Jordskott

This is the kind of show I've been waiting for! It mixes suspense, physiological drama and the occult in a way that never has been done before in Swedish television. I must admit that I was a little bit skeptical during the first episode, like " oh let's see where this is going", but soon I realized that I was about to binge watch the whole series in one night!! The writers have managed to create a story that never slacks and characters that are really fascinating, while at the same time following a plot that keeps the audience in a firm grip with new twists and turns in every episode. It's like "Oh my gosh, i didn't see that one coming!!" I have always been a little bit vary about dialogue in Swedish film and television. There has been a tendency to write "on the nose" dialogue, " sometimes unbearable to listen to like in many cop series, but in "Jordskott" the writers have had great success in writing lines that lift the characters AND drive the plot forward. The cast is excellent. If Moa Gammel won't be our next export to Hollywood I would be really surprised. And Happy Jankell is truly a rising star! Last, when it comes to the work of the camera crew: Never before has the dark forests, the small deep lakes and the inherent mystery of the Swedish countryside been better shown. If I worked for Swedish tourism I would very pleased right now. Maybe we will see "Jordskott" tourism in the near future.

Disclaimer - I bailed after 4 episodes. Why did I grow to dislike Jordskott (Swedish for George Scott, famous American actor of yesteryear) after investing 4 hours? Two things really,,,,First the series comes across as a missing person detective show but by episode 3 it becomes a fantasy, or introduces a supernatural element, so I feel a little duped, not that I wouldn't have started it anyway had I known.

Secondly I didn't like the main character at all. She was suppose to be some highly capably police officer/negotiator but she came across as utterly incompetent and didn't seem to know the slightest thing about policing or investigating a crime. I mean who screams shoot me over and over to a deranged hostage taker in a hostage situation. Utter nonsense. There were a few other nitpicky things like the head investigator in the disappearance recruiting a NEGOTIATOR with an emotional connection to help investigate a missing child case. The head guy also irritated. He didn't do anything in 4 episodes except walk around looking smug. The local police investigator was at least likeable and seemed to be actually doing things.

There's too many other (hopefully better) things to watch.

As I am fond of Scandinavian suspense thrillers, I try to watch them as much as possible, preferably in sequence. True, as the "aces are high", it is natural that in a search of a new angle or background, the result can be less interesting to certain viewers.

I, for example, have to admit that I am not much into fabulous creatures or supernatural forces penetrating into "trivial" human world, so the last episodes did not bear the same value for me as primary events and tensions, but luckily there was no "deus ex machina" or superhero present, and gradually appearing non-real elements did not make me cancel the watching. At times, tense just faded away and made me ponder that less duration or number of episodes could have been becoming.

Unlike in most of Swedish series with alternating actors-actresses, almost all performers here were unknown to me (apart from Ann Petrén), but I cannot say I was particularly impressed by anyone whose career should be followed in the future. So, a decent series, but similar with the ones like Maria Wern and Arne Dahl rather than with Bron/Broen or Millennium. For those, however, fond of additional mysticism and gloomy mood, Jordskott can be recommended with bigger enthusiasm.

When i started seeing the film, I expected a crime. Strange things happened in the first episode, that almost made me stop watching. Luckily i continued watching, and realized that this was a fairy tale. We have wonderful fairy tales in Norway, and i hoped that somebody would try to apply the new animation techniques to retell the fairy tales. Jordskott seems to be a modernized fairy tale . I know of a few Norwegian films that also put the fairy tale into modern times. These are Trolljegeren, Thale, and Gåten Ragnarok. Jordskott is the first series i see with this telling technique, and the best try on a modern Nordic fairy tale so far.

It seems like most "professional" reviewers are trying to hype Jordskott as being the next Bron, particularly in Swedish newspapers. I started watching it with a very positive mindset with these opinions in mind. However I don't feel that the quality of the plot even comes close to it. Jordskott feels like a thinly veiled environmental propaganda piece about the dangers of corporate greed and the exploitation of natural resources. This would be fine if the writers had bothered to create a more immersive experience. There are too many loose threads that are never resolved, and on the contrary from Bron where you're kept guessing and wondering where the story will take you next the reveals of this story are mediocre and illogical. The police aren't clever, their reactions as events unfold aren't credible, the protagonist takes way longer than the audience to understand what's happening and the corporate greed angle is crude and illogical for anyone with even a tangential understanding of how a company works and how people think. It attempts to be a modern take on Äppelkriget without the humour. I'll watch it to the end to see how they manage to tie everything together as I've already reached episode 8, but I don't feel particularly optimistic. Such a wasted opportunity to do something really cool with the deep, mysterious forests of Sweden.