The Lunchbox

Lunchbox review: Note: Don't open this Dabba if you don't like slow paced movies!!

After a long time i have watched a Bollywood movie where in the movie makes you think about your life and how it can buzz past you before you realize it and that if you don't start to enjoy the small things like the bendi ki sabji, you will be made to eat Aloo Gobi every day (Just kidding) As they say in the movie "Sometimes the wrong train takes you to the right destination" ie Every cloud has a silver lining!!

The story revolves around a misplaced dabba (Trivia: Dabbawala's supposedly have a low error ratio, i.e "one mistake in 8 million deliveries."!!) Irrfan Khan has done a tremendous job both in acting and narrating the story. Nimrat Kaur(the Dairy Milk Silk girl!! ) and Nawazuddin Siddiqui fit their characters perfectly and have done a wonderful job portraying their roles. The only downside is that the pace of the movie is bit slow. But if they had edited it further it would have been a 1hr episode!

The Gujarati film "The Good Road" must have been really good to beat this to be the India's entry into the Oscars.

Rating: I will go with ☆ ☆ ☆ ☆ /★★★★★ for this wonderful film.

Must watch with a full stomach, else you'll have a watering mouth every five minutes while watching the plot. India is a country where we give utmost importance to food & family. This story, packed in a Lunchbox, comes to your table & gives you a flavor of Indian ethnicity & the emotions we go through in everyday life !

The overcrowded local trains, Harvard certified Mumbai Dabbawalas, Amidst busy working hours, an irritating yet likable junior And the best friend "Aunty" to a direction less housewife

All this should be enough to drag you to the cinema house & enjoy the spicy curry in the LUNCHBOX.

An old saying repeated in Ritesh Batra's charming The Lunchbox is that sometimes the wrong train will bring you to the right station. In this case, however, the train turns out to be a dabba (lunchbox), wrongly delivered by a dabbawala to a middle-aged government claims adjuster on the brink of retirement. It works out well even though, in reality, with about 5,000 dabbawalas in the city of Mumbai who deliver more than 130,000 lunch boxes each day, they rarely make a mistake. Written by Stefan Tomke in the mode of You Got Mail, Ila (Nimrat Kaur), a young housewife dutifully prepares a lunch for her emotionally distant husband every day and has it sent to him via the courier.

On the advice of her upstairs Auntie, Mrs. Deshpande (Bharati Achreka), Ila tries to have her husband notice her by putting more spice in the food. When it is wrongly delivered to Saajan (Irrfan Khan, Life of Pi), however, a series of unintended consequences unfold. What begins with a short note from Sajaan to Ila that "the food was salty today" develops into a series of exchanges passed back and forth in the lunchbox everyday in which the two open up to each other about their lives, memories, and their hopes and dreams for the future. A subplot involving Aslam Shaikh (Nawazuddin Siddiqui), an aggressively upbeat successor to Sajaan, adds a touch of humor to the proceedings but also serves to draw a contrast between himself and the grumpy Saajan.

Both Aslam and Sajaan become more endearing, however, as the film progresses. While the ending may thwart expectations if you are used to having all the pieces neatly fit together, The Lunchbox mixes food and romance in a very appealing combination, removing any doubt that Ila and Sajaan have moved to a new level. Impeccably acted and beautifully realized, the film provides an honest appreciation of what it is like to live in Mumbai without exploiting its poverty for Western audiences. Though the wrong train may indeed bring you to the right station, ultimately there is no wrong train and no right station. As The Lunchbox demonstrates, there is just the train and the journey, and it's all perfect.

In Mumbai (formerly 'Bombay'), India, there is a very complex network of 5000 Dabbawallahs. Their job is to arrive at the homes of Indian workers to get homemade lunches from the wives and transport them all over the city so that the men can have hot, home-cooked meals every day. Then, after lunch, they collect all the empty lunch pails and deliver them to the wives. Despite this being a logistical nightmare, the meals get delivered to the right person all the time with very, very few mistakes—carried by hand and on bicycles and scooters by mostly illiterate men! With the movie Dabba, a mistake amazingly happens and a wife's meal arrives for a total stranger instead of her husband. At first, the man doesn't realize he's eating another man's lunch—he just thinks the restaurant that delivers his lunch box has suddenly improved! However, once the wife realizes her mistake, she sends the next meal along with a note explaining the mix-up—and soon the pair begin exchanging letters. At first, they are quite simple and formal. Later, they become much more complicated, as by now the wife has realized that her husband has been cheating—and this total stranger becomes her confidante. All during this long exchange of letters, the woman CONTINUES sending lunches to this stranger and they forge an odd friendship! There's far more to the film than this—see it yourself and you'll see what I mean.

Dabba is the sort of film Hollywood could never make. Part of it is, of course, because there is no comparable lunch system in the States. Part of it, too, is that the film does NOT have a perfect happy ending and it doesn't follow a typical formula. There is a lot of sadness and longing and the film leaves you with this, as it's not afraid to leave the audience slightly dissatisfied. Now I am NOT complaining—but Hollywood films seem to have an implicit understanding that everything must be resolved perfectly before a movie can end. Not so with Dabba. This might upset some viewers, but it shouldn't—it's still a very good movie. Plus, a 'Hollywoodized' ending would have been far less realistic. And, as far as realism goes, this Indian film is not typical of a Bollywood flick either. While it was directed and written by an Indian, Ritesh Batra, and stars Indian actors (Irrfan Khan and Nimrat Kaur), it is also a French/German co-production. As such, it lacks the usual song and dance numbers you find in most Indian films and is only a little over an hour and a half (most Indian films are considerably longer—often twice as long or longer). Instead following convention, the film is all about realism. It makes for a nice change of pace even if the ending will be vaguely unsatisfying to many viewers. Worth seeing as long as you don't demand formula. And, worth seeing as long as you don't mind reading subtitles. A film that is truly unique and the acting is really lovely.

The first glimpse of the movie , promises you that it is't a 'just another regular bollywood movie', its refreshingly Fresh and New.

The beauty of the entire film lies in the subtlety, whether be it the story, the the actors, characters their mannerisms(when their lips quiver on getting excited, their long and deep searching eyes, the half smiles on the edges, when Ila first time presumes her husband to have an extra-marital affair). Again all of these things are very much there without they saying it explicitly so.

Very rarely you come across a movie that moves at a comfortable pace, not trying to either rush or stagnate itself at any point. The TG for this movie is definitely not people across all age groups as the producers claim, but it's specially for those who are happy or contented without searching for that something extra in their everyday lives. It doesn't talk about any extra ordinary accomplishments of individuals, nor does it talk about destiny, life or happiness. It just talks about very simple human behavior, when it comes to falling in love.

The end may or may not disappoint you...its very subjective(personally I was a lil), but yea you can tailor your apt end based on whether you are a optimist or a pessimist.