Batman: The Dark Knight Returns, Part 1

No one does it better than the Bat at any age he is still the same, too smart for those who what to get on his bad side.

This part1 is so good I can't wait to see the rest; I hope veterans like the joker will be there to make it all crazy like.

Batman: The Dark Knight Returns is a two-part animated superhero film, an adaptation of the four-issue story arc The Dark Knight Returns by Frank Miller, printed in 1986.

This animation is nowhere near the movies (i.e. story wise), and it focuses on the future, wrong choice of words it is about the future, Bruce Wayne is 55 and the bat has not been seen for 10 years.

The story arc curved around the bat after retirement. Gotham now seemed to be overrun by a group called Mutants. The Mutants weren't just any gang they were absolutely ruthless and in a way useless.

Also in this flick we get to see Harvey Dent/Two face after he has undergone plastic surgery to fix his face. Harvey now looked normal but he was so paranoid and out of it that he went back to his old ways.

Things weren't changing in Gotham and with the ongoing nightmares and Bruce sleep walking and sleep doing things in the night; it was obvious he could no longer cage the bat any more.

Bruce carved to the urges. In the dark is the "billionairelly" in sane Batman, is seen jumping over roof tops and doing things other billionaires could only dream that their bodyguards could do (because no sane billionaire jumps around in the dark. Imagine one day you look out the window only to see Bill Gates in his underwear and a cape on your roof…would you say Bill still got all his screws nicely tight?) I don't know what I liked better is it watching Bat being Bat again in his old age, or the bad guys not knowing in time to skip town when they found out he was out of retirement (you can't blame them though, some didn't know who he was).

Well, the directing of this wonderful flick was done by Jay Oliva, who worked as a storyboard artist on Man of Steel, Batman: Year One and Batman: Under the Red Hood.

The animation was well drawn, far better… sorry, far far far better than what we saw in Superman vs. the Elite.

The only downside to this wonderful movie is the news casting; it was boring and looked too much like child's play I hope you are not still reading this, because I expect by now that you have hit the stores to go grab your copy of The Dark Knight Returns Part 1.

www.lagsreviews.com

An impressively loyal adaptation of one of comics' most important stories, complete with social commentary, nods at dark chapters of the character's history and a glut of wanton brutality. Despite being ripped violently into two pieces, the story still functions very well and reaches a natural climax in time for the credits to roll after a drawn-out 75 minutes. I fear the end result may be a less-dense arching plot line, especially as most of the political commentary was removed from this chapter (presumably as it won't be relevant until the second) but there's still more than enough pulp to go around. While the storyline is doggedly faithful (indeed, most of the dialog is copied verbatim from the source), the artwork is both influenced by and notably distanced from Frank Miller and Lynn Varley's amazing work on the printed page. And, while that does rob the story of some of its character, the result is suitable enough; fresh but also familiar. Peter Weller turns in some decent work as the voice of Bruce Wayne, but I couldn't help but daydream about how Kevin Conroy would have approached the material. Very good, if not perfect.

The Dark Knight Returns, is for me, the best Batman film of the year. The animation is superb, especially when the action kicks off. It sees Bruce Wayne return to crime fighting after a 10 year absence. Unlike his Nolan counterpart however, he was Batman for a damn sight longer than just a year. His return is depicted as an obsession that finally grabs control and pulls him in. He barely even notices it when he shaves off his mustache as it just becomes a natural part of the process. A new threat, called The Mutants, rises in Gotham, and Batman has to sort them out. His age becomes his weakness as he must go up against the leader of The Mutants. he film is littered with cuts to TV shows and newscasts discussing whether or not Batman is a help or a hindrance. Peter Weller does a great job as the voice of Batman, and it's nice to see a Batman with a dark and dangerous sense of humour. As an adaptation it remains fairly close to the source material, but manages to capture the ferocity of the violence without being too graphic. Gotham looked and felt exactly how I remember it when I was growing up. This is great stuff, and is a huge tease for Part 2, where we will see The Joker once again.

One of the most beloved Batman tales finally gets the animation treatment. So influential was Frank Miller's "The Dark Knight Returns" that it inspired Tim Burton and Christopher Nolan when they were crafting their live action Batman movies, as well as the 1990s Batman animated series (which gave birth to an entire universe of DC animated shows). Warner decided to split the tale, originally spread over 4 issues, into 2 movies. Turns out that it was an excellent decision which not only successfully adapted the first half of Frank Miller's epic, but added layers to the story and characters that the limited page count of the graphic novel could not leave in.

Rarely does an adaptation surpass the original source material. But Dark Knight Returns part 1 is just such an example of an animated movie that is not only true to its source material, but expands upon it. The original was great; the animated adaptation makes it better. The story will sound familiar to anyone who watched Christopher Nolan's "The dark Knight Rises". It has been years since Batman went into retirement. Billionaire Bruce Wayne now drifts from day to day hoping that the people of Gotham can take care of themselves. But now, a new threat emerges: The Mutants. A vast gang of street thugs led by their grotesque but incredibly strong and savage leader. Despite his age, Bruce is forced to become Batman once again to save his city. But can the aging crime fighter stand up to a threat that is faster, stronger and more powerful than he has ever been? And what happens when Batman comes face to face with his old nemesis Two-Face? Beyond the narrative lies a thorough deconstruction of the Batman character, especially when played opposite the two main villains, Two Face and the Mutant Leader. Both villains serve as a dark reflection of Batman himself. Like Two Face, Bruce Wayne and Batman are presented as two separate personalities fighting for control. But is Batman truly just a mask Bruce wears? Or is it the other way around? And as for the mutant leader, both he and Batman operate as a symbol to inspire others to action. One a symbol of chaos and crime, the other a symbol of hope and justice. But if the mutant leader's extreme acts can rouse Batman to return to vigilantism, so too can Batman's actions rouse criminals to return to their old ways (as one character claims in the story).

The characters are brought to life by a fine voice cast who nail their roles perfectly. Peter Weller of Robocop fame takes the role of Batman; a role that may comes across as a monotone baritone at first. But Weller infuses Batman's voice with nuance and subtlety which fits the character well. The only downside is that despite wanting to show a dichotomy between Batman and Bruce Wayne, Weller uses the same tone of voice throughout the whole movie; Compared to previous voice actors, like Kevin Conroy, who used different speech patterns and tones for Wayne and Batman.

A lot of deep themes about the nature of heroism vs vigilantism abound in this tale, all of which were in the original comic but just expanded upon in the animation medium. On that note, the animation presented here is the perfect balance of fluidity and art detail. Iconic frames, memorable battles and atmospheric scenes are replicated faithfully. Movie goers will be able to see many scenes that Nolan's Batman trilogy lifted from THE DARK KNIGHT RETURNS, including a fight scene illuminated intermittently by a gun's muzzle flash. Its only downside is that Warner decided to use its generic color palate rather than replicate the muted tones and heavy grays colored by Lynn Varley in the original artwork.

Fans would be pleased at how true to the original this is and how it expands on the original, smoothening out the rough edges while adding a whole new dimension to the characters. The action is intense and beautifully animated, accompanied by an epic score by Christopher Drake. This is a true ADAPTATION that does not translate the comic wholesale but translates the comic while making full use of the animated movie medium.

There has been a few really good straight to DVD Batman animations, but this one takes the cake. Having watched the last installment of Christpher Nolans Batman on the big screen, this little piece just keeps the fire burning. Im so impressed by the attention to detail and story line that i wont even begin to give you the low-down/plot, you just need to see it for yourself. Any fans out there will be glad to know this is part one of a series and when you watch it, you'll see how the story drives you straight into the cliff hanger , all the elements are there ,even as we get to understand that Batman/Bruce Wayne has aged significantly it doesn't slow down the action, after all "Old Heroes never die , they just get Darker". i cant wait for part II . Well done and Respect to the Director and his crew for putting this together so well.