The Village

I am having withdrawal symptoms from this now having watched the whole series and revisited episode 1.

Yes, it's pretty bleak at times - and it hardly breaks the stereotype of it being a tad grim up North - but then it probably was everywhere let alone Oop North when WW1 broke out- and as a massive John Simm fan, it's tough watching him play this unendearing character. But stick with it, and you are rewarded with seeing some amazing performances unfold. Maxine Peake deserves a special nod for her moving portrayal of Joe and Bert's mum. How much heartache can a woman take??? A lot, it seems.

It's beautifully shot, beautifully acted, almost incessantly grim, but you do care about enough of the characters to want to keep on watching.

I would recommend a second viewing as I am doing now, and enjoying it even more now I know what happens and can just focus on the performances and period detail done as only BBC can.

This is a real winner for me, and I am really looking forward to Series 2.

We are all one family, as the Latin saying goes, and THE VILLAGE is an excellent proof to it.First,cheers to the script writer!Mr. Moffat has managed to tell us the simple things of everyday life of simple people without being banal;he presents heart-breaking stories without making them cheap melodrama;he is very meticulous in showing the historical background of the events without making them text-bookish boring.Second,excellent acting!True, nowadays, the British school of acting is the best in the world.Not a single false note or a gesture;perfect(as is a rule in all British films)enunciation and intonation in the speech of all, socially and educationally very different, protagonists.Third,a very good direction:all episodes are logically and emotionally connected,giving the viewers the complete understanding of the motivation of the heroes' actions. I just wish THE VILLAGE a long and successful screen life!

The Village captures you with it's imagery, but holds you with the characters and superb acting. It's sometimes hard to watch as the grim reality of early 20th century rural English life is relentless.

The BBC should be praised for not giving it a coat of historical whitewash and trying to depict life in the period with with both the warts and the beauty. Ultimately it is the characters that you become invested in. Not the stock portrayals of the noble working class or morally vacuous upper class. The main characters have layers and depth that makes them both interesting and empathetic. They are brought to life by terrific performances and you believe them completely.

Overall this is superbly done.

Criminally underrated writer/producer, Peter Moffat, showcases his prodigious versatility by following up his brilliant legal drama, Silk, with the equally compelling The Village.

The Village chronicles the lives of the inhabitants of a small country town as they struggle to adjust to the turbulent societal upheaval brought about by the First World War. From the gentry to the poverty stricken working class, the shocking realities behind closed doors belie the idyllic surrounds of the Derbyshire countryside.

The Village is far from feel good entertainment. It's dark themes and gritty period realism creates viewing that is often emotionally harrowing, but undeniably brilliant.

Despite the explosive era in which it is set, the narrative threads of the series are predominately insular and familial, relying on interpersonal relationships to create drama. The results are riveting, primarily thanks to the vast array of intriguing characters and superb performances by the stellar cast. Moffat is a genius at writing fascinatingly unconventional characters that are neither heroes nor villains, but ambiguously grey. Unlike many male writers, he also consistently imbues his shows with multifaceted females roles that are equally if not more dynamic than their male counterparts.

Moffat's leading lady from Silk, Maxine Peake, is the emotional center of the series. Peake remains one of the finest actresses working today and if there is any justice The Village should garner her some long overdue recognition.

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The Oldest Briton looks back on life in a rural English village during WWI, much of which he seemingly learned about through constant lurking and eavesdropping. The usual suspects are all here: indomitable mother, alcoholic father, idealistic preacher's kid, grasping bourgeoisie, scheming parvenu, morally bankrupt upper class scion, disillusioned upper class scion, nutso upper class daughter, conchie, and...brother Joe. It's Joe's story that occasionally elevates The Village, especially in E5. Otherwise, it drifts along comfortably, with nice acting-especially from Rupert Evans and the ever-reliable Juliet Stevenson-disguising the pedestrian screenplay.