Tumbledown

Reviewing a Nicholas Sparks'-related film is not a happy assignment because of its near-guarantee of maudlin, tear jerking sentiment. Hooray! Because Tumbledown is the anti-Sparks romance, nothing to do with his weepers, in fact a hard-nosed but sympathetic study of Hannah's (Rebecca Hall) writing a biography of her notably- accomplished folk-singer, late husband's short life.

Although this summary might seem Sparksean, it is not that at all. Perhaps the innocence and originality of the production comes from its freshman director, Sean Mewshaw and his collaborating writer, his wife, Desiree Van Til. Both are gifted and devoid of the penchant for cliché so dominant in other romances.

This realist-oriented romance finds Hannah struggling with her writing and her business-associate, a college professor, Andrew (Jason Sudekis). Although a certain element of formula must be present as she insults him regularly (a sure sign they will fall in love), it is 90 min before they kiss—another Hooray! During this first 2/3, most of the dialogue is rapid and sardonic, a sweetness to my word-addicted ears.

Moments occur in this dialogue-driven segment when I am reminded of the early 20th century love of screwball comedic repartee. The rapid fire insults and witticism are nectar to those of us who have grown up on Jud Apatow's romcoms potty humor and pratfalls. While Tumbledown has its moments of pratfalls and excessive dialogue, overall it is balm for the ears, and, given the attractiveness of Hall and Sudekis, a sight for sore eyes.

Because I lived for a year in Northern Maine, I must laud the picture's artists for capturing small town Maine life without parodying its apparent narrowness and gruffness. A warm interior lies at the center of the outwardly hostile natives; it's a warm interior that catches heat from the ubiquitous fireplaces (we had wood stoves). Visitors from the city like Andrew and his girlfriend, Finley (Dianna Agron), may just never qualify for residency the way Hannah does.

This is a cute little movie! Maybe it was a bit to cheesy for a true man I myself am, but I liked it nevertheless. Let me immediately point out what's the best this movie gives: it' chemistry between McDonnell (Sudeikis) and Hannah (Hall). They can be compared to Nicholas Cage and Tea Leoni in The Family Man.

Story itself is predictable. Hannah deals with loss and keeps being trapped in past when a NYC writer arrives and makes her confront herself. The rest I leave to your imagination.

There's a mindset one has to adopt in order to enjoy this movie. This is not about delivering story or even emotion (expect lots of them) - it's about little things which we usually take for granted and realize how important they are once they're gone. Little things which come to life only when somebody comes to our life. Little things we share together. Adopt this mindset and you're going to enjoy this movie as it may bring forth some memories.

Now the soundtrack. Music is almost central to the movie. All the credits for soundtrack go to Damien Jurado. Search him - I'm sure you'll find it very relaxing and nice. His music really helps you to find and reflect upon some precious moments in the movie and in your own life. Since almost entire movie plays in a little, snowy town, movie really blends with the music.

Jason Sudeikis shows some acting skills! He's the main star of the movie - very entertaining and charismatic. Rebecca Hall was a cutie. Together they form a nice couple. Chemistry among them is what gives a reason for adopting mindset mentioned above.

It's never easy to "Turn the page and start a new chapter" as the tag line suggests. It's really not easy to do it only by yourself. I recall what C.S.Lewis once wrote:

"To love at all is to be vulnerable. Love anything and your heart will be wrung and possibly broken. If you want to make sure of keeping it intact you must give it to no one, not even an animal. Wrap it carefully round with hobbies and little luxuries; avoid all entanglements. Lock it up safe in the casket or coffin of your selfishness. But in that casket, safe, dark, motionless, airless, it will change. It will not be broken; it will become unbreakable, impenetrable, irredeemable. To love is to be vulnerable."

If you want to see this quote in motion, see this movie.

I was pleasantly and unexpectedly surprised by this movie. I found it a realistic portrayal of how hard it is to let go of the memory of deep love that is now gone and learning how to move on and sometimes failing and falling down, until suddenly you wake up and life unexpectedly opens up to something new and wonderful. I am surprised by the negative reviews. It is not a romantic comedy or a typical slick, fast paced Hollywood film. But it works as a touching, authentic slice of a life, portraying what loss really looks like and the beauty of love. The music was also really fantastic. A touching little gem.

My wife and I watched this at home via Amazon Prime streaming movies.

A woman in a sleepy Maine town, where everyone knows everyone else, works as a part time writer for the local rag. Her husband, a well-regarded composer and singer, had died not long ago in a hiking accident and she was having trouble getting past it.

A Hofstra professor in New York was a fan, he wants to write a proper biography of the singer, so he travels to Maine to see what he can find. This gets him to encounter the young widow.

While this exact story has not been told in a movie it is not unlike many others. The widow and the writer do not get along at all, he is pleasant but frank, she is emotional and resistant to anyone meddling into her dead husband's memory. But he persists and ultimately, fortunately before the movie ends, they begin to find ways to work together. And maybe a nice romance thrown in as a bonus.

A pleasant enough movie for a slow evening after a steak and a bottle of Oregon Cabernet.

Tumbledown is that kind of movie which makes you feel "Oh! It's good. But it should have been better". You'd almost feel sorry for the entire cast because they have given such exceptional performances only to be let down by clichéd writing towards the end. But it still is a Dramedy worth watching.

Coming to the performances, there are absolutely no complaints here. I can safely say that Jason Sudeikis steals the show with his charm and timing. Rebecca Hall gives her best and suits for the role well. In fact we can watch the movie just for the leads' performances. The supporting cast does justice to their roles.

Verdict: Go for it!