Godzilla Minus One

I love monster movies. I enjoy big, dumb, fun action movies. So it shouldn't be difficult for me to like Godzilla-related movies. Let's look at what Hollywood has put out (with my rating):

Godzilla (2014) - 7 stars.

Kong: Skull Island - 5 stars.

Godzilla: King of the Monsters - 3 stars.

Godzilla vs. Kong - 4 stars.

Aside from the 2014 version, all of my reviews mention decent action surrounded by a terrible movie. But I can't remember a single action scene from them. Comparatively, the action scenes in Godzilla Minus One are INCREDIBLE. They are fully memorable and had my jaw dropped as far as it would go.

BUT... this movie is 90% drama, only 10% Godzilla scenes. So you will fail unless you have a great story with fully developed characters and arcs, with full investment in those characters, with deep themes of trauma and remorse, and with emotionally powerful setups and payoffs.

Who in the world would have expected that to be the case.

This movie isn't just BEASTLY, it's sooooo good. Nearly every filmmaking aspect is well-done.

Hollywood, please learn from this. I'm begging you.

(1 viewing, 1/18/2024)

This is an enjoyable film to watch, and if you're on the tail end of its theater run or considering if it's worth streaming, the short answer is it's worth seeing. I do feel like among certain fan circles the movie is slightly 'overhyped' but that doesn't make the movie bad, it is in fact quite good. I think the exploration of the main character's relationship with kamikaze piloting, and in turn both Japan's historical understanding of that phenomenon as well as the West's, is actually still more poignant and worth exploring than perhaps we might be inclined to give it credit for. It's hard to overstate how culturally significant the kamikaze pilots were during and in the immediate aftermath of World War 2; although we had Oppenheimer to remind us of the cultural impact of the bomb, for soldiers that lived during World War 2, it was the stories of the kamikaze pilots that left a huge impact, even for people not in the Pacific theater. Likewise, Japan has long struggled to articulate its historical relationship to kamikaze pilots, with the memorial there being a kind of hot-button issue for multiple decades now. This film perhaps doesn't offer a searing insight, but rather a kind of wishful alternate path to how Japan and the west feels about kamikaze pilots. I think what's particularly remarkable about this film, frankly, is the way it pushes against the grain--a lot of Japanese cinema, especially that designed for view by western audiences, tends toward a construction of victimhood due to the bomb. This film tries to grapple with the echoes of imperial desire both immediately after the war and, perhaps, now.

Honestly, come for the big cool depiction of Godzilla, but leave with a reflection of Japan's relationship to World War 2.

I just saw the advanced screening of Godzilla minus one and I have to say I was very pleased with the final product. If I had any complaints about this movie it is just that the CGI Godzilla often looked weird similar to a video game. However when Godzilla looked good, it was very impressive especially in the water scenes.

Unlike every other Godzilla movie I have ever seen this is the first Godzilla movie where I actually liked on the characters and the storyline actually made sense and touched the human heart. It showed what people were dealing with at that time which was directly after world war II and how people were suffering not only with the after effects of the war but also the trauma from being exposed to a huge monster destroying cities.

Godzilla may be a fictional character but loss and tragedy are real, and people are dealing with it everyday.

Overall I really like this movie and it is obviously a prequel to the original Godzilla movie that came out over 70 years ago. Once you see this movie at some point you will understand why.

What I would really like to see since it is clear that there have been multiple Godzilla's at some point in time is some type of legitimate crossover between toho and the American studios who are producing Godzilla monster verse in America. Last thing I or any fans want to see is a competition on who could spit out different and unique Godzilla's in two different countries.

Since this is a Toho and Japanese produced movie, it would have been nice to have some of the theater edition Godzilla toys for sale like they do in Japan on every release.

Without spoiling anything, this movie hit different from any other. It felt much more serious and quite a bit darker at times. The movie was amazing, the effects were great. I never thought I'd see a Godzilla movie where people were crying in the theater. It was quite the experience. Godzilla was truly an unstoppable force in this movie, whenever Godzilla would show up it was hard to feel anything but futility. Even in the rare event that Godzilla was injured he was only slowed down. This version of Godzilla might be more evil than Shin Godzilla though his motives are hard to understand where shin Godzilla it became apparent.

From the opening to the ending, I was enthralled by the whole movie. It kept everything that I loved about Godzilla, and was able to make an extremely interesting backstory with the human characters. There was a lot of things that was addressed in this movie that I had never seen before.there was so many things that people will pick apart, but that's upon reflection. I had no criticisms or a reason to dislike this movie the whole time I watched it. So, in that respect, I will give it a perfect score. And I don't go slinging those out just every review. As a Godzilla fan, this was perfection to me.