IMDb रेटिंग
5.9/10
37 हज़ार
आपकी रेटिंग
कैसंड्रा के लापता होने के आठ साल बाद, कुछ परेशान करने वाली घटनाओं से लगता है कि वह अभी भी जीवित है. पुलिस, माता-पिता और खुद कैसंड्रा, उसके लापता होने के रहस्य को जानने की कोशिश करेंगे.कैसंड्रा के लापता होने के आठ साल बाद, कुछ परेशान करने वाली घटनाओं से लगता है कि वह अभी भी जीवित है. पुलिस, माता-पिता और खुद कैसंड्रा, उसके लापता होने के रहस्य को जानने की कोशिश करेंगे.कैसंड्रा के लापता होने के आठ साल बाद, कुछ परेशान करने वाली घटनाओं से लगता है कि वह अभी भी जीवित है. पुलिस, माता-पिता और खुद कैसंड्रा, उसके लापता होने के रहस्य को जानने की कोशिश करेंगे.
- पुरस्कार
- 1 जीत और कुल 9 नामांकन
फ़ीचर्ड समीक्षाएं
I'm a big movie bro man guy. Before I delve into a movie I first look at the IMDb rating, read the summary, and then read the reviews. The summary of the movie interested me but I did not have high hopes given the 5/10 rating. Watching this film, I was actually very entertained. I was hanging on the edge of my seat with my eyes glued to the screen.
Right off the rip, the film lets you know what happens to the little girl and who the captor is. The entire movie is the parents working with what seems like the best pedophile detectives ever assembled looking for their daughter. The movie does this Pulp Fiction thing with the past and the present scenes flipping and flopping back and forth to tell the story. No where near Pulp Fiction level, but the film gets the job done telling the story with it.
Viewing this movie it seemed more like a 7 rather than a 5/10. Until the final 15 minutes... Once the climax has hit I like a film to build its ending to a fulfilling satisfying conclusion. Once the end had arrived everything was slammed at you instantly and "Voila!", movie done. I'm not even exaggerating either. There was no build up or suspense to it at all. I can't be remotely descriptive without completely spoiling it. Poor finish to what could have been a good 7.5 film. The potential was there, the delivery was strong but poor finish.
The acting performances were "good". Nothing award worthy or anything, but the cast did "good". Except for Ryan Reynolds. I mean he could have at least tried a little harder to actually look like a devastated father who just lost his only daughter not knowing if she is dead or alive. Instead he looked more like a father who just lost his daughter at a Chuck E. Cheese's for 2 hours who was actually hiding in the ball pit the whole time...
Right off the rip, the film lets you know what happens to the little girl and who the captor is. The entire movie is the parents working with what seems like the best pedophile detectives ever assembled looking for their daughter. The movie does this Pulp Fiction thing with the past and the present scenes flipping and flopping back and forth to tell the story. No where near Pulp Fiction level, but the film gets the job done telling the story with it.
Viewing this movie it seemed more like a 7 rather than a 5/10. Until the final 15 minutes... Once the climax has hit I like a film to build its ending to a fulfilling satisfying conclusion. Once the end had arrived everything was slammed at you instantly and "Voila!", movie done. I'm not even exaggerating either. There was no build up or suspense to it at all. I can't be remotely descriptive without completely spoiling it. Poor finish to what could have been a good 7.5 film. The potential was there, the delivery was strong but poor finish.
The acting performances were "good". Nothing award worthy or anything, but the cast did "good". Except for Ryan Reynolds. I mean he could have at least tried a little harder to actually look like a devastated father who just lost his only daughter not knowing if she is dead or alive. Instead he looked more like a father who just lost his daughter at a Chuck E. Cheese's for 2 hours who was actually hiding in the ball pit the whole time...
Naturally, I was intrigued by "The Captive", great plot and amazing actors, what could possibly go wrong? From the start, I could tell this movie was going to have a ton of flashbacks, which is fine, until those flashbacks kinda become irrelevant because the viewer has no idea which flashback comes first. Strike 1. The introduction of Scott Speedman was a treat, until he was a bit weird acting and since that was never explained, I guess that was just his character?.. Then the part where Ryan Reynolds character has an abusive past was brought up (in reference to plot), then was never to be heard of again. Strike 2. Still don't know much about the wife's character. Strike 3. No explanation about the relationship of the two detectives (Dawson & Speedman) but since Dawson seemed to have a picture of Speedman's niece in her office, it's to be assumed they're in a relationship. OK. And for the focus to be the family of the missing girl, I feel it rarely focused on them. Strike 4.
This movie just needed a lot of tweaking. Starting with some back story of the characters at the beginning. And less flashbacks. More explanations. And more focus on how the unit was actually working towards finding the missing child.
This movie just needed a lot of tweaking. Starting with some back story of the characters at the beginning. And less flashbacks. More explanations. And more focus on how the unit was actually working towards finding the missing child.
It's an interesting film with many good character studies but so confusing because of its jumping all over the place timeline. Very difficult to keep track of what's going on.
Man, I wanted this to be good. The idea is definitely there it was just executed badly. The acting and people involved were chosen well, Ryan Reynolds especially I thought did a good job. But that's all the positives from me.
There's just too many issues and plot holes in this, that you can't get past. The "villain" who has the daughter in captive. What's his deal? Why does he act bizarre? There's nothing explained about him at all. This is a common occurrence for a lot of the characters in this. Nobody is explained. No depth.
The lack of character depth then spilt into the plot itself. Certain conversations made no sense, because we have no depth to go off. An example is the convo in the prison (not a spoiler) who is this guy who is giving out demands and acting the top dog, when this scene is literally the only sodding scene he's in. WHO IS HE? Why does he have power? This sets up the next part, but you're left wondering why!
Other major issue was the flashbacks, they were not done correctly at all. Usually when it flashes back it should let us know, even if it's subtle and the characters look different. But no, it's literally the exact same just next shot. So half the time you are clueless that the scene isn't present and is past.
I feel like 5 is slightly generous won't lie, but I'm in a good mood today. It's a watchable film don't get me wrong, but it has a lot of issues. It's a shame because the idea is there, just the execution isn't.
There's just too many issues and plot holes in this, that you can't get past. The "villain" who has the daughter in captive. What's his deal? Why does he act bizarre? There's nothing explained about him at all. This is a common occurrence for a lot of the characters in this. Nobody is explained. No depth.
The lack of character depth then spilt into the plot itself. Certain conversations made no sense, because we have no depth to go off. An example is the convo in the prison (not a spoiler) who is this guy who is giving out demands and acting the top dog, when this scene is literally the only sodding scene he's in. WHO IS HE? Why does he have power? This sets up the next part, but you're left wondering why!
Other major issue was the flashbacks, they were not done correctly at all. Usually when it flashes back it should let us know, even if it's subtle and the characters look different. But no, it's literally the exact same just next shot. So half the time you are clueless that the scene isn't present and is past.
I feel like 5 is slightly generous won't lie, but I'm in a good mood today. It's a watchable film don't get me wrong, but it has a lot of issues. It's a shame because the idea is there, just the execution isn't.
Plain and simple, this movie is so ridiculous it's almost funny. I feel like it was written by teenagers. The story line has potential but the way it is told is confusing, unclear, and with no real purpose for being so out of order.. With the exception of the father played by Ryan Reynolds, I have to say that every single character is extremely unrealistic. The detectives in particular are the most unbelievable characters I've ever seen in a movie to date. They acted childish and inexperienced, not at all like the child abduction detectives they are meant to be. The most ridiculous thing for me was the treatment of Ryan Reynolds' character (as the father of the missing girl). Yes, I get that often the parents are the first suspects in a child abduction case.. But once they are ruled out, that should be the end of it! Their treatment of the father in the initial interview is absolutely absurd... And yet, even 8 years after the abduction, when it is pretty bloody obvious the father had nothing to do with the abduction, Scott Speedman's character is still giving the poor guy a hard time about it! For e.g, Speedman's detective finds it suspicious that Reynolds has a shrine to his missing daughter in the back of his truck? I believe the exact quote was "what's with the shrine, man?" as he is taking photos of the truck... On what planet is it suspicious behaviour to have a shrine of your missing daughter?! It would be more suspicious if Reynolds' character wasn't grieving over his missing daughter, wouldn't it?? The character of the kidnapper is also just absolutely hilarious. His voice, his demeanor, his facial expressions, all just completely over the top. I half expected him to swivel around in an arm chair stroking a cat with a patch over his eye.. Argh. Don't waste your time with this piece of poop.
क्या आपको पता है
- ट्रिवियाThe film was booed when it debuted at the Cannes Film Festival.
- गूफ़Matthew is chased and being shot at. One bullet hits the left tail light of his truck. In the next scene, the tail light is fixed.
- साउंडट्रैकDer hölle Rache
from Die Zauberflöte (1964)
Music by Wolfgang Amadeus Mozart (as W.A. Mozart)
Text by Emanuel Schikaneder
Sung by Roberta Peters
Wiener Philharmoniker; István Kertész conductor
Salzburg Festival 1964
Clip courtesy of Video Artists International, and ORF Enterprise
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Cautiva
- फ़िल्माने की जगहें
- सुदबरी, ओंटारियो, कनाडा(Shot on location in)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $10,75,178
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $4,07,804
- 7 सित॰ 2014
- दुनिया भर में सकल
- $20,96,212
- चलने की अवधि1 घंटा 52 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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