एक युवा लड़की एक माँ के साथ गैर-अनुरूपतावादी खानाबदोशों के एक बेकार परिवार में उम्र की आती है जो एक सनकी कलाकार और एक शराबी पिता है।एक युवा लड़की एक माँ के साथ गैर-अनुरूपतावादी खानाबदोशों के एक बेकार परिवार में उम्र की आती है जो एक सनकी कलाकार और एक शराबी पिता है।एक युवा लड़की एक माँ के साथ गैर-अनुरूपतावादी खानाबदोशों के एक बेकार परिवार में उम्र की आती है जो एक सनकी कलाकार और एक शराबी पिता है।
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 1 जीत और कुल 3 नामांकन
- Maureen
- (as Brigette Lundy-Paine)
- Young Maureen
- (as Shree Grace Crooks)
फ़ीचर्ड समीक्षाएं
Ms. Walls' memoir describes her unconventional childhood with bohemian parents who cared more for freedom and independence than for feeding their kids. Writer/Director Destin Daniel Cretton (a 'must-follow' filmmaker after his powerful 2013 indie gem SHORT TERM 12) chose this as his next project, co-wrote the screenplay with Andrew Lanham, and wisely opted to work again with Brie Larson, who stars as the oldest Jeannette (from late teens through adult).
The film bounces around in time from Jeannette's childhood in the 1960's and 1970's to her time as a New York gossip columnist in 1989. The timeline isn't all that bounces, as we watch this family of six, seemingly always on the run, ricochet across America with all their belongings strapped to the top of the battered station wagon – usually on the run from creditors or following the latest dream from Rex (Woody Harrelson).
Rex is the type of guy who rants against most everything that makes up what we know as society. He can't (or won't) hold a job and fills his trusting kids' heads with hopes and dreams of a better tomorrow - going as far as drawing up plans and specs for the off-the-grid fantasy home referenced in the title. Rex then spends what little money the dirt poor family has on drinking benders which cause him to become a nasty, abusive threat.
Rex's wife Rose (Naomi Watts) is a free-spirited artist who somehow possesses even fewer parental instincts than her husband. Although she could be labeled an enabler of his abusive ways, she might actually be the more interesting of the two, even if the story (and Jeannette) focuses much more on Rex. The best scene in the movie is when mother and grown daughter share a restaurant booth, and the two worlds collide.
Of course the real story here is how Jeanette managed to rise above this less-than-desirable childhood and achieve her own form of freedom as a writer. The stark contrast between the squalor of her West Virginia shack and the million dollar apartment she later shares with her fiancé (Max Greenfield) makes this the ultimate depiction of the American Dream – pulling yourself up by your bootstraps (even when you don't have boots).
The acting is stellar throughout. Mr. Harrelson could garner Oscar attention as he manages to capture both the dreamer and failure that was Rex. Ms. Watts maximizes her underwritten role and turns Rose into someone we believe we know and (at least partially) understand. Ms. Larson embodies both the desperation of a teenager whose environment forced her to be wise beyond her years, and the iciness of a grown-up trying so hard to leave the past behind. In just a few scenes, Robin Bartlett manages to create a memorable and horrific grandmother – one whose actions explain a great deal. The most remarkable performance of all, however, belongs to Ella Anderson (the only good thing about THE BOSS). She captures our hearts as the adolescent Jeannette – the closest thing to a parent this family had.
There are some similarities between this film and last year's expertly crafted CAPTAIN FANTASTIC. In fact, two of the young actors (Shree Crooks, Charlie Shotwell) from that film also appear in THE GLASS CASTLE. The biggest difference being that Viggo Mortensen's character could be considered to have an over-parenting approach, while Woody Harrelson's Rex never over-did anything, except drink and dream. The movie probably has a bit too much Hollywood gloss and sheen to adequately portray the hardships of a large family living in poverty, though the top notch acting keeps us glued to the screen. By the end, we can't help but wonder if some of Ms. Walls' romanticism of her father and past might be due as much to her immense writing talent as to her childhood challenges.
This movie, in my opinion, was fabulous. It was well paced and the dual story lines of past and current day melded beautifully. All of the acting was superb. Woody Harrelson deserves an Academy Award and all of the child actors were phenomenal. I was especially impressed by Ella Anderson who played young Jeannette. She expressed so clearly her emotions, both love, hurt, and anger at her father and with that I believe she also deserves kudos.
Go see this movie if you enjoy deep, emotional, thought-provoking films.
The new drama adapted from the 2005 memoir (of the same name) by Jeannette Walls, based on her experiences growing up in a poor dysfunctional family. The film was directed by Destin Daniel Cretton (who also helmed the 2013 critical darling 'SHORT TERM 12'), and it was written by Cretton and Andrew Lanham. The movie stars Brie Larson (who also starred in 'SHORT TERM 12'), Woody Harrelson, Naomi Watts, Ella Anderson, Chandler Head and Max Greenfield. The film has received mixed reviews from critics, and it's performed modestly at the Box Office so far. I found it to be a little too long, and slow-paced, but it's mostly a very moving and enjoyable film.
The story is told from Jeannette's (Larson) point of view, as an adult, as she recollects on growing up as a child in extreme poverty. Her mother, Rose Mary (Watts), was an eccentric artist, and her father, Rex (Harrelson), was a free-spirited alcoholic. Jeannette, and her three siblings, were constantly forced to move, and often times they didn't have enough to eat, or ideally safe conditions to live in. The whole time Rex filled the children's heads with unrealistic hopes and dreams of a better life.
The movie is filled with one heartbreaking scene after another, I cried multiple times throughout the entire film. Larson plays the central character in it (as an adult), but Harrelson actually has far more screen time; and he's the real star of the movie (in my opinion) as well. As flawed a character as he is, Harrelson's character is also (in some ways) the most relatable, at least for me, due to his dreams and generally positive outlook on life. The film has many great moments in it too, but it seems to lose it's way at times, and it's sometimes a pain to sit through (due to it's pacing). 'SHORT TERM 12' is definitely a much better film, but this movie had a lot of potential to it. I think it's definitely still worth seeing.
Watch an episode of our movie review show 'MOVIE TALK' at: https://youtu.be/j_XDrmlMJNY
क्या आपको पता है
- ट्रिवियाBased on a true story about a family on the run from the government, often hiding in small towns, living in poverty.
- गूफ़When Rex and Jeannette are looking at the stars in the middle of the night, she chooses one and he says it is Venus. Not possible because Venus is only seen in the early morning in the east, or early evening in the west. However this works well with Rex's character and perhaps not a goof but intended. Rex made up stuff all the time.
- भाव
Rex: [Rex exposes Jeanette's burned stomach] There, how's that feel?
Young Jeannette: It's so ugly, Dad, I look like a demon.
Rex: There's nothing ugly about you. You hear me? One day I promise you you're gonna look at this as just another side of how strong you are. You're a Walls, Mountain Goat. And we ain't like other people. We got a fire burning in our bellies. And that there is goddamn proof of it. Now... this knife is especially designed to hunt demons. It's very sharp. Don't take it out unless you see him. You can borrow it for the night. You know, all monsters are the same. They like to frighten people, but the minute you stare them down, they turn tail and run. I love you, Mountain Goat.
- कनेक्शनFeatured in Chris Stuckmann Movie Reviews: The Glass Castle (2017)
- साउंडट्रैकLaugh, Cry, Sing, Sigh
Written by Bill Gordon
Performed by Bill Gordon Trio
Courtesy of Fervor Records
टॉप पसंद
- How long is The Glass Castle?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- El castillo de cristal
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $90,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,72,73,059
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $46,78,548
- 13 अग॰ 2017
- दुनिया भर में सकल
- $2,20,88,533
- चलने की अवधि2 घंटे 7 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1