Ishaqzaade

I can fully understand why Habib Faisal's Ishaqzaade did well commercially. It's a very different kind of 'love story', though I can in no way see it as a love story, because for the most part there's hardly any love happening between the two main leads and it's all about ego, pride and communal hatred. One of its strengths is its very Indian feel. The movie is devoid of modern sophistication and I loved its rustic sensibility, where it scores big time. The sets, the dialogue, the characters, all match up to this very impressive portrayal. But then it is also overly brutal and violent, and the story is lacking in substance. Ishaqzaade may be quite fast in pace, and it could have been a nice small-town romance, but something is missing. Towards the end, it does get far more interesting and suspenseful, and the ecstatic climax makes it work much more, but I expected something else. Anyway, where Faisal manages to do his best, is in extracting very good performances from its two leads. Arjun Kapoor gives a confident debut performance, playing Parma with a nice touch of cynical ambiguity. It is the rising starlet Parineeti Chopra, however, who dominates the proceedings with her fiery and natural portrayal of the no-nonsense lass Zoya, showing immense strength and maturity. This girl's sure got what it takes to become a leading heroine whether it's screen presence or acting chops and, following her nice act in Ladies Vs. Ricky Bahl, this one proves she is a good new find. Hopefully we get better things to see from these two actors and Faisal himself, who is a very good director who just has to work with better scripts.

Habib Faisal's Box-Office Super-Hit 'Ishaqzaade' is a terrific film, that works due to a strong script & excellent performances by its lead cast. Here's a love-story, that's brutal, wild & completely out-of-control.

'Ishaqzaade' depicts the love story of two defiant, rebellious individuals. A passionate love story ignited by extreme dislike. A love-story that's brutal, wild & brash.

Faisal's Screenplay is super-strong, each sequence unfolds superbly & the pacing is absolutely perfect. The only flaw lies in its culmination, which comes across as hurried. But overall, 'Ishaqzaade' is a winner! Faisal's Direction is top-notch, as well. Cinematography & Editing are good. Music by Amit Trivedi is masterful.

Performance-Wise: Debutant Arjun Kapoor & Parineeti Chopra are excellent in lead roles. Arjun plays the raw, rustic, unlikely hero to perfection, while Parineeti is simply impeccable in her part. Their On-Screen Chemistry is marvelous, as well. Gauhar Khan does her bit well. Ratan Singh Rathore deserves a special mention.

On the whole, 'Ishaqzaade' is a terrific film, that needs to be viewed!

Parineeti Chopra and Arjun Kapoor - they will go very far in the industry. This film proves it. Parineeti does such a justice to the role, she is audacious, loving, carefree, .... her body language, her vulnerability, her dialog delivery - its a class performance. Arjun Kapoor, while I think, doing the role he did, is slightly easier than how Parineeti did justice to so many shades of her character, but still did a stupendous job.

The other technicalities of the movie is brilliant. Art direction, the sets, colors, music (Oh Amit Trivedi, I cannot get enough of 'Pareshan')...

I loved the movie. Do not watch this if you cannot take intensity .... its a mad intense crazy love story!

Post his National Award winning directorial debut DO DOONI CHAAR, I was pretty much excited to see writer-director Habib Faisal's second venture ISHAQZAADEY. The well designed posters with the grungy look and its promos having guns all over, raised the expectations further along with Parineeti playing the lead.

However, the film came out to be just fine but nothing hugely exceptional going against my big expectations. It can easily be called a violent love story made on a fast moving script with sharp twists coming in its both halves to keep you engaged. But at the same time, its not a perfect take as all the elements in it collectively do not hit you hard with a 100% force. The first half of the film is thoroughly enjoyable as the various characters are introduced in the small town background entertainingly and one feels like watching a winner all the way. But post intermission the narration dips at many places leading to some weak sequences and a 'could be better' climax from the talented director.

Made around the subject of 'Honor Killings' (Hindu-Muslim Issue), ISHAQZAADEY is undoubtedly better than many other big films of 2012 featuring the saleable stars. But as far as perfection is concerned, it disappointed me majorly due to the confusing characterizations of its lead actors. Firstly the bindaas girl, who is daring enough to go and buy her own revolver illegally, who is bold enough to lead the election campaign for her father and who can even slap the grandson of the opposition leader. The same girl forgives & surrenders herself completely to the same boy so easily, just like that and plays being a big fool which strongly goes again her bold, tom-boy image. Secondly the rough guy who simply behaves like a no-emotion man when his own mother gets killed in front of his eyes and he weirdly takes it in a very strange, cool manner. The third are his close friends, who act like two born cowards and at once go against their own friend, the moment he decides to be a rebel. With such loosely written characters the film fails to sink in deep in the viewer's heart and one never feels moved emotionally while watching it.

Still, the intelligent part of the script is that it moves at such a pace which doesn't allow you to think about these weak chracterisations. Moreover with a violent (but lengthy) climax it ends like an attempt to create awareness around a social evil putting you onto a different track altogether. So the writer director very smartly covers up everything and one feels like having watched a fine film while walking out of the theater.

Frankly, I found the emotional touch missing in ISHAQZAADEY, both in the love as well as in the family relationship angle. The lead pair does show a great chemistry in their intimate scenes but I didn't feel like watching an intense and passionate love story as a whole with feeling or depth. In other words, it all keeps on happening on the screen pretty fast without any real touch of hearts interacting with each other. To be honest, the narrative completely gave me the feeling of watching some well crafted plastic flowers with fine beauty & colour but no fragrance of their own. In fact there were only two scenes in the entire film where I felt the emotions coming out perfectly. One where the couple is running away from the girl's house after their Idd visit and Parineeti's father is blindly firing on them in anger. And second when Gauhar Khan is seeing them off with her moist eyes.

Performances wise it's once again a Parineeti movie all the way after LADIES VS RICKY BEHL. The girl remains immensely likable from the first frame to the last with her next door persona and a fantastic bindaas style of acting. In her second film only, she goes pretty bold too in her on-screen kisses and is a real treat to watch particularly in the first half. Arjun Kapoor as the other Ishqzaada makes an impressive debut with a careless kind of attitude. He fairly manages to leave a mark with his cunning smile and rough looks. But the boy still needs to work hard in order to shine more brightly. And he can surely better himself working on some valuable tips coming from his mentor Salman Khan and uncle Anil Kapoor available to him as his family elders.

Interestingly in his current get up he does remind you of the young Abhishek Bachhan too in few scenes. Apart from the Ishq couple, the supporting cast is fine but Gauhar Khan comes out as the sole winner here, giving a loving performance supported by a well choreographed dance number. Perhaps she has now become one of the favourites of Yash Chopra group after ROCKET SINGH.

In the technical department, Cinematography deserves a special mention, shooting on the actual locations and giving the same rustic feel to the project as shown in its posters. The action (especially the Chase Scenes) and the background score go hand in hand providing the much needed energy to the project and so does the well worked upon soundtrack from Amit Trivedi. I particularly loved the spirited title track "Ishaqzaadey" and "Pareshan" which has also been shot lovingly by the director in a great mood. However for "Jhalla Wallah" song, Amit takes a clear inspiration from Sai Zahoor's "Saiyaan, Allah" track sung in the original Coke Studio version of Pakistan, which was also featured in the recently released "West Is West".

In all ISHAQZAADEY becomes watchable mainly because of Parineeti and some good music alone. But being a film written and directed by Habib Faisal, it cannot be rated as a hugely satisfactory venture, vaguely made on the theme of honor killings.

The movie is remembered for generations for its phenomenal story line and uncanny. Kudos to the people who have taken such topic. This movie not only makes you think about the society prospective but also questions your own "How are we heading as a society?"

the think is people don't wanna see or hear of this issues as it is complicated and.have been prejudiced over all India.

Movie is able to portray this problem in a very beautiful way. This movie is amongst the rare Bollywood jems, which going to remember for its courage to showing reality.

As of 2022 this is still a problem that people afraid to talk and do.