IMDb रेटिंग
7.8/10
32 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAfter losing his mother, a young boy is sent to an orphanage with other orphans his age where he begins to learn the meaning of trust and true love.After losing his mother, a young boy is sent to an orphanage with other orphans his age where he begins to learn the meaning of trust and true love.After losing his mother, a young boy is sent to an orphanage with other orphans his age where he begins to learn the meaning of trust and true love.
- 1 ऑस्कर के लिए नामांकित
- 25 जीत और कुल 22 नामांकन
Sixtine Murat
- Camille
- (वॉइस)
Paulin Jaccoud
- Simon
- (वॉइस)
Michel Vuillermoz
- Raymond
- (वॉइस)
Raul Ribera
- Ahmed
- (वॉइस)
Estelle Hennard
- Alice
- (वॉइस)
Elliot Sanchez
- Jujube
- (वॉइस)
Brigitte Rosset
- Tante Ida
- (वॉइस)
Natacha Koutchoumov
- Maman de Courgette
- (वॉइस)
- (as Natacha Varga-Koutchoumov)
Monica Budde
- Mme Papineau
- (वॉइस)
Adrien Barazzone
- Mr. Paul
- (वॉइस)
Véronique Montel
- Rosy
- (वॉइस)
Romane Cretegny
- Fillette
- (वॉइस)
Léonard Geneux
- Garçon
- (वॉइस)
फ़ीचर्ड समीक्षाएं
Great movie. Awesome. I thought this movie would be sad, but it's not sad. The only sad part is the beginning. The movie has a lot of heart without being tragic or sad. You just get to see the main character interact with the other characters and grow into a better life. The only flaw is the film has a rosy depiction of orphanages, when orphanages are not nice places in any way.
"Many people, for many reasons, feel rootless - but orphans and abandoned or abused children have particular cause." Christina Baker Kline
Stories about orphans such as Dickens' Oliver Twist have a special place--they remind us of what a gift family is. Having loving parents and siblings provides safe haven from hunger of the stomach and the heart. Claude Barras' moving stop- motion animation, My Life as a Zucchini, explores the plight of seven young orphans with emphasis on Zucchini, a name given to him by his drunken mother.
As he goes off to an orphanage, he discovers more challenges than being with his mom, whose memory he keeps by carrying around one of her discarded beer cans. The usual bully (Simon) is in residence along with some meek kids and with Camille, a saucy ten year old ready to take on Simon's cynicism and Zucchini's love.
As you can tell by the entrance of Camille, all is not lost at this homeless haven, much less the emerging sense of cooperation and compassion. The film gently approaches each major crisis with equanimity, relying not on easy solutions or catastrophes but on the emerging sense of cooperation and sincere love.
It's difficult to determine what makes this animation so human with its characters and their eccentricities; all I know is that I felt deeply about each orphan right down to the wicked aunt. It's not sentimental, mind you, just powerfully humane and deserving its Oscar nomination for best animation.
Could it be the Keane-like big eyes, so expressively alive with emotion? Possibly so. At any rate, this animation will appeal to all ages and answer some age-old questions about the depth of loneliness and the salvation adoption can bring.
"Orphanages are the only places that ever left me feeling empty and full at the same time." John M. Simmons
Stories about orphans such as Dickens' Oliver Twist have a special place--they remind us of what a gift family is. Having loving parents and siblings provides safe haven from hunger of the stomach and the heart. Claude Barras' moving stop- motion animation, My Life as a Zucchini, explores the plight of seven young orphans with emphasis on Zucchini, a name given to him by his drunken mother.
As he goes off to an orphanage, he discovers more challenges than being with his mom, whose memory he keeps by carrying around one of her discarded beer cans. The usual bully (Simon) is in residence along with some meek kids and with Camille, a saucy ten year old ready to take on Simon's cynicism and Zucchini's love.
As you can tell by the entrance of Camille, all is not lost at this homeless haven, much less the emerging sense of cooperation and compassion. The film gently approaches each major crisis with equanimity, relying not on easy solutions or catastrophes but on the emerging sense of cooperation and sincere love.
It's difficult to determine what makes this animation so human with its characters and their eccentricities; all I know is that I felt deeply about each orphan right down to the wicked aunt. It's not sentimental, mind you, just powerfully humane and deserving its Oscar nomination for best animation.
Could it be the Keane-like big eyes, so expressively alive with emotion? Possibly so. At any rate, this animation will appeal to all ages and answer some age-old questions about the depth of loneliness and the salvation adoption can bring.
"Orphanages are the only places that ever left me feeling empty and full at the same time." John M. Simmons
My Life as a Zucchini was nominated for Best Feature Film at the 89th Academy Awards. And for a 70 minute feature, that says a lot. This French-Swiss stop-motion animation film takes on a mature content but never fails to keep its child-like tone and to an extent, its innocence.
It follows the story of Icare (but prefers to be called Zucchini), who lives with his alcoholic mother. After an accident, Zucchini has been sent to an orphanage by a policeman named Raymond. Zucchini's start at the orphanage is rough—thanks to the Simon, the bully. From there on, we are immersed into Zucchini's adventures as he learns of friendship, of family and of love.
This animated film ravel with its wonderful visuals that reminds us of the days when its was toys over tablets. In a way, this serves as a nostalgic treat for teenagers. Almost every scene carries a powerful meaning. But its greatest feat is looking at the lives of these children through a different lens—they are all abandoned, damaged or broken. One has her mom deported, the other has his father jailed— these are all mature themes but nevertheless, real.
But despite all that, Zucchini and his crew are all still children. They play, they dance, they sing. The film never stops to carry this child-like tone. The colorful aesthetics are impactful and an array of vibrancy spreads across the screen. It is a brave film that looks at life at an emotional depth. It's an eye-opening experience.
It follows the story of Icare (but prefers to be called Zucchini), who lives with his alcoholic mother. After an accident, Zucchini has been sent to an orphanage by a policeman named Raymond. Zucchini's start at the orphanage is rough—thanks to the Simon, the bully. From there on, we are immersed into Zucchini's adventures as he learns of friendship, of family and of love.
This animated film ravel with its wonderful visuals that reminds us of the days when its was toys over tablets. In a way, this serves as a nostalgic treat for teenagers. Almost every scene carries a powerful meaning. But its greatest feat is looking at the lives of these children through a different lens—they are all abandoned, damaged or broken. One has her mom deported, the other has his father jailed— these are all mature themes but nevertheless, real.
But despite all that, Zucchini and his crew are all still children. They play, they dance, they sing. The film never stops to carry this child-like tone. The colorful aesthetics are impactful and an array of vibrancy spreads across the screen. It is a brave film that looks at life at an emotional depth. It's an eye-opening experience.
'My Life as a Courgette' was the last of the five 2016/7 Best Animated Feature Oscar nominees viewed by me, and that it is (to me) the weakest of the nominees and still manages to be a very good film is testament to how great the other four films ('The Red Turtle', 'Kubo', 'Moana' and the winner 'Zootropolis', so very stiff competition) were.
There is not a whole lot wrong with 'My Life as a Courgette'. At just over an hour it is a little too short and it did have a story that was deserving of a longer length, and the depiction of orphanages (usually a dark and unhappy environment that people can't wait to leave) is rather rose-tinted. Otherwise, it is a beautifully done film that has much more to it than the quirky if silly title, the cute-looking characters and bright colourful visuals make out. Not classing these attributes as bad things in any way, but it is so easy hearing and seeing it advertised to get the wrong idea about 'My Life as a Courgette', thinking it will be a quirky film with children as its primary target audience, bright colours and witty humour when actually there is much to the film than that.
It is a beautifully animated film certainly. It is very vibrantly bright and colourful, with parts of truly haunting atmosphere, a vividly immersive world and meticulously detailed backgrounds and overall visuals from the little things to the bigger effects. Just as good are the eye-catching character designs that are modelled smoothly and even with the oddball looks look and behave very authentically, for characters they are very unique and charmingly unusual (what other title character has blue hair and a red nose?).
Furthermore, the music score is appropriately atmospheric and whimsical, while the writing has quirks and poignancy. The story could have benefited from a longer length but still charms, amuses and moves, with a surprisingly sober tone, while not being afraid to take risks and brave more difficult subjects with sensitivity and never heavy-handedness. This is including one of the boldest opening sequences in any animated film (perhaps the boldest since that for Disney's 'The Hunchback of Notre Dame'). Everything is paced beautifully too.
Characters are very easy to warm to and have engaging, distinct personalities. Voice acting in both the American and particularly French versions is very emotive.
On the whole, beautiful film and has much more to it than one would think. 8/10 Bethany Cox
There is not a whole lot wrong with 'My Life as a Courgette'. At just over an hour it is a little too short and it did have a story that was deserving of a longer length, and the depiction of orphanages (usually a dark and unhappy environment that people can't wait to leave) is rather rose-tinted. Otherwise, it is a beautifully done film that has much more to it than the quirky if silly title, the cute-looking characters and bright colourful visuals make out. Not classing these attributes as bad things in any way, but it is so easy hearing and seeing it advertised to get the wrong idea about 'My Life as a Courgette', thinking it will be a quirky film with children as its primary target audience, bright colours and witty humour when actually there is much to the film than that.
It is a beautifully animated film certainly. It is very vibrantly bright and colourful, with parts of truly haunting atmosphere, a vividly immersive world and meticulously detailed backgrounds and overall visuals from the little things to the bigger effects. Just as good are the eye-catching character designs that are modelled smoothly and even with the oddball looks look and behave very authentically, for characters they are very unique and charmingly unusual (what other title character has blue hair and a red nose?).
Furthermore, the music score is appropriately atmospheric and whimsical, while the writing has quirks and poignancy. The story could have benefited from a longer length but still charms, amuses and moves, with a surprisingly sober tone, while not being afraid to take risks and brave more difficult subjects with sensitivity and never heavy-handedness. This is including one of the boldest opening sequences in any animated film (perhaps the boldest since that for Disney's 'The Hunchback of Notre Dame'). Everything is paced beautifully too.
Characters are very easy to warm to and have engaging, distinct personalities. Voice acting in both the American and particularly French versions is very emotive.
On the whole, beautiful film and has much more to it than one would think. 8/10 Bethany Cox
The way they made this film was very original, and good originality is very valuable and worth watching. I love stop-motion, in this is an excellent stop-motion, because of everything in the film impressed me. The characters are very original, even the name that the main character has is amazing. The screenplay embraces so many genuine topics, as love and the different ways it can be shown; it has humor but it also wants to make you cry and fall in love with each character. The production is incredible, amazing, out of this world; and I couldn't ask for more, it made me want to cry because of this simple but outstanding production! This motion picture is really worth watching, is very touching; and if I could only watch one movie for the rest of my life it will be this one.
क्या आपको पता है
- ट्रिवियाShot in two years.
- गूफ़When Courgette arrives at Les Fontaines the other children are shown in the close up shot of the window in mirror form (Alice's parting to the right, Simon's quiff to the left and Jujube's plaster on the left).
- क्रेज़ी क्रेडिटAbout halfway through the credits, we see an animated sequence based, apparently, on the lead actor's audition tape.
- कनेक्शनFeatured in Making of: Ma vie de Courgette (2016)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is My Life as a Zucchini?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- My Name Is Zucchini
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- €65,00,000(अनुमानित)
- US और कनाडा में सकल
- $3,09,766
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $31,853
- 26 फ़र॰ 2017
- दुनिया भर में सकल
- $58,73,157
- चलने की अवधि1 घंटा 6 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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