendee at the funeral. May is so compassionate that he tries to replace the missing family and friends by writing obituaries based on what he finds at the deceased 's residence. It's really touching and sincere. May himself is also a bit of a loner. The scenes of how people live and the way they talk about each other is beautifully done and so English - fish and chip shops, the pub, the banter with old colleagues of victims. Marsan is just superb. The other characters are minor compared to him but still make excellent contributions (Jumbo makes a few serious comments about war, Mary in the chip shop helps us see a better side of a tough guy, the same guy's daughter gives us another view again). I really like the way the story develops and found the ending very satisfying and fitting. Go see it.

Absolutely brilliant little film that holds on to the small things in life in every aspect with superb subdued acting, colours and sound. Almost as a mime John May shows his compassion with his fellow human begins, no matter who they are, or rather were. There are several superb surprises along the way, among them fascinating encounters with relations to the deceased. For me as a Dutch Anglofile it is wonderful to see and recognize so many aspects of British life, London, brickwork, the sea, fish & chip shops, trains and many more. Just for that it is a joy to watch. For me it has an impact that couldn't be greater thanks to so many little gems. Brilliant, brilliant, brilliant!