Chakravyuh

CHAKYAVYUH exploits the same plot earlier used by Hrishikesh Mukherjee in his NAMAK HARAAM in the year 1973. In fact Hrishi Da's film was also reportedly based on an Oscar winner classic called BECKET released in 1964. Plus later the idea of placing a mole inside the rival group has been used in so many films that it can rarely excite anyone from both the current as well as the grown up generation. So if you were looking for something fresh and new from Prakash Jha in his latest film then as far as the storyline is concerned, it is not there. But that didn't surprise me since I was more interested in watching his execution on the screen as the trailers had already revealed its main plot openly (which should have been avoided).

Hence with a prepared mindset about its basic predictable script, I was actually hopeful of getting something exceptional from the veteran director dealing with the important issue of Naxal movement in the country. But unfortunately this time Prakash Jha could deliver HIS kind of cinema in only the initial odd 40 minutes in the film and not beyond that. Further it might be a huge disappointment for many to know that these first 40 impressive minutes of the movie are those in which Abhay Deol is not even there in the frame properly.

To bring out its positive points first, CHAKRAVYUH starts off well taking you into a different world of the rebellious movement run by the Naxalites in a specific region of our country. It smartly explains their motives in few scenes and one starts feeling the pumping blood with some well directed action sequences depicting their struggle with the government. But the moment, film comes to its actual story plot of sending a spy in the group of Naxalites, it starts walking on a steep downward slope and becomes totally childish or filmy in its execution unlike a Prakash Jha film.

At regular intervals, the film forces you to think that Is director Prakash Jha also following the same path chosen by Madhur Bhandarkar, of repeatedly making films on a fixed pattern tackling a particular issue of the society and nothing else? The question keeps haunting your mind because the experience of watching CHAKRAVYUH is quite similar to that of seeing the recent HEROINE, wherein the director fails to provide any freshness in his treatment and disappoints hugely. So as its biggest drawback, CHAKRAVYUH can easily be called a film made on the Naxalites, which clearly fails to explain the problem in an appreciable way and in the end just remains a project exploiting the burning issue of the country for its own benefits.

And why it remains only a commercial project ruining an important issue?

1. Because it has a hero who can easily slip into the Naxalites without any trouble, can start flirting with their girl leader, becomes one of the Naxalites front-runners in only a few days and still can comfortably phone or even meet his friend who is a senior Police Officer without any major hassles.

2. It has a lady inspector, who simply asks the doctor to insert a chip inside the wound of an injured Naxalite leader, like kids insert a board-pin into their dolls. In addition, since the inspector is a lady too, she is also made to wear a short revealing dress in a meaningless scene as an essential part of a Bollywood film.

3. It is based on a script wherein, when the traitor is a small time actor then they kill him instantly but when the traitor is the hero himself, then they have all the time in the world to first talk and wait for him to be rescued.

4. But most importantly and ridiculously, it has a friend who without giving any second thoughts easily sends his only long time (well educated) buddy into the Naxalite group to be his informer. And when the 'planted friend' starts betraying him, then he simply calls a reporter to his office, reveals his actual identity to the media along with the visual proofs and makes a clear way for his friend's ultimate end by the Naxalites themselves. Honestly, it was indeed a very cruel and silly way to define friendship on the screen by the veteran director.

Following his set pattern (not really working in CHAKRAVYUH), Jha also has an deliberately added item song here which is equally weak as the other tracks composed by more than one music directors in its soundtrack. Still Cinematography and Background Score give you some bright moments to praise in the film made on a rotten plot.

On the performance front too it is going to disappoint many as the film has nothing what was being expected from the three powerful actors namely Om Puri, Manoj Bajpai and Abhay Deol. The deadly trio, though play their respective parts well with the required intensity and depth. Yet their written roles (and length) are not anywhere close to their own respected reputation, which ideally should have been the highlight of this film as projected. Apart from these key names, Arjun Rampal never rises above his weak character and Esha Gupta doesn't add anything significant to the movie in her given role. But surprisingly Anjali Patil is the one who actually scores the best among the entire star-cast full of card-board characters (except Murli Sharma).

In all, CHAKRAVYUH is a pretty weak (filmy) product from the banner of Prakash Jha, vaguely made around the subject of Naxalite movement in the country. So you can surely watch it if you wish but just for its first 40 minutes and Anjali Patil.

Good parts:- 1>Naxal part is very good and entertaining. 2> Abhay Deol, Om Puri, Manoj Bajpayee and Anjali Patil really done a superb Job. Début girl Anjali Patil really done a very good job and Since she belongs to NSD and don't forget she's gold medalist so there is no doubt about her acting talent. Bad parts:- 1>Poor story (Shows only one side of a coin which is Naxals are good and politicians are bad).I agree that politicians are not that good but naxals too are not that good what Prakash is trying to show. 2> Not able to touch reality. 3>Police part is worst and boring. 4>All good actors are on Naxal side which makes it more one sided. 5>Dialogue delivery of Arjun Rampal is a kind of funny (Specially how he over acted in that Rum (old monk) part) 6>And there are lots of flaws in that movie. 7>It is depressing to see how good actors like Mukesh Tiwarin (Bacha Yadav of gangajal) are getting ignored these days . 8>I almost forgot to mention the other girls Esha Gupta, I am still thinking why she's there. Altogether movie is not watchable in theaters, you can watch it in your home screens so that you can fast forward the boring parts (like unwanted songs especially that item song). One request to Prakash Jha bring back Ajay Devgn into your movies, if he was in place of Arjun Rampal then the story would be different impact will be different.

For the first time, I feel the great poetic spirit in India Songs & Dances, with revolutionary romanticism theme set in this movie.

Very beautiful-- all scenes, local peoples, guerrillas and the story of fighting for justice.

And also, it based on realistic social problem of India or any other developing countries which still have "enclosure movement" - local poor villagers are swept from their land by polices or mercenary forces supported by rich people/big companies.

Strongly Suggest!

Lal Salam! This movie leave us a question: How can democracy be both fair and peaceful? By people armed by Maoism political party & army?

It's a must watch movie. The movie goes off at a good pace. Right from start till end, one will not get bored anywhere. The role of police, along with the deadly interference from the sick politicians is well depicted. The dialogs delivery and acting by Arjun Rampal and Abhey Deol has been awesome. Though the role of Manoj Bajpai is not too great. The songs are too good and in fact one of them shows the true Indian political play.

The best part of the movie is its story which shows both the sides – pros and cons of Naxalites and Political leaders. The only part which I felt to be useless is the "ITEM SONG" by Sameera Reddy.

In all, an awesome movie and people should watch it.

Excellent power packed movie with realistic theme after a long time. As is always expected of Prakash Jha, this one also won't disappoint you.

It brings out the best performances from all the actors and touches a very sensitive issue in a neutral way, leaving the people to judge about naxalite reality.

An unbiased version of the naxalite infested India from the government and naxalite/tribal perspective without tilting on either side and bringing tears to the eyes of sensitive people, which is in itself a victory for the movie.

I wish that more and more people become aware and sensitive about this subject which has affected 220 districts of India and this movie does its bit on the subject judiciously.

Needless to mention all the actors did their best, however novice Anjali Patil steals the show. The cinematography and screenplay was good too, feels like we're sitting in a naxalite infested jungle.