The Machine

Frankenstein meets the Terminator meets Blade Runner meets Barbie as emergent biotronic warriors mobilizing against the yellow menace. I actually didn't think it was that bad with some imaginative stuff resonating across several levels of boilerplate. How do you know you're alive? At what point do we become conscious with conscience? How is this programmable in a machine? And how about when a machine can "feel", like appreciate a sunset? I appreciated the irony of the scientist saving her daughter, and then her preferring to play with her "mother". That was funny. Would have liked to have known a lot more about the "machines" that communicated in garble-speak, a language we humans can't understand. What were they talking about? What was the role of the "chief security officer" and what was her backstory? She appeared to play a significant yet underdeveloped role that was under-communicated.

A.I. usually comes in four standard flavors:

1.) The program that resides in a singular non-robotic machine or device such as HAL in Space Odyssey.

2.) The ubiquitous program that infiltrates every computer related device on a network such as Skynet or the Matrix.

3.) The A.I. that inhabits a robot that is obviously a machine like Johnny 5 in Short Circuit or Chappie.

4.) The A.I. that inhabits an android type body of which is virtually indistinguishable from a human like D.A.R.Y.L., David from A.I., or the androids in Blade Runner.

The Machine is of the fourth type. The vessel was a very attractive female that was patterned after her creator, Ava (Caity Lotz). She was just robotic enough in her movements, gestures and speech to know she wasn't real, but still human enough to question your feelings about her.

This movie was dark, both literally and figuratively. I don't think there was any sun shown until the very end. The Machine (meaning the movie because the android was simply called Machine as well) had a mysterious element to it as is usually the case when governments are involved. The government wanted a weapon and Dr. Vincent McCarthy, the lead scientist for the government project, wanted something entirely different. The two parties clash in a violent way.

This is not one of my favorite A.I. movies but it is done pretty well. They never introduced a truly unique perspective on the topic so it didn't move the scales much. The acting was passable as were the special effects so I'd say the movie was between OK and good, leaning more towards good.

In a near future, China is in war against the West and UK government is developing war machines to fight against the Chinese. The scientist Vincent (Toby Stephens) works in a military base developing artificial intelligence for the Ministry of Defense, using soldiers near death in his experiments. However his true intention is to find a cure to his daughter Mary (Jade Croot) that has Rett Syndrome. When Vincent meets the scientist Ava (Caity Lotz) that has developed an advanced AI, he invites her to work with him for the Defense Department. However Ava snoops around the base and the chief of the research Thomson (Denis Lawson) simulates a Chinese attempt to kill her.

Vincent decides to use Ava's face and shape to build an indestructible AI Machine. Soon he discovers that the Machine is developing feelings and growing up as human being. When Mary gets worse and has to be submitted to a surgery, Vincent learns that the Machine has life and is in love with him. But Thomson wants to transform her in a killing machine for the military.

"The Machine" is a low-budget UK movie with a promising story that is a combination of "Death Machine" (1994) and "Universal Soldier" using artificial intelligence. However the story deserved a better ending since the conclusion is very disappointing. The comparison with "Blade Runner" is ridiculous and the music score is a rip-off of the classic sci-fi music by Vangelis. Actually it could be a prequel of "Terminator" franchise but never "Blade Runner". My vote is six.

Title (Brazil): "Soldado do Futuro" ("Soldier of the Future")

Note: On 04 March 2023, I saw this film again.

I had no expectation for this movie, and can't really claim that I did any prior investigation into it before sitting down to watch it. And now that I have, I sit here with a somewhat hollow feeling.

While the movie was nice visually and atmospherically, then content-wise and story-wise, then "The Machine" didn't really lift the bar in any possible way. The storyline was nearly non-existing, or at least simple to the level of being pointless, which made the movie suffer terribly.

The concept of the movie does raise a valid question about robotics and their usage, but director Caradog W. James really didn't manage to establish anything in that sense. And the movie ended up being a rather shallow experience and a pointless one as well.

I will say that the acting was adequate, and people were doing good enough jobs with their given roles and characters. But everything was just a tad too superficial, and the actors weren't really allowed to shine on the screen.

Visually, then the movie was nice to watch. Now, don't expect a billion dollar Hollywood CGI fest here, then you will be sorely disappointed. But the effects team behind "The Machine" pulled it off quite nicely, and the effects came off as believable and real. Although, one thing did raise a question mark, as a machine, would would you see billowing steam exhaling from Caity Lotz's mouth during the "revolt" scene? That was just a stupid mistake (either that, or I pay way too much attention to everything in the movies).

I am giving "The Machine" a 5 out of 10 stars, because it was a mediocre experience that suffered from a horrible storyline, and had the effects and acting to lift up the movie despite the bad storyline. But come the ending, there really were no particular point to this movie.

The Machine is a rather successful attempt at implementing hard science fiction tendencies with a cyberpunk aesthetic. It may not be particularly adroit in terms of human and AI relationships, but I appreciate the rigor of the scientific explanation for the artificial intelligence. The film really excels at this in the beginning when Vincent conducts his own Turing tests as part of a secret headhunting operation. Then as he meets Ava things start taking a problematic turn. The military-industrial complex is invoked, but its purpose is sort of shadowy and never is contextualized in a way that would make the narrative more coherent.

The questioning of human identity is the strongest point of the film, but I suppose that, at the very core, this film was more interested in being a thriller, rather than an exploration of the philosophical concepts.