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Brooklyn

  • 2015
  • U
  • 1 घं 57 मि
IMDb रेटिंग
7.5/10
1.6 लाख
आपकी रेटिंग
लोकप्रियता
2,628
18
Saoirse Ronan in Brooklyn (2015)
Official Trailer
trailer प्ले करें2:38
38 वीडियो
99+ फ़ोटो
Period DramaDramaRomance

एक आयरिश आप्रवासी 1950 के दशक में ब्रुकलिन पहुंचती है, जहां वह जल्दी ही एक स्थानीय निवासी के साथ रोमांस में पड़ जाती है. हालांकि, अपने अतीत की वजह से उसे दो देशों और उसमें मौजूद जीवन के बीच ... सभी पढ़ेंएक आयरिश आप्रवासी 1950 के दशक में ब्रुकलिन पहुंचती है, जहां वह जल्दी ही एक स्थानीय निवासी के साथ रोमांस में पड़ जाती है. हालांकि, अपने अतीत की वजह से उसे दो देशों और उसमें मौजूद जीवन के बीच चयन करना होगा.एक आयरिश आप्रवासी 1950 के दशक में ब्रुकलिन पहुंचती है, जहां वह जल्दी ही एक स्थानीय निवासी के साथ रोमांस में पड़ जाती है. हालांकि, अपने अतीत की वजह से उसे दो देशों और उसमें मौजूद जीवन के बीच चयन करना होगा.

  • निर्देशक
    • John Crowley
  • लेखक
    • Nick Hornby
    • Colm Tóibín
  • स्टार
    • Saoirse Ronan
    • Emory Cohen
    • Domhnall Gleeson
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.5/10
    1.6 लाख
    आपकी रेटिंग
    लोकप्रियता
    2,628
    18
    • निर्देशक
      • John Crowley
    • लेखक
      • Nick Hornby
      • Colm Tóibín
    • स्टार
      • Saoirse Ronan
      • Emory Cohen
      • Domhnall Gleeson
    • 365यूज़र समीक्षाएं
    • 307आलोचक समीक्षाएं
    • 88मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 3 ऑस्कर के लिए नामांकित
      • 38 जीत और कुल 161 नामांकन

    वीडियो38

    Brooklyn
    Trailer 2:38
    Brooklyn
    5 Sad Love Stories to Stream Now
    Clip 1:16
    5 Sad Love Stories to Stream Now
    5 Sad Love Stories to Stream Now
    Clip 1:16
    5 Sad Love Stories to Stream Now
    You Dont Sound Irish
    Clip 1:15
    You Dont Sound Irish
    I Wanna Ask You Somethin
    Clip 1:28
    I Wanna Ask You Somethin
    Your Life Could Be Good Here
    Clip 0:47
    Your Life Could Be Good Here
    A Helping Hand
    Clip 1:00
    A Helping Hand

    फ़ोटो177

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 172
    पोस्टर देखें

    टॉप कलाकार50

    बदलाव करें
    Saoirse Ronan
    Saoirse Ronan
    • Eilis
    Emory Cohen
    Emory Cohen
    • Tony
    Domhnall Gleeson
    Domhnall Gleeson
    • Jim Farrell
    Jim Broadbent
    Jim Broadbent
    • Father Flood
    Hugh Gormley
    Hugh Gormley
    • Priest
    • (as Father Matt Glynn)
    Brid Brennan
    Brid Brennan
    • Miss Kelly
    Maeve McGrath
    • Mary
    Emma Lowe
    • Mrs Brady
    Barbara Drennan
    • Shabby Woman
    Gillian McCarthy
    Gillian McCarthy
    • Timid Woman
    Fiona Glascott
    Fiona Glascott
    • Rose Lacey
    Jane Brennan
    Jane Brennan
    • Mary Lacey
    Eileen O'Higgins
    Eileen O'Higgins
    • Nancy
    Art Campion
    Art Campion
    • George Sheridan
    • (as Peter Campion)
    Eva Birthistle
    Eva Birthistle
    • Georgina
    James Corscadden
    • Ship Waiter
    Julie Walters
    Julie Walters
    • Mrs. Kehoe
    Emily Bett Rickards
    Emily Bett Rickards
    • Patty
    • निर्देशक
      • John Crowley
    • लेखक
      • Nick Hornby
      • Colm Tóibín
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं365

    7.5156K
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    सारांश

    Reviewers say 'Brooklyn' is celebrated for its heartfelt portrayal of immigration, love, and identity, with Saoirse Ronan's compelling performance as Eilis earning high praise. The 1950s setting in Brooklyn and Ireland is noted for its authenticity and nostalgic atmosphere. Themes of home, belonging, and the immigrant experience resonate strongly, though some find the plot slow-moving. The romantic elements, despite being predictable, are appreciated for their sincerity. The supporting cast enhances the film's emotional depth, making 'Brooklyn' a touching, well-crafted drama.
    यूज़र की समीक्षाओं के टेक्स्ट से AI द्वारा जेनरेट किया गया

    फ़ीचर्ड समीक्षाएं

    8troyputland

    The incredible Saiorse Ronan.

    Saiorse Ronan needs to be in more movies. She's an absolute delight, whatever she's in. Brooklyn is Ronan's finest 111 minutes to date. All the anguish, all the emotion she portrays, is seen through her eyes. Eilis (Ronan), is torn between two worlds: Ireland and America, missing her family back home and starting afresh halfway across the world in Brooklyn, New York. Events that occur only make it harder for Eilis. Emory Cohen's Tony sparks confidence in our out-of-sorts protagonist. Ronan's acting is so brazenly from the heart that I can't help but feel everything she feels, even during her hardest times. Special mention goes to Julie Walters who oversees the girls in the boarding house that Eilis resides. Brooklyn is an extraordinary watch due to class acting from all round. It's funny, clever and charming.
    8svenrufus

    Ronan owns this films, terrific performance

    I was lucky enough to get tickets to a preview of Brooklyn last week, and in a rare change from the normal routine, I went into a film knowing absolutely nothing about it.

    It was such a full house, that I ended up staring up at the screen from well outside my usual comfort zone at an awkward angle, too close to the screen, and away from my girlfriend which wasn't a great start, but once the film started I was quickly caught up in the magnificence of Saoirse Ronan's performance and forgot about any of those minor gripes.

    Ronan owned this film, from first to last. The storyline itself is a somewhat thin and a follows a well-trodden path but Ronan gives it such heft, and brings the intensity of her character's experience and development full force such that any deficiencies of the story seem inconsequential. It was only after leaving the screening that I really looked back at some of the plot points and realised how contrived it had been in places, but for the time I was watching it, I was simply living it through the potency of the acting. Ronan was brilliant in this, and I struggle to think of any recent performances that can match this for the confidence and sure-footedness that she showed. I think she's in with a good shout for an award or two for this role.

    It's worth mentioning Julie Waters as well, who reliably entertains and impresses in all she does. Between her and Saoirse Ronan, they made sure that Brooklyn passed the 6 laugh test – and also the 6 cry test. I laughed, and cried, and laughed as I was crying, and cried as I was laughing pretty much throughout the whole film. A thoroughly enjoyable film, where the central performance takes the audience on an engrossing and emotional trip through an otherwise somewhat slight storyline.
    9namashi_1

    A Beautiful, Beautiful Film!

    Based on Colm Tóibín's novel of the same name, 'Brooklyn' is A Beautiful, Beautiful Film! A heartwarming tale about Love, Loss & Relationships. And a Knock-Out Performance by Saoirse Ronan is always welcome.

    'Brooklyn' Synopsis: An Irish immigrant lands in 1950s Brooklyn, where she quickly falls into a new romance. When her past catches up with her, however, she must choose between two countries and the lives that exist within.

    'Brooklyn' is a simple film, told magnificently. Its superior film in all respects. Nick Hornby's Adapted Screenplay captures the Protagonist's coming-of-age tale, with dignity & pathos. I was arrested by the flow of the narrative. John Crowley's Direction is excellent. Cinematography & Editing are sharp, while the Art & Costume Design are fabulous. Michael Brook's Score works.

    Performance-Wise: Saoirse Ronan is in great form. The talented actress delivers a Knock-Out Performance as the naive & lovable protagonist. This is the kind of performance awards were invented for. Giving her terrific support are Emory Cohen & Domhnall Gleeson, who enact the men in her lives, proficiently. The Ever-Compelling Jim Broadbent shines in a brief role.

    On the whole, 'Brooklyn' is a true winner. Don't miss it!
    8bob-the-movie-man

    No, not a film about Beckham Jnr.

    When the older generation talk about them "not making films like that anymore", this should be the film they go and see. This is a film that will appeal greatly to the "Marigold Hotel" set, and from the audience mix in the well-attended Tuesday night screening I attended, that message is getting out there.

    Saoirse Ronan plays Eilis, a teenage girl growing up in Ireland's County Wexford with her older sister and widowed mother in the early 1950's. Short on opportunities for a decent life, she is sponsored into a new city and a new job by Father Flood (Jim Broadbent), a friend in the New York clergy. Desperately homesick, we follow her trials and tribulations as she eventually settles into her new life through the love of a good (albeit sometimes un-favourably smelling) young man (an impressive Emory Cohen). Torn between her family duty at home in Ireland, where lurks another beau in the form of Domhnall Gleeson ("Ex Machina", "About Time"), Eilis is caught in a love triangle with a 5,000 km hypotenuse.

    Ronan is mesmeric in the role of Eilis. Most famous for her dramatic role in the much-underrated adventure film "Hanna", and more recently in last year's superb "Grand Budapest Hotel", here she has to carry a demanding starring role and she does so with great skill.

    The supporting cast are also excellent, with Jane Brennan in particular turning in a heartbreaking performance as Eilis's mother (albeit, I felt, in one of the more two-dimensionally scripted roles in the film). Also of particular note is national treasure Julie Walters, hilarious as the landlady Mrs Kehoe coming out with some cracking dialogue, and Jenn Murray (set to appear in Potter spin-off "Fantastic Beasts and Where to Find Them") as the kookie and man-hungry new guest-house arrival who is a sheer comic delight to watch.

    The script is by Nick Hornby ("About a Boy"), based on the novel by Colm Tóibín, and zips along pleasantly with only the occasional missed step (there was one line in particular that reeked of cheese).

    The director is John Crowley, but credit should also go to the technical team that makes the US scenes just glow with nostalgia. The cinematography of Yves Bélanger ("Wild", "Dallas Buyers Club") is exquisite, especially in the more romantic scenes with Ronan wearing rich red costumes (by Odile Dicks-Mireaux). And the set decoration and special effects make scenes such as the ones at Coney Island very effective without having to break a (presumably) limited budget. All in all, this is a film that, if there is any justice in the world, I would love to see feature prominently in the Oscar art categories.

    With some bittersweet twists and beautifully shot, this is a fill-em (to use the Irish vernacular) that should appeal to a broad audience looking for a romantic story well told on the big screen. By the way, imho the trailer gives too much of the plot away so I would recommend avoiding.

    (A graphical version of this review is available at bob-the-movie- man.com).
    8ClaytonDavis

    Everything a Nicholas Sparks Movie Wishes It Was

    Often movies have a magical quality as you're viewing them. Some will demand your undivided attention, others will hypnotize your senses, leaving them to simply wash over you with their exuberance and classic filmmaking procedures. In the case of John Crowley's "Brooklyn," the latter is certainly the case. There comes a moment in the film when you are taken in by the film's classic style filmmaking, and tenderly thought-provoking performances from its cast. Director Crowley, in partnership with Oscar-nominated scribe Nick Hornby, create a beautiful and sensitive love story that is everything a Nicholas Sparks film adaptation wishes it could be. With a vibrant turn from Academy Award nominee Saoirse Ronan at the helm, "Brooklyn" utilizes all of its tools in its arsenal to convey a potent message of love and family.

    "Brooklyn" tells the story of Ellis Lacey (Ronan), who in 1950s Ireland and New York, has to choose between two men and two countries. One is the charismatic Italian plumber Tony (Emory Cohen) while the other is the reserved yet sensitive Jim Farrell (Domhnall Gleeson). Both are making a case for Ellis' love.

    The film is helmed with a strong and undeniable confidence from Saoirse Ronan. Feeling the internal battle just pouring out of her in nearly every sense and every scene, Ronan finds Ellis' struggle and wears it on her sleeve. She doesn't just have fear of choice, she goes through a barrage of emotions, and we actively see the character progress in each milestone that she hits throughout. It begins with the yearning and devastating separation from her family in Ireland, before gradually being brought to a yearn for acceptance in a new city. Her mild but rewarding progression into comfort and confidence is shown before being abruptly ripped away when tragedy strikes. Every instance is felt in Ronan's work, all of which is authentically true and vivaciously real. It's one of her best turns, and further proof that her name will be on our lips for quite some years.

    After breaking out with a scene-stealing turn in Derek Cianfrance's "The Place Beyond the Pines," Emory Cohen shows his sensitive and charming side of his range, resulting in an equally measured and tantalizing performance to his co-star. Don't sleep on this kid. Domhnall Gleeson's reservations to Jim Farrell is haunting in a role that doesn't call for many words or emotions. You can see the ache and pain in his movements, desperate for love and an overwhelming feeling of being lost. In a few scenes, Julie Walters as Mrs. Kehoe sustains as a surprisingly comic relief in a very serious drama. Her stoic, passive demeanor is such a treat to watch in her scenes of interaction with the girls of the boarding house in which Ellis is staying.

    Screenwriter Nick Hornby constructs the story with real life emotion, taking very few short cuts for its characters. He allows Ellis' feelings to make the journey in each instance in which she faces them. The foundation of Tony and Ellis is honest, and rings true as something we'd see in any instance within our own lives. Where he really shines in the connection between Ellis and her family. Thousands of miles away, and with little interaction on screen, you are heartbroken and pulled through the ringer as Ronan exemplifies the loss of her family and determination to see them once again. If there is a chink in Hornby's armor, it's the case he creates for the audience for Ellis to stay in Ireland. Up until the second half of the film, Hornby makes his case for New York, I'd only wish he made a more compelling case for Ireland, giving the audience a more fruitful and difficult dilemma in making their own decision about where Ellis should be.

    One must acknowledge how impeccably constructed the film is from head to toe. Crowley assembles a dynamite team behind the camera, who all standout in their own right. Cinematographer Yves Bélanger, with a yellow hue and soft palate, capture the country and the city to stunning results. He frames each scene intimately, capturing the heart and emotion of every word spoken. Production Designer François Séguin and Set Decorator Suzanne Cloutier capture the 50's homes as if plucked from the time period themselves, along with transporting us to a foreign land we can only dream to visit. Odile Dicks- Mireaux's magnetic costume work elevates each performance, allowing the actors to fully engage with their characters and the time. And finally, the music of Michael Brook is a breathtaking swell of emotion, creating moments that will surely bring you to tears.

    "Brooklyn" is a damn fine movie, following all the classic beats that we've grown to love about the most timeless love stories. "Brooklyn" will join the ranks of those timeless stories in the coming years. It's a joyful and heart aching film that stands as one of the year's best, and a sure-fire contender for several Academy Awards.

    Read more @ (http://www.awardscircuit.com)

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    7.6
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    6.9
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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Director John Crowley divided this movie into three different visual movements. The first movement is before Eilis Lacey leaves post-war Ireland and is with tight frames and filled with green tones. The color scheme was created by photographic reference of the time. The second movement begins when Eilis leaves for Brooklyn, and the first proper wide shot is featured, while the colors become more playful as a nod to how America in 1952 was on the cusp of pop culture kicking off. The third movement is back in Ireland, brighter, more glamorous, and "subtly more colorful" than the first movement. Crowley wanted to showcase how Eilis has changed and looks very different: "There is a slightly dreamy quality to that last third," he said.
    • गूफ़
      Early in the film, a co-worker attempts to discuss the film The Quiet Man (1952). This scene in Brooklyn, NY, takes place in 1951; also in a key scene that takes place much later, a new tombstone on a grave is dated 1st July 1952. "The Quiet Man" was not on general release in USA cinemas until 14 September 1952, with the American premiere in New York City, New York taking place on August 21, 1952.
    • भाव

      [last lines]

      Eilis: [instructing new immigrant] You have to think like an American. You'll feel so homesick that you'll want to die, and there's nothing you can do about it apart from endure it. But you will, and it won't kill you. And one day the sun will come out - you might not even notice straight away, it'll be that faint. And then you'll catch yourself thinking about something or someone who has no connection with the past. Someone who's only yours. And you'll realize... that this is where your life is.

    • कनेक्शन
      Featured in TFI Friday: एपिसोड #7.1 (2015)
    • साउंडट्रैक
      Teddy O'Neill
      Traditional

      Arranged by John Carty

      Performed by John Carty, James Blennerhassett, Paul Gurney and Jim Higgins

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    Saoirse Ronan Through the Years

    Saoirse Ronan Through the Years

    Take a look back at Saoirse Ronan's movie career in photos.
    See the gallery
    Production art
    फ़ोटो

    अक्सर पूछे जाने वाला सवाल

    • How long is Brooklyn?
      Alexa द्वारा संचालित
    • Is this film based on a novel?
    • When is the film set?
    • How is the love story in "Brooklyn" a metaphor for the immigrant experience?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 1 जून 2016 (भारत)
    • कंट्री ऑफ़ ओरिजिन
      • आयरलैंड
      • यूनाइटेड किंगडम
      • कनाडा
      • यूनाइटेड स्टेट्स
    • आधिकारिक साइटें
      • Fox Searchlight Pictures
      • Fox Searchlight Pictures (Japan)
    • भाषाएं
      • अंग्रेज़ी
      • लैटिन
      • आयरिश गेलिक
    • इस रूप में भी जाना जाता है
      • Brooklyn: un nuevo hogar
    • फ़िल्माने की जगहें
      • Curracloe Beach, Ballinesker, County Wexford, आयरलैंड(The beach scenes in Ireland)
    • उत्पादन कंपनियां
      • Wildgaze Films
      • BBC Film
      • Parallel Film Productions
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $1,10,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $3,83,22,743
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $1,87,281
      • 8 नव॰ 2015
    • दुनिया भर में सकल
      • $6,24,02,155
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 57 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby Digital
    • पक्ष अनुपात
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