Makkhi

I was initially drawn to this movie because of it's similar premise with the H.P. Lovecraft/Hazel Heald story "Winged Death". Eega is not your typical fare, especially as an American unaccustomed to the movies of India. The first quarter of this film feels like you're watching the love child of a car/jewelry advert and music video. That's not to say it's bad it's just atypical and at times distracting.

Overall I found the story to be somewhat predictable and it veered from a sickening sweet to the dark and sinister. The acting is pretty good throughout but the actor playing the villain really shines.

The CG effects are sub-par compared to a Hollywood block buster but despite this I found myself forgetting I was watching a very obviously CG fly which I took as a good sign.

I would say if you're in the mood to experience something different, to step outside of the rehashed Hollywood garbage, are open to a movie that teeters from whimsical to sinister, and want to watch a moral dance between what amounts to a mob boss and a CG fly give this gem a shot.

Makhhi or eega is a movie which is absolutely weird and non sense but wait......this movie is a official non sense movie. I am sure the director made it and announced "hey folks this film is non sense...see if you like it or not but i have tried to make it entertaining".

So this non sense movie is absolutely a rich experience. Its fresh beautiful and artistic. Unexpectedly this is first movie from south that i loved. Amazing story though nothing new but along with 'arey arey' soundtrack this film is just a refreshing experience. Don't know if they like it or not but i just loved this senselessness. Animation is unforgettable even though it has no match with modern animation movies. In all i loved this movie and congratulate director and crew for this try.

I saw this film at the Imagine (SF/horror/fantasy) film festival 2013 in Amsterdam. A lot of impossible things happen in this film, but the context is clear from the opening scene on, where we hear a persistent daughter asking her father to tell a bedtime story. It sets the tone for what follows: a fairy tale, with good and bad people, the good ones win in the end, the bad ones await what is coming for them, etcetera. The voices of father and daughter re-appear in the ending scene, to remind us that this was indeed a "Once upon a time" story from the start. Maybe the heads up is not really redundant, while all sort of things happen during the 2 hours in between.

Basically, we see a proverbial David and Goliath story: a David-like (Nani) figure is killed by the Goliath-figure (Sudeep), all in the struggle for a woman (Bindu). But Nani reincarnates as a fly and makes it his business to haunt and annoy Sudeep at first, later on followed by real attempts to kill him. It is beautifully visualized, with a lot of animation where a fly is neatly integrated in the picture.

In the first half hour (before the fly makes its/his appearance) I had the impression that the main characters were portrayed a bit over the top. Especially the bad guy (Sudeep), who usually gets any beautiful woman he wants, has to let go of Bindu who has set her eyes on neighbor Nani. Nani follows Bindu everywhere, but she waits 2 years before responding to his courting.

When collecting funds for a school support project, Bindu is received by Sudeep who writes a cheque on first sight in favor of her charity, but also insists she has lunch with him. This is where the trouble starts. Bindu is apparently distracted when seeing Nani nearby during lunch, being an unusual experience for Sudeep. He "solves" this problem by killing Nani in a dark alley. Nani reincarnates as a fly, at which moment the animation kicks in.

That is also the moment that the fairy tale atmosphere starts. Nani is determined to get his revenge. We see many impossible things happen during his actions. I'm not sure about some of them being physically possible for a fly, like carrying a needle many times its own weight. And the ominous writing on Sundeep's windshield looks also improbable. But who cares, since it fits the story line AND we can expect this in a fairy tale where the good win and the bad loose in the end, by whatever means available at the time.

All in all, in spite of the simplistic story that one could have derived from the synopsis, the plot is worked out beautifully. The subsequent attempts of the fly to deal with Sundeep, are various and creative. At first, the fly works alone. Later on he finds a way to communicate with Bindu, and they start working together. But even then, many killing attempts fail. As a result, we get many opportunities to admire how the animation and the "real" characters work together. We also become aware that a fly lives a very dangerous life, feeling very vulnerable and defenseless against people who think flies are a menace to mankind. However, this special fly survives it all, of course inherent to a fairy tale that is designed to let the good ones win. The festival visitors (all 18+) gave this film an 8.07 score for the audience award, demonstrating that this movie is also interesting enough for adults.

My Rating : 9/10

This is what being creative is all about, seriously good movie about a lover who dies and then reincarnates as a fly to take revenge on his perpetrators.

Visually riveting, Eega is one helluva high-concept thriller/comedy and needs to be seen to be believed.

Watch it!!!

Director SS Rajamouli is one of those directors who have never tasted a flop in their career. He takes film-making a challenge and enjoys it as a passion and not for money. He has taken an insect as his hero in Eega and made the film, which is so gripping and makes the audiences to sit on the edge of their seats biting their nails. Sudeep (Sudeep) is a billionaire and women are his weakness. He always wants to tread wrong routes to achieve what he wants. He is ready to kill even his friend to bag what he wants. He sets his eyes on Bindu (Samanta), a miniature sculpture maker. Nani (Nani) is in love with her. Learning her love towards Nani, Sudeep bumps him off. Just before his death, Nani comes to know that Bindu also loves him. So he takes a rebirth as an Eega (housefly). Though it is an insect, it remembers everything in its past life and wants to take revenge on Sudeep. The rest of the story deals with how the housefly takes revenge on Sudeep. Performance: Though he had a very limited screen presence, Nani has proved that he is a talented artiste. Samanta has also proved that she could perform well and also filled the glamor slot. Although Sudeep is a villain, he has the screen presence from beginning to end. He has given an extraordinary performance. He is excellent in action. The housefly, which is a graphical object is the hero in Eega. The sentimental scenes between the heroine and Eega, the revenge scenes with the villain are excellent. Rajamouli is successful in creating the exact expressions of Eega with the help of animators and graphic designers. Technical: Senthil Kumar's cinematography is extra-ordinary and Kotagiri Venkateswara Rao has done a very good job. S Ravinder's art work is also worth praising. MM Keeravani composed two songs for this film, but his entire work is on background score. He has given wonderful re-recording, which elevates every scene. When it comes to direction, SS Rajamouli's work needs no mention. Taking a small point, which he heard in his childhood, he has brought out an excellent film. The storyline and the plot are perfect. The presentation is superb and the narration is extraordinary. In fact, the director himself is the hero in Eega because the housefly is a graphical object. Remarks: As Ram Gopal Varma's predicted, the film will definitely collect Rs 100 crore. The film, which has been made with Hollywood standards, will mesmerize audiences of all age groups and classes. It is must watch film. Watch it to enjoy Rajamouli's graphical wonder. PS: The film would be extraordinary if you can watch it in multiplexes