IMDb रेटिंग
6.0/10
5.8 हज़ार
आपकी रेटिंग
वुल्फ, एक मूल अमेरिकी अपनी मां की हत्या का बदला लेने के बाद, अपनी मोटरसाइकिल पर उजाड़ अमेरिकी पश्चिम में भाग जाता है, जहां उसे पता चलेगा कि न्याय की क्या कीमत है.वुल्फ, एक मूल अमेरिकी अपनी मां की हत्या का बदला लेने के बाद, अपनी मोटरसाइकिल पर उजाड़ अमेरिकी पश्चिम में भाग जाता है, जहां उसे पता चलेगा कि न्याय की क्या कीमत है.वुल्फ, एक मूल अमेरिकी अपनी मां की हत्या का बदला लेने के बाद, अपनी मोटरसाइकिल पर उजाड़ अमेरिकी पश्चिम में भाग जाता है, जहां उसे पता चलेगा कि न्याय की क्या कीमत है.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 3 कुल नामांकन
फ़ीचर्ड समीक्षाएं
I for one think this film was an excellent work of art. The story was great in my opinion, and it honestly was a different type of tale. Going into the movie I knew the back story, since I had watched some of Jason Momoa's earlier interviews, where he had stated that a lot of serious crimes happen in the native area, but are not taken seriously by the public.
This film shows the different aspects of Jason Momoa's work and greatness! I can see why he was tired of being type-cast as the big tough guy - and hopefully this film changes people's thoughts about him and his work. Momoa's acting was very strong, as was the writing and the directing! The directing was just awesome - the wide shots were amazing and it really captured the beauty of land and natural structures.
Lastly, the soundtrack was phenomenal and let's not forget Robert Mollohan's portrayal as Cash. His performance was really under-shadowed, and he really deserves some recognition.
In conclusion, I feel this movie was amazing. With a mere $600,000 budget, the cast and the story were outstanding. Being tired of sequels and prequels, this is an original tale, which is definitely worth a watch.
This film shows the different aspects of Jason Momoa's work and greatness! I can see why he was tired of being type-cast as the big tough guy - and hopefully this film changes people's thoughts about him and his work. Momoa's acting was very strong, as was the writing and the directing! The directing was just awesome - the wide shots were amazing and it really captured the beauty of land and natural structures.
Lastly, the soundtrack was phenomenal and let's not forget Robert Mollohan's portrayal as Cash. His performance was really under-shadowed, and he really deserves some recognition.
In conclusion, I feel this movie was amazing. With a mere $600,000 budget, the cast and the story were outstanding. Being tired of sequels and prequels, this is an original tale, which is definitely worth a watch.
I wasn't sure what to expect from this film, but having seen the 7.4 rating on IMDb I decided to give it a shot. I am not disappointed, despite the rating being quite a bit lower now.
Even though the film is about a fugitive on the run, it does not feel like he is escaping. It feels he is aware of his limited time before facing the law, but it does not change who he is or how he behaves. He travels on his motorcycle, visits friends, helps out whom he can and ultimately is on a mission to spread his mother's ashes where she wished to rest. He joins together with a less perfect but still very likable man and they travel together. They are being pursued by two lawmen, one clearly conflicted and the other totally ruthless.
It's a very pleasant ride; we get to know the main hero, empathise with him and presumably are expected to fully agree with him dispensing justice. I won't get into whether we should or shouldn't agree, however the biggest complaint I have about this film is how much it shoves this rationalisation of vigilante justice in our face. The film could have been a lot more subtle and definitely could have hinted another side of the story. We would still sympathise with the protagonist, but through a more realistic understanding of his plight, rather than being fed a one-sided view.
I gave this film a 7 despite the above flaw. This is because this flaw is easy to spot, understand and ignore. Once you do that, the film is engaging and enjoyable.
Even though the film is about a fugitive on the run, it does not feel like he is escaping. It feels he is aware of his limited time before facing the law, but it does not change who he is or how he behaves. He travels on his motorcycle, visits friends, helps out whom he can and ultimately is on a mission to spread his mother's ashes where she wished to rest. He joins together with a less perfect but still very likable man and they travel together. They are being pursued by two lawmen, one clearly conflicted and the other totally ruthless.
It's a very pleasant ride; we get to know the main hero, empathise with him and presumably are expected to fully agree with him dispensing justice. I won't get into whether we should or shouldn't agree, however the biggest complaint I have about this film is how much it shoves this rationalisation of vigilante justice in our face. The film could have been a lot more subtle and definitely could have hinted another side of the story. We would still sympathise with the protagonist, but through a more realistic understanding of his plight, rather than being fed a one-sided view.
I gave this film a 7 despite the above flaw. This is because this flaw is easy to spot, understand and ignore. Once you do that, the film is engaging and enjoyable.
Takes you on a man's journey of what consquences lead up to when you chose to take the law into your own hands for family. Jason shines and shows promise.
Robert Wolf is on the run and on a mission. along the way we laugh, play and cry with him. we get frustrated. we fall in love. we get scared and heartbroken. what a journey.
i was so impressed with this feature length debut from Pride of Gypsies. cinematography, mood, tone, cast, dialog all fit (though dialog was light). there was deeply felt emotion throughout, but balanced with much appreciated levity. Jason Momoa directed a well-rounded experience. under Momoa's direction, i have to say that Chris Browning (Schaeffer) and Michael Raymond-James (Irish) stole it. they were wonderful and so perfect in their roles. Chris Browning, well, i have only seen him play sleazy characters, so this was a treat to see a different side of him. Linden Chiles (Bob, may he RIP) and, of course, Momoa (who basically played himself) were great to watch. Robert Mollohan (Cash) was...well...you gotta see lol. wish there was more Wes Studi though.
i especially loved Brian Mendoza's cinematography. scenes by firelight, by morning light, by dusk and storm, by flare. i don't believe i have seen such brilliant use of natural light on earthy human beings since "Girlfight". i like the way he fills his shots with equal attention to foreground and background. this could easily have looked crowded, but in a movie with sparse dialog it was smart to keep the eye moving in almost every frame. there were some grainy moments that sort of added to the low-budget flavor of the piece. but then there were shots that looked like they would cost a fortune to recreate.
heartfelt, poignant, relevant...i recommend this one highly to those who care about good stories. if you keep producing this quality (or better), PoG you got me.
i was so impressed with this feature length debut from Pride of Gypsies. cinematography, mood, tone, cast, dialog all fit (though dialog was light). there was deeply felt emotion throughout, but balanced with much appreciated levity. Jason Momoa directed a well-rounded experience. under Momoa's direction, i have to say that Chris Browning (Schaeffer) and Michael Raymond-James (Irish) stole it. they were wonderful and so perfect in their roles. Chris Browning, well, i have only seen him play sleazy characters, so this was a treat to see a different side of him. Linden Chiles (Bob, may he RIP) and, of course, Momoa (who basically played himself) were great to watch. Robert Mollohan (Cash) was...well...you gotta see lol. wish there was more Wes Studi though.
i especially loved Brian Mendoza's cinematography. scenes by firelight, by morning light, by dusk and storm, by flare. i don't believe i have seen such brilliant use of natural light on earthy human beings since "Girlfight". i like the way he fills his shots with equal attention to foreground and background. this could easily have looked crowded, but in a movie with sparse dialog it was smart to keep the eye moving in almost every frame. there were some grainy moments that sort of added to the low-budget flavor of the piece. but then there were shots that looked like they would cost a fortune to recreate.
heartfelt, poignant, relevant...i recommend this one highly to those who care about good stories. if you keep producing this quality (or better), PoG you got me.
This is a great film for those who honor the journey. With a beautiful display of desert landscapes, this movie let's you feel the freedom of living life moment to moment. I don't think that the point of the story was to examine morality in any great way; aside from the pain of suffering loss and the injustice that often prevails. The film does a good job of contrasting the shortcomings of western culture with the simplicity of a more ancient one. As a result, you get a story of blended and contrasting themes, filled with the tension of an impending doom.
I enjoyed the characters as well. Jason M. created a lovable hero that is easy to empathize with. His friends and family all admire the depth of his character, drawing the viewer into their world. It helps that he's a good looking dude, with all of the swagger you could ask of a mystery rogue biker. It's hard to imagine a woman who would say no.
This movie won't rock your world or change your stance on anything. It's simply a great indie flick into a world that most of us will never see, with freedom that we will never experience. It will leave you with lingering images of endless highways cut through a land that would rather forget about us.
I would have liked to give this a higher vote, but it's just a simple story and I feel that it tops the scale of it's own potential. Otherwise, I didn't think that it lacked much. I'll be recommending it to friends who care about something more than the latest superhero flick.
I enjoyed the characters as well. Jason M. created a lovable hero that is easy to empathize with. His friends and family all admire the depth of his character, drawing the viewer into their world. It helps that he's a good looking dude, with all of the swagger you could ask of a mystery rogue biker. It's hard to imagine a woman who would say no.
This movie won't rock your world or change your stance on anything. It's simply a great indie flick into a world that most of us will never see, with freedom that we will never experience. It will leave you with lingering images of endless highways cut through a land that would rather forget about us.
I would have liked to give this a higher vote, but it's just a simple story and I feel that it tops the scale of it's own potential. Otherwise, I didn't think that it lacked much. I'll be recommending it to friends who care about something more than the latest superhero flick.
क्या आपको पता है
- ट्रिवियाThe real name of the character, Irish, portrayed by Michael Raymond-James, is revealed to be Timothy Murphy, which is the name of the actor who portrays F.B.I. agent Williams.
- गूफ़Cash takes off his jacket and shirt for the fight. After the fight, he and Wolf leave, Cash has neither jacket nor shirt, but in the next shot, they are riding and he has his shirt and jacket again.
- साउंडट्रैकGasoline
Written by Shovels & Rope
Performed by Shovels & Rope
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Road to Paloma?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Camino a Paloma
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $2,191
- चलने की अवधि
- 1 घं 31 मि(91 min)
- रंग
- पक्ष अनुपात
- 2.35 : 1
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें