एक महिला अपने भाई को, जो हत्या का दोषी ठहराया गया था, को यह साबित करने की कोशिश करता है कि अपराध एक अलौकिक घटना द्वारा किया गया था.एक महिला अपने भाई को, जो हत्या का दोषी ठहराया गया था, को यह साबित करने की कोशिश करता है कि अपराध एक अलौकिक घटना द्वारा किया गया था.एक महिला अपने भाई को, जो हत्या का दोषी ठहराया गया था, को यह साबित करने की कोशिश करता है कि अपराध एक अलौकिक घटना द्वारा किया गया था.
- पुरस्कार
- 3 जीत और कुल 17 नामांकन
Garrett Ryan
- Young Tim
- (as Garrett Ryan Ewald)
Brett Murray
- Officer 1
- (as Brett Luciana Murray)
Odina Odette
- Skype Worker
- (as Elisa Victoria)
फ़ीचर्ड समीक्षाएं
This was really not that bad for a horror movie. The whole mirror monster sort of thing has been done before but what made this movie refreshing to me was the complete mind trip that was going on throughout the movie. I spent more than like 3/4ths of the movie utterly confused yet it made sense by the end. It was all over the place but slowly, I was able to piece things together. I personally thought it had the right amount of horror that it was actually able to make me jump at some parts without being too cringe worthy like most horror films are. Also, I was impressed with what was done despite the simplicity of the film. Tons of thrills, tons of fun. Needless to say, I thoroughly enjoyed watching this.
When her younger brother is finally released from a psychiatric facility years after his conviction for the murder of their parents, a woman seeks to prove the existence of the malignant and supernatural force she believes actually responsible. Conveniently, the locale of said force is a mirror and therefore easily transportable back to the family home-come-erstwhile crime scene.
Playing out less like the haunted house story one might expect from the outline above, this interesting take on psychological horror initially subverts expectations by presenting us with a brave and capable heroine with a well thought out (though necessarily flawed) plan. Writer and Director Mark Flanagan who later made the derivative and lacklustre Hush (2016)* and valiantly attempted the 'unfilmable' Stephen King adaptation Gerald's Game (2017), has made female protagonists with agency a feature of his work.**
There is some real artistry in the way Oculus employs the storytelling technique of constantly shifting between flashback and present day. Over and above using this device as a clever short cut to character development, it is in the moments where past and present seemingly overlap that the viewer receives the most vivid portrayal of the characters' fraying mental state.
Yet it is perhaps these intriguing elements which become the film's worst enemy. In allowing these glimpses into the mind of the characters, there are hints of a rich vein of storytelling left unplundered and therefore 'setup' without payoff. Rather than leaving us wanting more, the untapped potential of Oculus has the unintended effect of relegating it toward mediocrity.
Oculus is not without gore nor jump scares and most fans of the horror genre will therefore find it serviceable. Yet in setting up something truly unique and promising a subversion of the genre, there is the abiding feeling that the film lacks the courage of its convictions.
* Specifically derivative of the excellent Wait Until Dark (1967). ** Deaf and Mute or handcuffed to a bed though they may be.
Playing out less like the haunted house story one might expect from the outline above, this interesting take on psychological horror initially subverts expectations by presenting us with a brave and capable heroine with a well thought out (though necessarily flawed) plan. Writer and Director Mark Flanagan who later made the derivative and lacklustre Hush (2016)* and valiantly attempted the 'unfilmable' Stephen King adaptation Gerald's Game (2017), has made female protagonists with agency a feature of his work.**
There is some real artistry in the way Oculus employs the storytelling technique of constantly shifting between flashback and present day. Over and above using this device as a clever short cut to character development, it is in the moments where past and present seemingly overlap that the viewer receives the most vivid portrayal of the characters' fraying mental state.
Yet it is perhaps these intriguing elements which become the film's worst enemy. In allowing these glimpses into the mind of the characters, there are hints of a rich vein of storytelling left unplundered and therefore 'setup' without payoff. Rather than leaving us wanting more, the untapped potential of Oculus has the unintended effect of relegating it toward mediocrity.
Oculus is not without gore nor jump scares and most fans of the horror genre will therefore find it serviceable. Yet in setting up something truly unique and promising a subversion of the genre, there is the abiding feeling that the film lacks the courage of its convictions.
* Specifically derivative of the excellent Wait Until Dark (1967). ** Deaf and Mute or handcuffed to a bed though they may be.
Far more than a tale of supernatural horror, "Oculus" explores the fundamental terror of not being able to trust one's own mind. Newly released from mental institution incarceration, a young man is swept along by his sister to confront the demon in the mirror to shattering results. Too often, an evil force is described as unbeatable, and then easily beat. Not so here...
As ends go, this one goes dark-perhaps to realism within the rules of the world, but unsatisfying to those wishing for any kind of redeeming factor.
Other points dissatisfy, such as the amount of dialogue the actors have to say as quickly as they can, particularly Kaylie. And then Kaylie's odd face-framing bangs and her extension ponytail.
Overall though, a terrifying experience. If you'd like to watch a movie by this director Mike Flanagan that does balance a sense of consequence as well as victory, watch "Doctor Sleep" based on Stephen King's sequel his classic story The Shining.
As ends go, this one goes dark-perhaps to realism within the rules of the world, but unsatisfying to those wishing for any kind of redeeming factor.
Other points dissatisfy, such as the amount of dialogue the actors have to say as quickly as they can, particularly Kaylie. And then Kaylie's odd face-framing bangs and her extension ponytail.
Overall though, a terrifying experience. If you'd like to watch a movie by this director Mike Flanagan that does balance a sense of consequence as well as victory, watch "Doctor Sleep" based on Stephen King's sequel his classic story The Shining.
This is a classic ghost story.
I won't spoil anything, but for a haunted mirror movie, I found it VERY effective.
There are only really 6 people in the film. The parents, and the children at 2 different ages. The film is not really linear, and it took me a while to get the flow of the constant changing from today and yesterday. Once I got it, I found it very clever.
What impressed me the most, however, is that there is hardly any blood, no nudity, no profanity, no sex, no gore and it scared the crap out of me!
No, it doesn't reinvent the genre (can you even really do that with the haunted mirror genre?), but it is a well crafted, well acted movie that really kept my interest all the way through.
The young girl was especially effective.
The film starts off slow and methodical and really hits its stride about the half way mark.
We need more films like this. Smart, clever "little" films - a few characters, a few props and lots of chills and thrills.
Please see this!
8/10
I won't spoil anything, but for a haunted mirror movie, I found it VERY effective.
There are only really 6 people in the film. The parents, and the children at 2 different ages. The film is not really linear, and it took me a while to get the flow of the constant changing from today and yesterday. Once I got it, I found it very clever.
What impressed me the most, however, is that there is hardly any blood, no nudity, no profanity, no sex, no gore and it scared the crap out of me!
No, it doesn't reinvent the genre (can you even really do that with the haunted mirror genre?), but it is a well crafted, well acted movie that really kept my interest all the way through.
The young girl was especially effective.
The film starts off slow and methodical and really hits its stride about the half way mark.
We need more films like this. Smart, clever "little" films - a few characters, a few props and lots of chills and thrills.
Please see this!
8/10
Convincing horror effortlessly weaves together past, present, truth, & perception. Makes you question what you're witnessing while remaining completely believable. Twisted & unsettling, it's also cinematic proof redheads are crazy.
#nitrosMovieChallenge.
#nitrosMovieChallenge.
क्या आपको पता है
- ट्रिवियाHad director Mike Flanagan agreed to film "Oculus" in the "found footage" genre (like Paranormal Activity (2007)), a number of studios would have backed it as early as 2006. However, Flanagan refused.
- गूफ़When Kaylie starts recording her video, she says the time is 4:15PM. Two minutes later when Michael calls her, she says "Could you try and call on the hour? It's about seven past."
- भाव
Alan Russell: I've met my demons and they are many. I've seen the devil, and he is me.
- कनेक्शनFeatured in The Nostalgia Critic: Top 11 New Halloween Classics (2014)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- बजट
- $50,00,000(अनुमानित)
- US और कनाडा में सकल
- $2,76,95,246
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,20,05,402
- 13 अप्रैल 2014
- दुनिया भर में सकल
- $4,44,59,951
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