Words and Pictures

So great to have a movie adults can enjoy amidst a summer of cartoon plots & characters; a movie you can actually take your family to without being bombarded by violence, sex and f-bombs. I loved it. Clive Owen and Juliette Binoche as artists each struggling with demons that have crippled (in Binoche's case, literally) their creative abilities, deliver wonderful performances, as does the entire cast. The well-paced script rolls along at just the right pace, while giving us moments of pause to feel each character's pain and root for their ultimate triumph.

You'd have to be pretty cynical to not like this movie. Could one pick it apart? As with any film, the answer is "sure." But why? Just go. Buy your popcorn and enjoy a really good-hearted film. The audience I saw it with (almost all over 40) was cheering at the end.

This is an honest movie that could be classified as a romantic comedy, but offers something more cerebral than that.

Through its main protagonist, the witty but self-destructive Jack (who plays tennis in his lounge room when drunk) we see a glimpse of the kind of inspirational teacher from Dead Poets Society recast in the information age where students can answer any question by referring to their electronic devices, while never understanding the worth of the question in the first place.

Don't let the love story fool you into thinking this is a chick flick. It's about appreciating the creation and expression of new ideas, neatly summed-up in the title: Words & Pictures.

This movie pleasantly surprised me with its clever dialogue and wordplay, despite the boy-meets-girl, etc storyline. Well worth a look.

I saw it for Juliette Binoche. And, indeed, she remains, scene by scene, the good motif for see ( and love ) this film.

I saw it as teacher, recognizing situations, gestures, mistakes.

I hated the too pink end and I perceived the romance between Dina and Jack as too, too forced, to the border of fake.

I loved, very much, the paintings of Juliette Binoche. And the young actors, giving fair portraits of students.

I saw the duel between words and pictures as decent crafted but not real convincing more than as a didactic method for seduce students and create some romance.

In short, a beautiful film in its essence.

This film is recommended.

There have been many philosophical arguments about the power of words and images. If one picture is worth a thousand words, and actions speak louder than words, who are we to disagree? In the battle of the sexes, the latest independent film, Words and Pictures, takes on this dispute in telling its love story about an English professor and an artist, both of whom have conflicting viewpoints on the subject and their budding courtship.

Jack (Clive Owen) is an alcoholic academic who values the sacred text above all else. As fate would have it, he meets Dina (Juliette Binoche), an art teacher and painter whose rheumatoid arthritis is beginning to cripple her creative output. Both teach at an exclusive prep school. He teaches English, she teaches art, and it is their volatile relationship that is at the heart of this romantic film. One has lost that creative spark to alcohol, the other literally coming to grips with her own physical limitations. Each questions their own value and importance in a rivalry set between the schools based on the theoretical debate of words vs. pictures.

Of course, they will fall in love. It's inevitable, isn't it? Predictable. Formulaic. Conventional. Clichéd. Those are some words that come to mind. Entertaining. Diverting. Enjoyable. Thought provoking. Those are some more words that succinctly describe Words and Pictures.  Fred Schepsi solidly directs the film and has wisely cast the central roles with actors who have enough presence and talent to make these characters more credible on the screen than from the written page. The preachy screenplay by Gerald Di Pego takes this interesting premise and expounds their differences ad nauseum. When the script stays true to the intellectual discourse, the film resonates. Unfortunately, it also adds some needless sub plots that go nowhere and just fill time. Some actors like Bruce Davidson and Amy Brenneman aren't given much to do and are wasted in minor roles.

But the film eventually works solely due to the chemistry of Binoche and Owens. Owen's Jack has a disheveled charm and sexiness that makes him worthy of Dina's attention. His bouts with alcohol have a chilling realism and, a speech delivered to the end of the film to his estranged son is quite moving. Binoche has a wry and expressive persona that makes her character a noble and caring rival. Her talents not only as an actress but also as an abstract painter are showcased successfully throughout the film. These actors supply the sweetness and passion that is somehow lacking in the film's creaky plot and soap opera dynamics.

At times, Words and Pictures tends to hyperventilate on its own words and storytelling. But one can readily accept this factor as the film tackles bigger issues and offers intellectual nourishment that mostly other films avoid. The film effectively emphasizes the importance of art and literature to us mere mortals. However it ultimately raises another philosophical question: Does music eclipse both as a more direct means of expression? Talk amongst yourselves, but go first see Words and Pictures as a hearty appetizer. GRADE: B

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At a posh New England secondary school, with an ocean setting, English teacher Jack (Clive Owen) is in the midst of a middle age crisis. Only, he doesn't know it. Not yet. Others have observed that he drinks too much and is often a few minutes late to class, with poor lesson planning. To his credit, Jack is extremely dedicated and bright, making the most of his classes and connecting well with students. But, he is headed for trouble. That is, until a new art teacher, Dina (Juliette Binoche) arrives at the academy, cane in hand, for she suffers from rheumatoid arthritis. Needless to say, Jack rubs her the wrong way almost instantly, although it is quite clear that Dina can give tit for tat. After a discussion in her art honors class, students tell Jack that Dina thinks words are far less important and meaningful than pictures. Ho ho, Jack pounces on this pronto. Now, he tells his pupils, this is war and lays out a strong defense of the power of words by reading many meaningful passages of literature. An ultimate challenge of the two dueling forms of communication may lie ahead. In the meantime, Jack is told he is going to be "reviewed" by the board of directors and may be let go. He also is having difficulties with his college age son. Happily, Dina may be showing some romantic interest in Jack. What lies ahead in the battle of words and pictures? This wonderful and poignant movie is most welcome in this age of flicks aimed at young adult males. It offers a romance between middle aged characters and has an alluring, finely written script. Owen and Binoche are pitch perfect in their roles while the supporting cast of Bruce Davison, Amy Brenneman, and well-selected teenage actors are charming, too. The coastal setting is absolutely lovely while costumes, photography, and a worthy direction by Fred Schepisi bring terrific results. Please go support this movie, true-blue film fans. Unless you do, Hollywood won't offer this kind of movie very often.