Run & Jump

It's hard to tell what the right choices are in life. It's even harder if someone close to you has an illness, how you should react to that. And if there is also an outside force trying to come in from the outside (whatever the original motives are), that it gets even tougher. So decisions are being made that are not only rational.

But while this drama seems to be concentrating on an illness, it is giving us human beings, who just are reacting to each other and the circumstances they find themselves in. This either will appeal to you right away or you will dislike it. Good thing is, you can tell early on if this drama is something you want to watch or not

An Irish family welcome home Conor, the husband and father who has recently suffered a life changing stroke. In tow is an American psychologist who is studying Conor's progress as he tries to settle back into the family life. It's not long before the American becomes the father figure himself and also begins to veer towards a deeper relationship with Vanetia, the wife.

For a film that clocks in at just over 1 hour 40 minutes this still felt rather long winded in places. Some of the dramatic scenes work well and the performances are perfectly OK, Edward MacLiam as Conor in particular impressing whereas Maxine Peake as his free-spirited wife struggles badly with the Irish accent which doesn't help.

It seems however there is too much thrown into the pot and in the end it becomes unnecessarily convoluted - we have the blossoming relationship between the wife and the psychologist, the struggles of the husband and wife, the son facing up to homosexuality, the suspicious father-in-law, the sister who's taken a shine to the American and so on. All this leaves it rather disjointed and had it just centred on the 3 way adult relationship dynamic it would've made for a much stronger film.

Not all bad but something of a mixed bag.

Just how fluid is our definition of "family"?

Conor (Edward MacLiam) is an Irish carpenter who, at the age of 34, is unexpectedly felled by a stroke. Though he will never again be the man he was, Conor recovers sufficiently to allow him to return home to his wife, Vanetia (Maxine Peak), and two children. However, he is accompanied by Ted Fielding (a generally miscast Will Forte), an American brain specialist who moves in with the family so he can monitor and study Conor's condition on a 24/7 basis. While Ted, a single man without a wife or children of his own, is supposed to remain a neutral, emotionally detached observer of the situation, he finds himself more and more filling the void left by Conor, slipping into the role of father to the children and husband to the wife. Will Conor erupt in a jealous rage at this blatant disruption of his family unit, or will he have the grace to accept the fact that Ted can provide for his loved ones in a way that he himself no longer can?

Written by Ailbhe Keogan and Steph Green and directed by Green, "Run & Jump" is an unassuming, slice-of-life drama that is less about a man's struggle to overcome the harsh hand that's been dealt him and more about the effect that hand is having on those around him. How, the movie asks, does one re-establish a familial norm when the dynamics have effectively shifted and everyone's role in that family has been essentially redefined? This relationship-shuffling manifests itself in some surprising ways. Conor's stroke, for instance, has clearly affected the part of his brain that censors what he says, a condition that proves most taxing to his gay teenage son who must suffer his dad's withering homophobic comments, keen in the knowledge that they reflect his own father's true, unfiltered feelings towards him. And there are many such examples.

Despite a certain sketchiness in some of the storytelling, "Run & Jump" is, for the most part, a poignant case study in family dynamics, one that both avoids melodrama and refuses to cast judgments on its characters as it explores the complexities of human relationships.

As an American living in Dublin (Ireland) and an avid film lover, I had the pleasure to attend the Run & Jump premier at the Galway film festival (located on west coast of Ireland) last night. I am a huge fan of will forte's comedy and think that he has successfully crossed over to a dramatic roles with Run & Jump (think Jeff Daniels)... And, for the film, it was a powerful story of a family faced with a challenging change to their lives - I don't think their was a dry eye in the theater... This film has the great qualities of European independent film making, with its deep exploration of human experience... How people deal with extraordinary circumstances in their own lives but which are unfortunately difficult realities for many. My connection to this film was very personal - my mother's personality changed due to a chronic medical condition - and so it helped me see how others deal with these experiences - especially since it is based on the writer's personal experience with her own father... I think it would also help those who have not had direct experience understand what other's go through. Therefore whether the writer intended to or not, this film is an important expression of these challenges and can serve (inadvertently) as a contributing form of therapy. Please note cinematography (understated and spectacular), sounds (you can feel and hear basic movements such as the scratching of a beard hence drawing you into the characters thoughts) and for non-Irish please also note that jumping into the freezing Irish Sea is a right of passage here... I can say more but will conclude that I also believe this film is important to our society and should have access to the general public... (Typos here due to iPad keyboard)

While you're waiting for Netflix to stream the last two seasons of "Silk,"* you may want to take a look at this intriguing indie. Maxine Peake gives a fine, energetic performance as Vanetia Casey, a beleaguered housewife in County Kerry, a long way from the Inns of Court. The setup may seem a little contrived—Vanetia's husband, Conor, is a stroke survivor whose recovery's being monitored by an American brain researcher, Ted (Will Forte), who's camped out in their teenage son's bedroom—but the plot starts ticking over as Ted, played as a standoffish nerd at first, loosens up and starts to bond with mother and son.

Edward MacLiam gives a convincing performance as Conor, a volatile wild child who's entranced by the animals in a petting zoo but taunts his son with homophobic slurs; Conor's parents turn up in a couple of scenes as reminders of the old, unforgiving Ireland that we're familiar with from films like "Philomena." (If the script has a fault, it's that these intergenerational conflicts seem a little cut and dried.) That's a lot to pack into 106 minutes, but Vanetia and Ted's grass-fed (wait for it!), flirtatious friendship is pretty delightful and saves the film from being just another grim indie study of family conflict. Great locations, great music, from the Magnetic Fields to a haunting Irish lament.

* After more than two years, still only available on Blu-ray or as an expensive rental on Amazon… Gobshites! [01/07/17]