Chaaver

It's a film that makes you realise, how you have a different taste in films. Chaver is a " Slow burner " by Tinu Pappachan which has not been explored in Malayalam cinema much often.. rather than the story movies highlight is it's masterfully done cinematography and background scoring.. that just gifts us with these heart breaking moments. The film request it's audience to ease in to the fate awaiting it's characters.. Arjun Ashokans character felt like a representative of the audience who are also innocent to the world of "Chavers " and as he is dragged into it so are we into a reality we have been unaware of or ignored. Oppose to public opinion Pepe's Character was perfection and it was awesome to see the actor in a new light.. the climax reminds us of " Varathan " movie but different. Over all its a film for the stoners, lonely people and those minds that love to get lost in simple things...

Another movie that reiterates the fact that Story is everything. This movie has such a weak storyline and screenplay that a decent making couldn't salvage it. The slow pace, dragged out scenes, random characters that isn't required, all makes this movie a snooze feat. BGM is nothing unique, I guess they've used folk songs (how original). Overall just another movie to forget about.

The plot is nothing new and cannot be justified as a political thriller. Leaving aside the fact that central characters belong to a political party and they do deeds that they believe are for the party is like treading on think ice. It barely makes the cut to qualify as a political thriller.

Only plus side is it's we'll cinematographed. That's it.

And the argument that its a theatric experience movie is juvenile as a good cinema has to be good anywhere, be it in theatres or on TVs.

The theme of the movie is violence stemming from political rivalry has long plagued Kerala's conscience and this persists even today. With numerous people from various outfits losing their lives in organised attacks and retaliations, the state has an extensive history of such incidents This movie had no main story. A 10 minute story makes 2 hours story with lagging. Total tragedy movie. Visuals are incredible. A veriety of movie musically visually theyyam based, but the main fault is story line. They might keep atleast good story line while making this movie. Tinu Papachan can direct a mega serial like this story line.

The movie Chaaver is not an action movie but a political crime thriller. Director Tinu Pappachan again proved that he is promising director in industry. The movie deals with different themes. Even thought explicitly it speaks about the political crimes but implicitly it tells about caste issue. When we compare Kerala state with other south Indian states we don't have such caste problems in our society but when this issues comes to our family and personal life then there comes real problems. If you have communist ideology ,highly educated, a public figure like villan in movie your caste concept will be over every ideology that is what movies speaks. Along with that movie portray how local party members are used for crimes and party get away from the issues began by themselves. "The end justifies the means" implicitly criticised by the writer. The Marxist party members will not love this movie but movie never critice party explicitly.

I could sense the enthusiasm with which Tinu Pappachan wanted to deliver this film - it was evident throughout, maybe a tad too much. As a one-liner, I feel Chaaver is a film with potential. But whatever I saw in the film scene-by-scene, the excitement fizzled out early on. The route the screenplay chooses to take is treading the beaten path, with negligible attempts at character development and building emotional depth.

There are feeble efforts to make a character's death feel sad and remorseful, and the thematic use of Theyyam (as an art form) to amplify these feelings unfortunately doesn't hit the mark. On the other hand, there are commendable efforts made on the visual front and the cinematographer (Jinto George) seems to have worked overtime to capture those incredible night shots. However, the excessive use of slo-mo proves to be a dampener. None of the characters stick, and even when Kunchacko Boban manages to look the part (of a no-nonsense ruffian ready to spill blood for his political party), the writing renders him just as inconsequential as the rest.

Arjun Ashokan's character is one that involuntarily gets embroiled in this mess, though I couldn't find one solid reason for him to be tagged along with this motley crew. He could've just been dropped at the next junction for all I care (after the ruckus we see), and nothing in the film would've changed. The political backstabbing and casteist angles are predictably weak, and they don't add much to a film that already appears worn-out while getting to its finish line. Justin Varghese's score is fantastic though, and without it, I'm guessing this would've been an absolute snoozer.

P. S. I'm pretty sure Tinu Pappachan will bounce back from this. This wasn't his comfort zone, and unfortunately, Joy Mathew's writing failed to back him up.