A Place to Call Home

At first I was a bit of a snob. I thought it was a little too soap-operay. but soon enough I was hooked.

The characters, the settings, the clothes, the cars, all were so wonderful! The dramatic story lines sometimes were lame (but I didn't care) because sometimes they were riveting. The acting suited the plot at the time, sometimes a bit hard to accept the drama, but still.....if you liked Downton Abbey, you'll like this smaller, country version of a family saga

This is a great series to dive into and look forward to watching. I found it such a wonderful, pleasant relief from the violence in current day American series. There's violence but it's not graphic. Liked this a lot....it's so enjoyable.

We found this Aussie series, about a wealthy "grazier" (sheep rancher) and his crisis-prone family back in the 50s, to be just about impossible to resist. It's hard to say too much without spoilers since practically everyone starts out with a secret sorrow, a clandestine romance, a wartime trauma they don't care to talk about, a stigmatized sex pref, an unacknowledged illegitimate child or somebody's else's child they're raising as their own, which can only be revealed in the fullness of time.... Suffice it to say that the first two seasons focus mainly on the efforts of the Bligh family matriarch to prevent any of her brood from marrying beneath them or forming some other unsuitable attachment, despite the abundance of tempting distractions (a hunky Italian farmboy, a gorgeous blond nurse with a murky past) and the deficiencies of the eligible candidates (snobbish, vindictive playboy, deceased wife's treacherous sister).

We're total suckers for the shameless cliffhangers and out-of-left-field plot twists. The first-rate cast plays it straight for the most part; there are a few stock Aussie characters--including a salt-of-the-earth farmer who declaims "bush ballads" about bandicoots and billabongs--but nothing too clichéd or kitschy. (The source novel reflects some odd midcentury attitudes about bi- and homosexuality that might deserve a trigger warning.)

Oldsters and TCM fans may be reminded of Douglas Sirk and vintage primetime soaps like "Peyton Place"; we get a brief glimpse of one of the younger Blighs reading "Giant" at one point, which seems exactly right, and the actress who plays the nurse with a murky past is a dead ringer for Dorothy Malone in "Written on the Wind."

The show survived a cancellation scare at the end of season 2--which seems to have spooked the writers' room, since they turned out a couple of dud episodes right after that--but since then it's all been good....

PS--I was wondering if these fictitious Blighs were meant to be related to the real-life Captain Bligh, of "Mutiny on the Bounty" fame, who was briefly governor of NSW; that would make them one of the first non-convict settler families in Australia and would explain why Mrs Bligh, initially at least, is so terribly snobbish.

This is one of the best TV series to come out in a long time...we live in the States but tend to watch English shows vs American 90% of the time since the reality show trend is a total waste. I'm a Brit expat and husband is American, we both loved this post WW2 drama. The cast is superb and make this series all the more compelling. The 50s' feel is well done, as is the portrayal of the three generations and how they cope with their different - and unexpected yet similar - experiences. Not to spoil it for those who haven't seen it, the series generally takes us to fresh plots/characterizations in ways other shows haven't. Bravo! We saw series 2 on the BBC and anxiously await its screening on Acorn Media next month. Series 3 is apparently being filmed now to be shown later in the year with a 4th to follow. Looking forward to seeing it -- why can't this type of series be shown here at the same time? Why do US audiences have to wait a few years or worse watch a US-made remake that usually flops? Don't the studios understand that we are not idiots and enjoy watching intelligent shows?

..so it's over.. it will be missed... it wasn't always great television, but for sure it was mostly all very good TV

..the cast was solid across the board, and all production values high

..when there is just sooo much not worth watching that seems to never end... to loose one that was looked forward to week to week leaves a void..

..Australia keeps putting out high-quality shows... keep 'em coming.. you have a most grateful North American audience thanking you..!!

There's still a lot to like in this show if, that is, you are willing to throw credibility out the window. Like most soaps, the writers pour on the drama, but at times they don't just pour on the drama, they drown you with it. Think of anything that could happen to one family and it will happen to these poor Blighs -- and anyone else who happens to enter their orbit. What redeems the show is the good cinematography and period costumes and, for a soap, some occasional, terrific acting. Elizabeth is excellent, as are Jack, George, Carolyn, and Sarah, who basically carries the show. However, some of the men and and the women who play the younger generation aren't up to the task -- Harry and Henry are both good, but not James, Anna, and, worst or all, Olivia, who is either a very bad actress or is just stuck playing an unredeemable stock soap opera part (the eternally perky, always terribly concerned victim). Still, if you're looking for completely mindless entertainment, and willing to put up with more dastardly deeds that Mrs. Fletcher ever found in Cabot Cove, it's certainly worth a look -- and, of course, you can also look at all the young men who sport 2020 gym bodies and take their shirts off every opportunity they can. (One odd detail: the actors' accents all seem to switch back and forth from Australian to English to neither, or both. Very strange.)