Gabbar Singh

strength:

pawan kalyan: have you ever wondered why he is called "power star",this movie solves it.He delivers a power packed performance,like a 10,000 wala cracker only difference is this lasts for 2hr:30 min,his dialogues and mannerisms easily overshadow the flaws of the movie.

Direction is fresh almost all the scenes are new and even the story has been modified to suit to the native audience , those who have see dabangg won't be bored.

weakness: screenplay song choreography weak climax

statutory warning: this movie is quite addictive may cause intense irritability until u watch it again,those who don't experience the above symptoms get your thyroid profile tested.

Pawan Kalyan's movies are always different including his powerful acting and punching dialogs which are extraordinary. This movie contains all of them. He looks very smart and has done acting according to the character which suits him well. This movie is an action cum comedy flick and has got good comedy accordingly. Even though its a remake of some movie it has got its own style which, all the people who watch Telugu movies would like. Brahmanandan has done excellent as usual. This movie will definitely entertain you which i can assure you. Those who like Pawan Kalyan's acting have to watch it. I would give 8/10.

The film rarely bores you. Tightly packed screenplay. Pavan Kalyan carries the film on his shoulders with ease. His mannerisms are the same, his acting style is the same, but somehow it does not appear clichéd. He gives a nonchalant yet energetic performance. Devi Sri Prasad's songs are all good. From melodies to mass numbers, he did a very good job. The fanfare theme music that comes in the background every time Gabbar Singh appears on screen, is awesome; makes you hum and raises your spirits. Sruthi Hassan is a wasted talent. It could have been anyone else in the heroine's character - it does not make any difference. I enjoyed the film mainly because the whole theater was reverberating with the enthusiastic shouts of fans even during the second week after release. Pawan Kalyan gets the much needed hit after a long time. Like for any other mass hero's film, for Gabbar Singh too, just a positive talk is enough to create records.

Pawan Kalyan has given an extraordinary performance. His comedy timing is perfect. He has delivered several punch dialog's with his inimitable mannerism. He is good in both action and dance sequences. Shruti Hassan looks gorgeous in the film. Her performance as an innocent village belle is excellent. Though she has a very small role to play, she has used the available space to show her acting prowess. While abundant action sequences are on expected lines, including slow-mo flips and kicks, it's really the wit that's a pleasant surprise (and breather!). Be it the action sequence or goons made to play Antakshari by Gabbar Singh in his police station, the fact that the film included spoof snippets on Pawan Kalyan's earlier films and songs, is a refreshing change. Ali, Brahmanandam and Ranjit Kumar tickle the funny bones of audiences. Combination scenes of Ali and Pawan Kalyan have been shot well. Other artistes like Suhasini, Nagineedu, Rao Ramesh, Abhimanyu Singh have done justice to their respective roles.

What remains constant though is the fact that Pawan Kalyan (like Salman in the original) is the heart and soul of the enterprise. His comic timing, his attitude, his punch lines, mannerisms everything is tailor made to suit the role (or was it vice a versa) and Pawan delivers an immensely lovable rogue cop act. Pawan Kalyan fans will definitely have a field day with Gabbar Singh, yet those who do not think much of the star would enjoy this movie as much too despite the lackluster climax and slow second half. Watch it in a single screen with maddening fans for company and the fun quotient would just triple up.

Pawan Kalyan fans have been waiting for so long to see their idol in this type of role. He took more time than needed. But finally he has delivered the goods with Gabbar Singh. Watch it!

Story

Gabbar Singh (Pawan Kalyan) runs away from home at an early age and become a police officer and gets transferred to his village. He likes his mother (Suhasini) and dislikes his foster father (Nagineedu). Siddhappa Naidu (Abhimanyu Singh) is the big rowdy of the village who has aspirations to become a politician. Gabbar Singh cuts Siddhappa to his size and Siddhappa wants to take revenge. The rest of the story is about how Gabbar Singh executes everything in his style.

Artists Performance

Pawan Kalyan: It took almost 12 years and a director called Harish Shankar to bring out the character in Pawan Kalyan onto the screen the way people want to see it. Pawan Kalyan scorches the screen with his performance. Pawan Kalyan's attitude, body language and josh (some may call it over-acting) is perfectly extracted by the director. Pawan Kalyan has shown it again how an actor can own and carry it on when the right character is offered.

Others: Shruti Hassan is adequate as lady love of Gabbar Singh. Abhimanyu Singh is fine. Ali is hilarious (or the way Pawan tells him 'samba raasuko'). Brahmanandam is okay in the first half and hilarious in Pawan Kalyan cutout scene in the second half. Suhasini and Nagineedu are good as parents. Tanikella Bharani has been properly utilized in this movie as the mentor of villain. Kota Srinivasa Rao has a short yet important role as heroine's father. Rao Ramesh played the role of a politician. Ajay is apt for the character of step brother. Gayatri Rao (Happy Days fame) has done the character of heroine's friend. The rowdy batch (headed by Fish Venkat) is hilarious in Antakshari scene in Police Station.

Technical departments

Story - screenplay - direction: The story of the film is an old-fashioned, but a workable one. What makes the difference to such an old-type story is the 'thikka' characterization by Harish Shankar. There are certain antics of Pawan Kalyan which appear like 'overr-acting' if not used well by the director. Harish Shankar has used them excellently to bring out hilariously entertaining episodes. His direction is good, but should have worked more on tight screenplay towards second half. The following scenes are true entertainers

1. When Gabbar Singh introduces himself to the village men after the intro fight. 2. 'Samba raasuko' episodes 3. 'Are Gabbar Singh Ka Fauzia' episodes 4. Episode before and after Pelli Choopulu failure 5. Antakshari Episode. This is probably the highlight of the film. 6. Brahmanandam cutout buildup episode 7. References episodes (Kushi, Muta Mesthri and Jalsa) 8. Kota Thagubothu song scene

Other departments: Dialogues are the second most important technical aspect of the movie after characterization. Harish Shankar has come up with entertaining dialogues that suit Pawan Kalyan to a T. Background music is good and songs scored by Devi Sri Prasad are excellent. Cinematography is neat, but properly care should have been taken white shooting the slow-motion shots of hero introduction scene. Editing is fine and production values are okay.

Analysis: First half of the film is highly entertaining. Second half has some story. Looks like this film is made with the sole purpose of entertainment with a workable script. Pawan Kalyan's inbuilt mannerism and attitude and merged perfectly by the character written for him. The film has 80% Pawan Kalyan and 20% rest of the cast. Plus points of the film are Pawan Kalyan's never-before entertainment, Harish Shankar's dialogues and characterization. The negative points are hurried climax and inadequate screenplay in the second half. The hero is more powerful than villain, hence the hero vs villain thread is weak. On a whole, Gabbar Singh is a good mass entertainer and will satisfy fans and general crowds alike who have been expecting a good entertainer from Pawan Kalyan over a decade.