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Producer, director, writer and lead actor: Ben Affleck.

Let's look at those contributions one by one.

Producer. The film looks good. There's an expert team on both sides of the camera. But there's a problem with length. Also, it feels as though the adaptation from Dennis Lehane's novel has not sufficiently transformed what was on the page into cinematic story-telling.

Director. There are excellent action sequences, such as an exciting car-chase and a final shoot-out. As a director of actors Mr Affleck is strong: he elicits particularly striking work from Chris Messina, Elle Fanning, Remo Girone and Sienna Miller. Within scenes there's a reassuring sense of control of pace. But overall, there is a sense of the director being in thrall to the screenplay.

Writer. This is the weakest link. It feels in awe of its source material. I read that an entire strand of the book was removed for the purposes of the film, but this was not enough. The producer and/or the director needed to tell the writer to put it through another draft. Or put it in its current form on Netflix as a two-part drama.

Lead actor. A matter of taste, I guess. Mr Affleck's persona is always of a handsome man who knows he's handsome, and who is very pleased with himself about it. I find this insufferable in large doses. And there is a very large dose of it here. Mr Affleck's performances lack depth -- compare and contrast those of this amazing brother Casey. As far as I'm concerned, Mr B. Affleck is more a male model than an actor: in James Bond terms, he's a George Lazenby rather than a Daniel Craig. His best film performance is his self-parodying turn in 'SHAKESPEARE IN LOVE'. In LIVE BY NIGHT he is serviceable, nothing more. His director clearly couldn't get anything else out of him.

It's instructive to compare Ben Affleck to Clint Eastwood, who also has a limited -- maybe even more limited -- range as an actor. But Eastwood the director usually casts Eastwood the actor brilliantly. DIRTY HARRY, UNFORGIVEN,GRAN TORINO etc: who could be better? By contrast, there are many young actors who could have played the lead in LIVE BY NIGHT, and many writers who could have delivered a better screenplay, especially when guided by a strong producer and director. Time will tell whether Ben Affleck is as good in those last two departments as ARGO suggested he might be. The promise he showed in those areas in that film is not in evidence here.

"Live By Night" sees star Ben Affleck back in the director's chair for the 4th time, his previous directorial offerings being "Gone Baby Gone", "The Town", and best picture winner "Argo", and sadly, it's easily his worst. "Live By Night" boasts a wonderful cast, stunning cinematography, and enthralling action set pieces but lacks any emotional weight or an interesting story, it's your usual by the numbers gangster flick about tough guys in over-sized suits blasting each other with Tommy guns and stabbing each other in the back. "Live By Night" is not a bad film by any means but is a forgettable entry in the gangster film genre and a disappointing directorial effort from Ben Affleck.

I've been a fan of Ben Affleck's directional efforts ever since I saw Gone Baby Gone way back in 2007 in theaters. I also loved The Town and think its his best film to date. Live by Night sort of came out of nowhere but I'm always down for Prohibition era crime films. The film seemed to get lukewarm reviews but there was no way I wasn't going to see this for myself. Overall, I'd say I enjoyed it and its better than what other critics are saying.

The film is set in Boston (and then Tampa) and is the story of the son of a police captain, who becomes a bootlegger and gangster. Be forewarned that there isn't much that separates this from gangster films we've seen before, however Affleck knows what he's doing and I think he does it well. The thing that pops out to me is the dialogue. Its quite clever and witty. There's funny moments and the film isn't always super serious, which is refreshing. Not everything in the script has to be explained as the viewers are expected to follow the message. The suits, cars, glamour, of the 20s and 30s is captured quite well (not that I lived in that era to really know if it was accurate). Some of the dialogue was hard to hear in theaters (the accents probably contributed to this). I think this film will one day warrant a second view anyways.

While I really enjoyed the film, it isn't without faults. It really depends on whether you can forgive the film for that or really see it as a detriment. Some of the characters felt loose and suddenly disappear. This includes Siena Miller, Elle Fanning and Brendan Gleeson. Fates of characters are explained and such but they feel unfulfilled. I thought Fanning's character was just becoming great, but as I said unfulfilled. Miller's character arc was just so odd as well (maybe rushed to fit the story). Well, at least my boy Miguel was in this. The film seems to want to tackle a few foes/events in different parts of the film and doesn't always do it seamlessly, which makes the film seem unfocused. The events of the third act felt rushed together just to come to a resolution. Without going into spoiling there's a head scratching moment near the end that seemed out of left field. I didn't have too many problems with all this and maybe its because I'm partial to Affleck and gangster films.

I enjoyed the car chase and gun battles. I think the comic element of the film kind of swept into the action scenes which made it enjoyable. I liked that the film takes place in Tampa and mixes with the Black and Cuban community as well. Its nice to see a sort of different locality in a gangster film. I'm sure there's much more I want to ramble about but nothings coming to me. Overall, this probably won't be something that'll be a the top of year end lists but its thoroughly enjoyable even through its flaws. Its not Affleck's best but I applaud him for directing and writing films in a time where he's busy being in blockbusters.

8/10

I went to the theater to watch a Gangster/Mafia movie, and I got one. Mafia movies are by far my favorite type of movie. Live by Night delivered that 1920's gangster look. Ben Affleck does an amazing Irish Mafia member persona. The story was very moving and the characters were likable. There was just enough action in the movie. The tommy gun fight scenes felt like a real 1920's gang shoot out. Live by Night shows a true gangster movie look. Most Mafia movies rely on the story to make their movie good. Live by Night uses action and an amazing story. I had a little trouble with keeping up with the names of the characters but later on I started memorizing their names. Defiantly go see this movie if your a gangster/mafia movie fan. Live by Night will not disappoint you.

"Maybe it's true. We all find ourselves in lives we didn't expect. But what I learned was powerful men don't have to be cruel."Joe Coughlin (Ben Affleck)

Yet in the best of gangster, powerful men like Michael Corleone and Henry Hill are cruel, no matter how gentle their exteriors. So it seems with Joe Coughlin, a prohibition "bandit," as he calls himself, who doesn't think of himself as a gangster ("I don't wanna be a gangster. Stopped kissing rings a long time ago."). Yet he kills or has others killed in the name of moving toward heaven.

Although beautifully appointed and set in Florida and Cuba, writer/director Affleck's crime story misses the weight of crime films, which casually juxtapose the serious with the not so. It lacks the sass of Pulp Fiction and the gravitas of The Godfather with not much of their verbal gymnastics or irony.

Joe wanting to be a saint while being a sinner requires an actor of considerable resources, which Affleck showed a modicum of recently in the Accountant because it required him to be affectless. He brings that same stolid mien to this film and endangers the edge necessary for the success of actors like Al Pacino. Like Affleck, the film is listless except when Tommy Guns take charge.

As Joe navigates from a low-rent lover, Emma (Sienna Miller), to a classy love, Graciella (Zoe Saldana), director Affleck spends too much time on their embraces and too little on what makes him love them so passionately. He does love his own image as his abundance of self close-ups testifies. Maybe there is no passion, just old affectless Affleck.

It's dumping time in Hollywood, and Live by the Night is a classic example of why smart studios dump dull movies in January. It's not all that bad the way Joe is not all that bad. However, it just doesn't have the firepower to go against the big guns in the Oscar race. Remember the wild surprises and rich characters of the long-form Sopranos?

Maybe that's why the film gangster genre feels troubled here: The arch enemy, TV!