एक माँ और उसके बच्चे को परेशानियां होने लग जाती हैं जब एक भयानक, बच्चों की किताब मिस्टर बाबादूक उनके घर में प्रकट होती है.एक माँ और उसके बच्चे को परेशानियां होने लग जाती हैं जब एक भयानक, बच्चों की किताब मिस्टर बाबादूक उनके घर में प्रकट होती है.एक माँ और उसके बच्चे को परेशानियां होने लग जाती हैं जब एक भयानक, बच्चों की किताब मिस्टर बाबादूक उनके घर में प्रकट होती है.
- पुरस्कार
- 56 जीत और कुल 64 नामांकन
Jacquy Phillips
- Beverly
- (as Jacqy Phillips)
Tiffany Lyndall-Knight
- Supermarket Mum
- (as Tiffany Lyndall Knight)
फ़ीचर्ड समीक्षाएं
There's a demon likes to get inside your mind, if he enters he can be a bit unkind, takes you down a winding path, a quite determined sociopath, doesn't care what trauma that he leaves behind. It's the kind of shade that's often caught alone, the recipient may feel they don't belong, an imposter in their world, wearing a mask fully unfurled, all life's treasures we take for granted, simply gone.
A stellar performance from Essie Davis in a film that will get you thinking about the effects life's challenges present and how you deal with them, albeit through the eyes of one possessed by demonic urges they can't control while becoming a silhouette of themselves.
A stellar performance from Essie Davis in a film that will get you thinking about the effects life's challenges present and how you deal with them, albeit through the eyes of one possessed by demonic urges they can't control while becoming a silhouette of themselves.
The Babadook surprised me on two counts.
First, as someone who doesn't often get the warm fuzzies at spooky films, this did. It's a well acted, believable account of a mum and child being haunted by a seemingly malevolent 'thing'. Effective jumps and creeping tension are handled well.
But I was surprised again by the end, as I came away seeing it as an allegory for deep grief and a way through it. I found it quite moving, the mum finding a place for that darkness, finally taking control of it.
First, as someone who doesn't often get the warm fuzzies at spooky films, this did. It's a well acted, believable account of a mum and child being haunted by a seemingly malevolent 'thing'. Effective jumps and creeping tension are handled well.
But I was surprised again by the end, as I came away seeing it as an allegory for deep grief and a way through it. I found it quite moving, the mum finding a place for that darkness, finally taking control of it.
You've heard of feel-good films, well this is not one. It's creepy and disturbing pretty well all the way, a good old horror fantasy with a nod to the psychological canniness of Nightmare on Elm Street but much more economical in terms of special effects, casting and I would imagine budget. It nevertheless maintains tension and atmosphere along with some high-flying dramatic sequences from the actors which bear comparison with The Exorcist. The plot also connects nicely with the psychological and existential conflicts facing a single mother whose son's birth coincided with the tragic death of her husband, and the whole nasty Babadook phenomenon, and its unresolved outcome, can certainly be read as an allegory of this traumatic event. Maybe it's over-reading to say the film also contains a Nietszchian lesson about the importance of embracing every aspect of one's life and history, no matter how horrific - but it works for me. The acting is amazingly good from the two leads, although the supporting characters are a bit stereotyped, a directing decision presumably. Sets and locations are charged with a bleak gloom, and the colour accordingly verges on monochrome. Love the specially made children's book, and Mr Babadook's physical character, as well as the wonderfully curated vintage movie footage appearing throughout on the TV screen. And a special word for the very fine intricately crafted sound design.
Obviously well made and Davis gives a performance for the ages, but this one didn't grab me like it did other people. The annoying child didn't help. The title creature was better off creeping around in the shadows.
We are all familiar with the scenario: a young boy with an overactive imagination becomes terrified of the monster underneath his bed, and rushes to his mother for a therapeutic bedtime story. But what if this imaginary monster actually becomes real? This is the set up for a new Australian horror flick premiering at this year's Sundance Film Festival entitled The Babadook. Our protagonist, Sam, is terrified of monsters. So terrified he is loosing sleep, causing trouble in class, and creating his own sinister weaponry out of household objects as a means of defense. It's enough to drive his widowed mother, Amelia, into a frantic state of paranoia. As tensions between the two escalate, a new presence called the Babadook makes it's way into the household which questions the sanity of everyone involved. The film cleverly embraces and deconstructs typical horror film conventions in order to create something new. Though it is hilariously playful and entertaining, it's also a terrifying psychological thrill in the same vein as films like Black Swan or Rosemary's Baby. Essie Davis is great as Amelia, but newcomer Noah Wiseman gives an incredibly memorable child acting performance. If you are a horror fan looking for something new, look no further than The Babadook. Just be prepared to have nightmares afterward, and remember to leave the kiddos at home for this one.
क्या आपको पता है
- ट्रिवियाDirector Jennifer Kent holds the rights to the film. When asked if there would be a sequel, she said, "I will never allow any sequel to be made, because it's not that kind of film. I don't care how much I'm offered, it's just not going to happen."
- गूफ़(at around 18 mins) When calling out "legs 11" during the bingo game she holds a blue ball but a back shot shows her holding a white ball and in the next front shot she has the original blue ball again. As an extra the white ball is not 11 but 69 (which maybe a playful joke with the crew and cast)
- क्रेज़ी क्रेडिटAfter the end credits, we see the Babadook's face appearing as a jumpscare, leading into a blackout.
- कनेक्शनEdited from Mortal Kombat (1992)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Sách Ma
- फ़िल्माने की जगहें
- एडिलेड, साउथ ऑस्ट्रेलिया, ऑस्ट्रेलिया(locations: Marion, Glenside, Goodwood, St Peters and North Adelaide)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $20,00,000(अनुमानित)
- US और कनाडा में सकल
- $9,64,413
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $30,007
- 30 नव॰ 2014
- दुनिया भर में सकल
- $1,06,85,444
- चलने की अवधि
- 1 घं 34 मि(94 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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