बीबीसी शेक्सपियर की हेनरिएड का नाटकीकरण करती है, रिचर्ड द्वितीय के पदच्युत होने से लेकर हेनरी पंचम के एजिनकोर्ट पर विजय तक, उन आंदोलनकारी शासनकालों का वर्णन करती है जो उसके बाद आए.बीबीसी शेक्सपियर की हेनरिएड का नाटकीकरण करती है, रिचर्ड द्वितीय के पदच्युत होने से लेकर हेनरी पंचम के एजिनकोर्ट पर विजय तक, उन आंदोलनकारी शासनकालों का वर्णन करती है जो उसके बाद आए.बीबीसी शेक्सपियर की हेनरिएड का नाटकीकरण करती है, रिचर्ड द्वितीय के पदच्युत होने से लेकर हेनरी पंचम के एजिनकोर्ट पर विजय तक, उन आंदोलनकारी शासनकालों का वर्णन करती है जो उसके बाद आए.
- 4 BAFTA अवार्ड जीते गए
- 7 जीत और कुल 22 नामांकन
एपिसोड ब्राउज़ करें
फ़ीचर्ड समीक्षाएं
What distinguishes these hollow crown productions from their predecessors is the crystal clarity of the text as delivered by the cast – well done everyone! It is so easy to fall into the trap of believing that the text is to be delivered as verse. Twaddle! Ideas like that permeate school English classrooms where failed actors teach gullible pupils that iambic pentameters rule. No, they do not! Furthermore, good presentation of Shakespeare is so often ruined by over enthusiasm on the part of the performers. Without wishing to name names, I saw one version of "Much Ado About Nothing" where the comedy in the text was entirely lost because the director and his cast insisted on inventing and adding their own comedy instead. It is a brave man who would want to out-do Shakespeare! The ability of these Hollow Crown productions to tell the story which leads ultimately to the "Wars of the Roses" was admirable. There was so much to say – even before the "Wars" had begun. I should probably watch them all over again
.! And I think I will!
What makes this selection of History plays so sublime? The glorious Ben Wishaw as Richard II. The equally glorious Tom Hiddlestone as Henry V. The - again - equally glorious Jeremy Irons as Henry IV. The fantastic supporting cast - especially Simon Russell Beale and Julie Walters and Rory Kinnear....
Also, the spellbinding music, the authentic locations, the detailed costumes, the sensitive cinematography, the wonderful direction and, of course, the eternally magnificent words.
I cannot find enough superlatives to praise these sublime productions. Shakespeare's language, his vision and his political and social world, brought to life by different directors with differing approaches, but with a singular aim - to entertain an audience with the most powerful weapons available - language. For me, they succeeded. To paraphrase the words of another denizen of Shakespeare's limitless imagination, Prospero, these productions: "...are such stuff as dreams are made on;"
Thank you, whoever had the common sense to commission and nurture these productions; the best thing I have seen on my television this year. And my 19 year old daughter and 16 year old son agree - I am no wrinkled greybeard, bemoaning the loss of the golden age, but I hope to see more of these productions; stunning gems of real culture and tradition, nestled amidst the dross of reality TV programming and the glorification of idiocy that is typified by the celebrity culture in which we live.
My copy of the DVD is on order, and I cannot wait to watch these magnificent productions again. And again and again and again....
Also, the spellbinding music, the authentic locations, the detailed costumes, the sensitive cinematography, the wonderful direction and, of course, the eternally magnificent words.
I cannot find enough superlatives to praise these sublime productions. Shakespeare's language, his vision and his political and social world, brought to life by different directors with differing approaches, but with a singular aim - to entertain an audience with the most powerful weapons available - language. For me, they succeeded. To paraphrase the words of another denizen of Shakespeare's limitless imagination, Prospero, these productions: "...are such stuff as dreams are made on;"
Thank you, whoever had the common sense to commission and nurture these productions; the best thing I have seen on my television this year. And my 19 year old daughter and 16 year old son agree - I am no wrinkled greybeard, bemoaning the loss of the golden age, but I hope to see more of these productions; stunning gems of real culture and tradition, nestled amidst the dross of reality TV programming and the glorification of idiocy that is typified by the celebrity culture in which we live.
My copy of the DVD is on order, and I cannot wait to watch these magnificent productions again. And again and again and again....
10slydon13
If my father was alive I think he would be giddy to see this because he enjoyed Shakespeare and WW2 movies almost equally. Few household include Shakespeare plays as everyday topics, Marc Anthony's speech when drying dishes and we were fortunate. When Shakespeare questions are asked on 'University Challenge' I find myself screaming at the confused teenagers who were not so lucky.
Granted, 'Coriolanus' was a favorite, but almost all of Shakespeare plays have blood pumping through them and deserve the full treatment of location, mud, costume and conflict so we can absorb the poetry of the script.
This production is likely to open the door to Shakespeare for people who were not given a friendly introduction. As with Opera, some experiences open a door to appreciation and understanding. (mine was the £5 ticket to Covent Garden in 1996 because you only understand what the fuss is about when experiencing a quality, live performance)
To the original audiences, the death of a king was a shocking as the JFK assassination is to us. They enjoyed the glamor, the insight and the drama inherent in power struggles, ambition, just as we do today.
Season 1 - looks at how Henry IV took power, his difficulties with his son and how his son (Henry V) adjusted. Is there anything more timeless than one generation attempting to guide and train the younger? Youthful rejection of everything offered? Recognition too late that the parent was heroic and worthy of admiration?
For some reason, the character of Sir John, penetrated my understanding more when watching this, than ever before. This is likely as a result of my deeper understand as a result of the passage of time.
Season 2 - The third generation (Henry VI) raised without paternal guidance, struggles to keep the crown. The War of the Roses leading to bloody battle. Richard III, was to say the least, ambitious.
The Hollow Crown has an excellent cast.
Granted, 'Coriolanus' was a favorite, but almost all of Shakespeare plays have blood pumping through them and deserve the full treatment of location, mud, costume and conflict so we can absorb the poetry of the script.
This production is likely to open the door to Shakespeare for people who were not given a friendly introduction. As with Opera, some experiences open a door to appreciation and understanding. (mine was the £5 ticket to Covent Garden in 1996 because you only understand what the fuss is about when experiencing a quality, live performance)
To the original audiences, the death of a king was a shocking as the JFK assassination is to us. They enjoyed the glamor, the insight and the drama inherent in power struggles, ambition, just as we do today.
Season 1 - looks at how Henry IV took power, his difficulties with his son and how his son (Henry V) adjusted. Is there anything more timeless than one generation attempting to guide and train the younger? Youthful rejection of everything offered? Recognition too late that the parent was heroic and worthy of admiration?
For some reason, the character of Sir John, penetrated my understanding more when watching this, than ever before. This is likely as a result of my deeper understand as a result of the passage of time.
Season 2 - The third generation (Henry VI) raised without paternal guidance, struggles to keep the crown. The War of the Roses leading to bloody battle. Richard III, was to say the least, ambitious.
The Hollow Crown has an excellent cast.
10kaaber-2
"The Hollow Crown" is BBC's magnificent filming of the Shakespeare's second Henriad (Richard II with Henry IV's rise to power, Henry IV, parts I and II, and Henry V). I believe the first three of these have only been filmed in the old 1970s BBC series of Shakespeare's complete works, and although the old series was at its best with its version of Henry IV, "The Hollow Crown" is far above it. Simon Russell Beale is the ideal choice for Falstaff, even with Orson Welles hard on his heels in the Falstaff compilation "Chimes at Midnight", Tom Hiddleston is a great Prince Hal, and Jeremy Irons, never known to err, shines as the guilt-ridden King Henry IV.
There are some interesting comments on the bonus material for Henry IV, part II that explains why the plays come across so successfully in 2012. Thea Sharrock, director of Henry V, muses that people may be shocked at hearing the actors speak in real surroundings (on location), but of course, that's old hat. Even Olivier anticipated that in 1944 with his Henry V. Moviegoers are not that easily shocked anymore. And although Hiddelston is also mistaken in his claim that it has never been done before, he is right in stating that "Shakespeare is at its best when you speak it like you're making it up." Julie Walters adds, "You've got to speak the lines, not in a stilted isn't-the-verse-beautiful kind of way; it's got to be the way you talk"
This natural way of speaking the lines, more foreign to British Shakespeare productions than to American ones, accounts for the greatness of "The Hollow Crown".
There are some interesting comments on the bonus material for Henry IV, part II that explains why the plays come across so successfully in 2012. Thea Sharrock, director of Henry V, muses that people may be shocked at hearing the actors speak in real surroundings (on location), but of course, that's old hat. Even Olivier anticipated that in 1944 with his Henry V. Moviegoers are not that easily shocked anymore. And although Hiddelston is also mistaken in his claim that it has never been done before, he is right in stating that "Shakespeare is at its best when you speak it like you're making it up." Julie Walters adds, "You've got to speak the lines, not in a stilted isn't-the-verse-beautiful kind of way; it's got to be the way you talk"
This natural way of speaking the lines, more foreign to British Shakespeare productions than to American ones, accounts for the greatness of "The Hollow Crown".
I have enjoyed watching the first series and I am about to begin the second set with Henry VI and Edward III.
The acting is impeccable (how could it not with that cast?), the closed-captioning appreciated by a Deaf individual and the battle scenes fascinating and interesting. I am a big fan of historical costuming and valued the work that must have gone into them.
For those who are not fans of Shakespeare this series may not be for you. I did not mind the old language but it takes a bit of getting used to if you are not familiar with it.
I was disappointed to see Charles VI, King of France, wearing the Order of the Golden Fleece during Henry V. This Order was established by Philip III, Duke of Burgundy (aka Philip the Good) in 1430 to celebrate his marriage to Isabella of Portugal. Henry V and Charles VI both died in 1422, eight years before the Order's inauguration.
The acting is impeccable (how could it not with that cast?), the closed-captioning appreciated by a Deaf individual and the battle scenes fascinating and interesting. I am a big fan of historical costuming and valued the work that must have gone into them.
For those who are not fans of Shakespeare this series may not be for you. I did not mind the old language but it takes a bit of getting used to if you are not familiar with it.
I was disappointed to see Charles VI, King of France, wearing the Order of the Golden Fleece during Henry V. This Order was established by Philip III, Duke of Burgundy (aka Philip the Good) in 1430 to celebrate his marriage to Isabella of Portugal. Henry V and Charles VI both died in 1422, eight years before the Order's inauguration.
क्या आपको पता है
- ट्रिवियाThe second season depicts the marriage of Margaret of Anjou to Henry VI. The historical Margaret was 15 years old at the time. Sophie Okonedo was 46 when she played the role.
- गूफ़Exeter is played by the same actor through the series, but the Exeter in Henry V died more than 20 years before the Wars of the Roses. The Exeter during the Wars of the Roses was a different man entirely.
- कनेक्शनFeatured in 20th Annual Screen Actors Guild Awards (2014)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How many seasons does The Hollow Crown have?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- The Hollow Crown: The Wars Of The Roses
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
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