Getting On

If you are looking for Glitz and Glam, forget it.

If you appreciate the absurdity of every day living, you have found your home.

I adore Nurse Jackie, as the former poster noted that she liked, however if you can polish off that sheen you might find something that at least looks like real life here.

Easy to make exciting traumatic moments; it's a bit harder to convey the strength of emotion that stretches out when someone takes more than an episode to die.

I am believer of reality vs. fiction, and as quirky "Getting On" is, it is heads and shoulders above Nurse Jackie in realism. What a fantastic balance "Getting On" has struck.

It has a quiet "emergency"!

Just when I thought that HBO was beyond help, they finally get one right by largely leaving things alone. Having watched and thoroughly enjoyed many episodes of the British original with the wonderful Jo Brand ( one of the series creators and executive producers )in the lead role, I was very impressed by how much HBO has captured the spirit and quirkiness of this series. I think HBO has wisely kept the starkness of what the patient experience is, and perhaps given the show more room to fly by making it a teeny bit more gritty in terms of language and mature content. At first I was a little baffled by the American casting, but at only four episodes in they've done a great job of setting the stage without yet exhausting the overwhelming idiotic bureaucracy the staff alternately endure and wield like a weapon. So I'll give the show time to grow and capture the flip side - the patient interaction and the audience's need to connect with and root for the one mostly sane staffer.

I rarely contribute reviews. I felt compelled to add to the (mere!) 11 reviews posted.

This show is such a gem. It is genuinely funny, the cast is spot-on stellar, and it has a a heartfelt center (without being sentimental). Niecy Nash is a stand-out. She steels many of her scenes. I only know Alex Borstein from MadTV and family guy; she surprises here with really great acting chops. Her dead-pan delivery takes the humor up a level. Laurie Metcald is a hoot as the neurotic doctor. Her characterization is eerily cemented in reality (unfortunately).

I can't recommend this enough. I hope it gets a strong following and continues for a few more seasons.

I've just listened to an NPR Fresh Air interview with Mark Olsen and Will Scheffer, who were constantly referred to throughout as the "creators" of Getting On. They happily accepted this accolade and proceeded, with truly nauseating sincerity, to explain how the stories in the series were based on their experiences caring for their respective elderly mothers, which, we're given to understand, is why it's all so real, so poignant, so personal. Curious then that 95% of the US adaptation of Getting On is identical - and I'm talking line for line, if not quite word for word - to the UK original, created by the wonderful Jo Brand. The 5% that's different is where the US version blunts the humour, misses the point, or merely adds lame phoney-sounding sitcom punchlines to otherwise achingly funny-sad scenes. Maybe Olsen and Scheffer had identical experiences to Brand, and maybe they just forgot to write it down first. Or maybe they actually believe they've added something of value to Brand's work. Or maybe they're just ****s.

I find myself identifying with the 'oldsters' in the show as much as anything. There are some genuine insights, both from the staff of the hospital dealing with the seniors and from the seniors themselves, looking out from the inside.

The show is well cast and the characters are becoming more developed as time passes; the seasons are short for this program and that limits the screen time the writers can devote to the characters, but even so they are becoming more real with each episode.

The writing is spare and deft. The jokes are subtle, rather than belabored; sometimes you have to think fast.

Dry and witty with the occasional belly laugh and some tender, wistful moments - I suppose it is a dark comedy, but semisweet rather than bitter. Give it a fair trial.