Overcompensating

Overcompensating (2025) is a fun and wild ride - a clever mix of American Pie, Mean Girls, and Glee (with less singing but just as much drama and attitude). The series delivers plenty of hilarious moments, sharp dialogue, and over-the-top college chaos that feels both nostalgic and fresh.

Charli XCX's music is a perfect fit for the show's energetic tone. The cast has great chemistry, and the show doesn't shy away from pushing boundaries in all the right ways.

If you're into teen comedies with bite and flair, this one's for you. Here's hoping Season 2 turns the volume up even more - we're ready for it.

Which of these scenes were not included in Animal House, a 1970s flick about post-50s, early 1960s collegiate life?

Freshmen expectations, beer, fake IDs, beer, partying, beer, blood, beer, cafeteria drama, beer, scoring, beer, fraternity antics, beer, confusion, beer, change in academic plans for lust, beer, etc.

With many "out" people and groups on campus today, the coming out fears expressed relate to a few (while in the time period of Animal House, most were mocked, shunned, or worse).

Which begs the question: who is the intended audience of this series?

I'm not really sure. And what is its redeeming value? Haven't discovered it yet, but I'm only midway through episode 4.

"Overcompensating" is chaotic, messy, loud-and absolutely brilliant. It's the kind of show that grabs you from the first scene and refuses to let go, barreling forward with a frenetic energy that somehow manages to hold itself together in the most entertaining ways. What could easily have spiraled into incoherence instead feels like a masterclass in controlled chaos.

The writing is sharp, fast-paced, and refreshingly bold. Every episode feels like a dare-testing how far the show can push its characters, plots, and even its own tone without losing the audience. And it works. Just when you think it can't get more absurd, it does, and yet somehow it all still feels intentional. That's a hard trick to pull off, and "Overcompensating " nails it.

The cast deserves serious praise for bringing this madness to life. Each character is over-the-top in the best possible way, and yet they're grounded just enough to make you care. Their performances are full of commitment, balancing humor and heart even in the most outrageous scenarios. No one feels wasted; everyone gets a moment to shine-or explode spectacularly.

There's also a strange kind of emotional undercurrent that sneaks up on you. Beneath all the mayhem, the show is clearly saying something about identity, insecurity, and the bizarre ways we try to prove ourselves to the world. That layer of sincerity, buried under the satire and spectacle, is what truly sets it apart.

At its core, "Overcompensating" feels like a show that knows exactly what it is and leans all the way in. It's self-aware without being smug, chaotic without being confusing, and consistently surprising without feeling cheap. I laughed, I gasped, I questioned my own sanity a few times-but I was never bored.

Here's hoping they continue to make more seasons, because this is the kind of fearless storytelling we need more of. If this is what "too much" looks like, then give me more.

I had low expectations based on the description but since it was A24 produced, I gave it a chance. Is it revolutionary? No. Is it deeply thought provoking? No. But it IS highly entertaining. I could relate to Benny in so many ways as a gay man who had very similar struggles when coming out. A lot of the plot is classic early 2000s era raunchy comedy, but there's something nostalgic about it. Even though Benny is a very privileged white male, I liked seeing a gay lead protagonist. Also loved Baram and Barone. Great character arcs in a single season. The gratuitous male nudity doesn't hurt either. I hope there are more seasons and really hope this doesn't become another one-and-done show that gets cancelled for the next big idea flop. Overcompensating left me wanting to see what happens next and it's a lighthearted, funny comedy that fills a niche that's been empty for years.

The talented Benito Skinner not only stars, but also created and wrote this college campus comedy about being chameleons in one's peer social surroundings in order to survive the humiliation of being a nobody freshie. In Benny's case, he is gay, and in this day and age he attempts to hide it under the facade of a high school football star from Ohio (or was it Idaho?) Nevertheless, Benny has a hard time coming out, and along the way he befriends another freshie, Carmen, who together navigate their new world in an overblown send-up of college life and all the ridiculous situations that come with it, but with an emotional depth that surprises with each episode...