Parkland

A certain generation gained its knowledge of the assassination of John Fitzgerald Kennedy from Oliver Stone's JFK. Don't get me wrong, JFK remains a fine film, but there's a danger of believing the conspiracies are factual. Parkland, Peter Landesman's directorial debut, doesn't necessarily right any wrongs but it does approach the assassination with a clean slate.

Parkland unfolds the story we are all familiar with, but manages to shock thoroughly as it recounts the events of 22 November 1963 and the immediate aftermath before the conspiracy theories and thoughts of dark dealings beyond the obvious murder emerged. Landesman manages to numb us, playing our own horror and sense of helplessness across the faces of the protagonists before us as their innocence is lost and their faith in humanity is rocked.

Central to Parkland is Abraham Zapruder (Paul Giamatti), the man who inadvertently shot one of the most important 26.6 seconds of film in American history: the arrival of the President's cavalcade and his harrowing, public execution at the hands (probably) of Lee Harvey Oswald. We watch Giamatti's Zapruder evolve from confident boss to shuddering, emotional mess as he realizes just what he has recorded and the impact that footage will have on the world and his own life. It is very easy to view Zapruder as a fortunate man, a man who in a lucky half minute, shot himself fame and financial security, but Giamatti flawlessly portrays a man who just might crumple permanently under the weight and pressure from the police, the Secret Service, the press...

At every turn in Parkland there is another character recoiling in their own horror, undergoing their own life-changing trauma, and each is played with the sensitivity demanded in order for Parkland not to be a mawkish, voyeuristic experience.

After last year's The Paperboy (but overlooking the awful The Lucky One), it's definitely time to take Zac Effron seriously as an actor. As Doctor Charles 'Jim' Carrico, the young doctor called upon to put his own emotions aside and fight for the life of his President as the First Lady weeps in the corner holding a chunk of her husband's brain, he looks shell shocked and as numbed by the events as we feel.

Subtler is James Badge Dale as Robert Oswald, another man whose life is irrevocably changed by the actions of a man, who happens to be his brother. At first shocked by the shooting, he retreats into himself as realisation dawns, emerging only to castigate his deluded mother, Marguerite (Jacki Weaver), who sees an opportunity for fame and hero's honours for her youngest son.

But Parkland is such a powerful film for much more than the performances. They say the devil is in the detail and it is the minutia that kicks us in the gut the hardest. The obvious is overlooked in favour of the finer points. We never see the Zapruder film clearly or in its entirety but the sound of Jim Carrico pumping the President's chest while the gathered crowd watches silently and without hope, goes right through us. The handle of the coffin torn off as the agents lift it out of the hearse, the panic as they realise it will not fit into Air Force One, the hasty removal of the aircraft panel with saw and shoulder... They all serve to make the situation real, the horror genuine and immediate.

Landesman has created a film of morality; not just the obvious judgment towards murder, but the more difficult matters of a church burial for a man despised by the population, the suspicion thrown at the family and the blame levied at those who could have prevented the act if they had had the benefit of foresight. Parkland is an emotional journey the delivers a series of punches to leave us reeling.

Yes, we know the story, even though we may not have even breathed our first breath in 1963, but have we experienced the emotion before now?

For more reviews from The Squiss, subscribe to my blog and like the Facebook page.

After recently watching Bill O'Reilly's 'Killing Kennedy', I prefer this movie over that one. Here's why. The JFK story has no more new insights for me. The Oswalt story could be interesting, but the O'Reilly movie is rather flat.

This movie looks at the events through the eyes of all the other characters. It has things that I never heard of before. Without spoiling too much, Oswalt's mother is a pill. And I never knew of that happening in the FBI office. And I can't believe the fighting in that operating room. That's insane.

This is not a regular flowing movie. With these varied stories, it was never going to have the regular structure. It is scatter shoot storytelling. Interestingly, I found most of the stories fascinating and compelling. I wanted to know each character and their stories. And the acting was all top rate. It is the JFK assassination movie to watch.

Unlike the highly controversial Executive Action and later Oliver Stone's JFK, Parkland takes no position as to the wider implications of a conspiracy involving the assassination of John F. Kennedy. Instead we get a rather sober docudrama about the four days that if you lived through them you remember every detail that was reported until President Kennedy was lowered into his grave at Arlington.

None of the famous people of the event are shown here at any length. Some are shown briefly, some actors play John and Jacqueline Kennedy and Lyndon Johnson. The Oswalds are given more exposure. But the film concentrates on the peripheral characters of the drama, secret service agents, doctors at Parkland Hospital, presidential aides. A bit of the drama of the instant transition of power is involved as the office in a flash of gunfire transfers from one man to another.

Some familiar faces are here. Billy Bob Thornton is the Secret Service agent in charge of the Dallas area, Zac Efron is the young trauma surgeon who makes a vain effort at saving a dead man, Paul Giammati is Abraham Zapruder who took the most famous home movies in the history of the planet.

My favorite is Jacki Weaver the Australian actress who plays Marguerite Oswald. Her son's instant notoriety has elevated as she thinks to some kind of celebrity status. Today that woman would find herself a server and get some kind of blog. Weaver plays her one suit shy of a full deck.

As it does not deal with large issues, just small screw ups Parkland does not have the epic sweep that JFK does. Still it's an interesting and different look at the four most traumatic days of the last century.

Parkland was the name of the hospital that President Kennedy was taken to after being shot in Dallas and Peter Landesman's film deals with the events of that day and the days that followed. It's a somewhat better film than the critics gave it credit for though it doesn't add anything to either the truth or the legend and prefers instead to concentrate on how the assassination affected the people on the ground, the hospital staff, the secret service agents, the Oswald family etc.

It's well cast and well played by some very talented players, (Marcia Gay Harden as a nurse, Billy Bob Thornton, Ron Livingston and David Harbour as secret service men, Paul Giametti as Abraham Zapruder, Jackie Weaver and James Badge Dale as Oswald's mother and brother; even Zac Efron as a young doctor who fails to save Kennedy's life is excellent). Landesman shoots it in a semi-documentary style which is fine though perhaps the editing is a little on the busy side; he doesn't seem to like to hold a frame for more than a few seconds at a time. I don't know, of course, how close any of this is to the facts but presumably the film was researched to within a few inches of its life and no matter how often this story has been told on screen it continues to be very moving.

Based on Vincent Bugliosi's book retelling the events leading up to and following the Kennedy assassination on a minute-by-minute basis, PARKLAND is a low-key film that eschews sensationalism in favor of characterization. Director Peter Landesman focuses on the reactions of those involved in the affair, notably Dr. Jim Carrico (Zac Efron), who treated JFK at the Parkland Hospital, and FBI agent James Hosty (Ron Livingston). The film is shot in cinéma-vérité style, with lots of quick cuts and close-ups on the protagonists with the minimum of climatic scenes. Sometimes the action drags slightly, but PARKLAND's main concern is to illuminate the human cost of the tragedy - for example, the reaction of dressmaker Abraham Zapruder (Paul Giamatti), whose amateur film of the tragedy constituted the only available record of what actually happened. Director Landesman shows how the emotional effect of being regularly interrogated by the FBI proved too much for him. We also see the reaction of the nurses in the Parkland Hospital, who strove to save the President's life but eventually failed. Compared to other versions of the event - for example, Oliver Stone's JFK - PARKLAND lacks sensationalism. but is nonetheless extremely well made, a testament to the efforts of everyone involved, actors, directors and those behind the camera alike.