These Final Hours

I have been downloading/renting movies for yrs and using these ratings to decide if I should invest in the bandwidth/Cost. Felt it was time to contribute as this movie was way above what I expected. I am a SCI Fi/End of the world/Zombie movie lover and this totally entertained and kept my attention beginning to end.

This move met all my expectations and I could not stop watching till the end. And was the reason for me to create the account and add the review.

I recommend it. And have a few tissues waiting... it sure jolted my heart in the end. I know... being a guy I am not supposed to cry :)

Go/rent... whatever.. it's worth it

Well done to all involved... great movie. 8/10

There are some special qualities in this end-of-the-world enactment. The main plus is that this is a large scale fable of the last days on earth that moves well. It never gets stuck on one theme, except the disruption of the leading character's relationships, which also signals the end of what is known about 'personal' life under would-be normal circumstances. There really is a fully owned dramatization of the total dislocation of normal society - & this is possibly among the best of such dramatizations. There is a faithfulness to the screenwriter's vision that's pretty awesome. Also awesome is some really good acting from the leading man, who gets convincingly tearful at the prospect of being parted from a 7-year old girl who'd become his charge through the course of the story's development. The imminent end of things near and dear is very well brought across, with hardly any mucking about in minor sub-plots.

Marketed as an end-of-days thriller, this Aussie production is better described as a sombre, thought- provoking drama that just so happens to precede an impending apocalypse. Nathan Phillips plays a self-obsessed man intent on spending his remaining time on Earth under the influence of cocaine, alcohol and self-pity. After he saves a young girl (Angourie Rice – amazing) from an unspeakable act, though, he reluctantly allows her to tag along and his journey takes a new shape. Played as a two hander between Phillips and Rice, who share remarkable chemistry together, These Final Hours is outstanding. Their unique partnership is built so carefully, intelligently and organically over the course of the movie that when their affecting and poignant climactic moment arrives, it is completely earned. Writer-director Zak Hilditch errs with his supporting players though, particularly in the middle act where we're introduced to three outlandish, imbecilic and downright aggravating characters, all of which are overplayed to the hilt by local actors. That this sequence is at least 20 minutes long is a huge misstep from Hilditch, but thankfully it doesn't spoil the overall progression of the central relationship. Bonnie Elliott's cinematography deserves a special mention too; her Perth is searing, grimy and harsh, yet somehow entirely beautiful at the same time. A flawed but worthy film that deserves to be on your 'to see' list.

Australia is pretty good at delivering end-of-the-world movies, and whilst These final hours may not be the best of them, it definitely makes it into the top league of the genre. Some elements, like the doomsday background episodes, or the radio commentary are pretty cliché, but the two leads are very good, and their interaction makes for a very watchable movie. In fact, the "Watch me until you can't see me" scene towards the end is the most moving one I have seen in this genre, and it is well worth watching this film for that scene alone.

Great film - tense, edgy, but human. Nathan Phillips and Angourie Rice are excellent - especially Angourie Rice - extraordinary acting for an 11 year old! The other two stand-outs are Sarah Snook, and the cameo by Lynnette Curran. In fact, the female casting is what makes the film so memorable - in other hands an end-of-days scenario like this could have been a parade of clichés for the young adult male market, but director Zac Hilditch draws us into a story that is bleak, yet sensitive and gripping without being addled by senseless action and effects. The cinematography and editing are also responsible for the film's great presence - beautifully shot by Bonnie Elliott and edited by Nick Meyers.