We Are What We Are

Dark, slow but steady film about the apparently normal Parker family, who share a macabre secret ritual. Excellent acting and cinematography bring an immediate realism that really carries this film. WARNING: If gore and grossness get to you, stay away. While WE ARE WHAT WE ARE is not just a constant schlock-fest, there is some pretty disturbing stuff here: Short but graphic scenes of an autopsy, etc.

There's been some debate about whether or not WAWWA is really a horror film, and I would vote a definite "yea" even though the whole mood and atmosphere are different (and better in many ways) than most contemporary horror flicks. There are some elements of suspense, but you know the big "secret" before it's halfway through--the cover also gives a decent hint--so it doesn't exactly work as a mystery. Regardless, the brief flashbacks to the family's ancestors in the 1780s add a great deal.

Though none of the individual elements here are anything that hasn't been done plenty of times before, WAWWA's whole combination of qualities make it a different experience. It's obviously low budget but still far from being another super-amateurish cheapie. The makers of this film did an excellent job with what they had to work with. There are some blank spots--e.g., the body in the water--and a little stronger sense of place would have been nice. At the same time, it's probably better that they don't explain every little thing away.

I went to this film not knowing a thing about it. It really made a difference in the way that it was perceived because I didn't expect a thing. I didn't know if I would see something about an inventor, or a heist, or a love triangle... I had no idea.

This film captures the mood of an area of Upstate New York known as Delaware County. If you visit there, you get a feeling that people 'round them parts keep to themselves and don't care for telling anyone from outside what it's like.

In many ways this is not a creepy film with tension building again and again along with sudden "Boo! Scared Ya!" moments. That kind of stuff gets old quickly anyway. The strength of this film is in its professionalism. It's like everyone is trying to rise above the dreaded B level.

At the beginning of the film there are thunderstorms and floods that portend the rumblings of something unusual going on, and throughout there are beautifully photographed scenes showing the drenched landscape and lush vegetation of late spring.

The acting is excellent, most likely because the actors were provided with something that is rare in many films these days - a great script. Along with the mesmerizing musical score you are brought along at an even pace, mystified by the strange occurrences and behaviors.

By the end of the film, which builds to significant tension, you realize something more terrifying than you would have thought, with a horrifying twist, and a final country tune that might give you chills.

The Parkers, a reclusive family who follow ancient customs, find their secret existence threatened as a torrential downpour moves into their area, forcing daughters Iris and Rose to assume responsibilities beyond those of a typical family.

Director Jim Mickle is known for his films "Stake Land" (2010) and "Mulberry St" (2006), and has really made a name for himself as a rising star in the world of horror. This is probably his best picture yet, and hopefully gets him the praise he deserves and his name to be more widely known.

Mickle did not originally want to direct a remake of the original film, as he dislikes American remakes of foreign horror films. After speaking with Jorge Michel Grau, Mickle and Demici realized they could put their own spin on it. Michael Haneke, Japanese horror, and cult film "Martha Marcy May Marlene" served as inspirations.

I think this film speaks for itself. The pacing, tone, atmosphere... it is very accomplished. Now, granted, I am not familiar with the Mexican version, so I can hardly compare them. But this impressed me.

The Parker family is fasting following and old family tradition. When the matriarch, Emma Parker (Kassie DePaiva), goes to a hardware store in the nearby small town during a rainstorm, she does not feel well, has an accident and dies. Her husband Frank Parker (Bill Sage), who is the owner of a trailer camping area, grieves her death and forces her older daughter Iris (Ambyr Childers) to assume the responsibility for keeping the family tradition, feeding them and nursing her teenage daughter Rose (Julia Garner) and her young brother Rory (Jack Gore). He also gives Emma's journal to Rose with the history of their family to learn their traditions.

Meanwhile Sheriff Meeks (Nick Damici) and Deputy Anders (Wyatt Russell) are investigating cases of missing persons in the skirts of the town. Doc Barrow (Michael Parks), who lost one daughter that has disappeared, is carrying out Emma's autopsy and finds an important discovery that will connect the missing cases with the Parker family. What is the tradition of the Parker family?

"We Are What We Are" is a depressing and creepy remake of a 2010 Spanish movie "Somos lo que hay". The story is developed in slow pace in a depressive atmosphere and the acting is top-notch. Unfortunately the screenplay discloses the mystery too soon but the gore conclusion is gruesome and hard to be seen. My vote is seven.

Title (Brazil): "Somos o Que Somos" ("We Are What We Are")

Having seen and quite enjoyed the Spanish original I was a bit concerned about seeing it remade. My concerns were unfounded though as it turns out since, while the director did use the general idea of the original, he did not so much do a remake as a spin off. The setting, characters, general plot, and ending all very significantly deviate from the original, and there is even a detailed back story added which creates, if not sympathy, at least comprehension for the acts this family does.

The movie itself is beautifully developed to create both a very plausible realism and very well defined characters. It is these characters that are the goal, and the movie does not resort to needless gore to satisfy cruder appetites. The acting is carried off quite flawlessly, and we do find ourselves at least rooting for the children to some degree. All in all it was well worth the watch.

Would I say it is better than the original? Well, given that they are both very different it would be unfair to pit them against each other directly. I will say I did prefer the original overall as it was first, so it took some of the novelty out of the second, and the original made it more of a sort of very twisted coming of age tale than the second movie did, and I really liked that dimension of it. But if I look at them more as apples and oranges, I would say they both are very well done and each earns its place as a highly recommended piece of work.