Horsehead

While for some the most famous Horsehead will still remain one that can be seen in Godfather, is this movie an "offer you can't refuse" to watch? That depends on your viewing taste obviously. The movie itself has wicked ideas and some crazy story elements to it, that are not something you are used to see in "normal" movies.

It's still not really great, even though the acting is decent enough and there are enough good effects (not really for the squeamish, even if there are more explicit movies out there). There's also nudity involved, though with all craziness going on, I'm not sure that's something to be upset about or looking forward to. Decent effort, that might not make sense to everybody (which I reckon was intended)

By certain aspects, "Horsehead" made for me thought of the Dario Argento's Inferno : both movies have in common to be enigmatic, fascinating, of a total pictorial beauty, but also to rather hermetic and difficult to access.

Horsehead risks hardly to embarrass and to divide the spectators. The movie is not indeed an entertainment popcorn and will ask a real effort of attention and especially an emotional participation and a total dumping in its universe.

Horsehead indeed takes the shape of a nightmare in the shape of mysterious puzzle, plunging her heroine into a terrible, dreamlike, fantastical, gory and erotic universe.

Following the example of "Lords of Salem" (Rob Zombie - 2012), Horsehead is for my part one of the most interesting proposals of the fantastic movies seen for a long time.

(sorry for my English...)

This is a bizarre movie that does a very good job depicting the nature of the nightmare, not the bad dream itself, rather the malicious entity that causes sleep paralysis and bedevils the victim with awful dreams. If you are unfamiliar with the folklore I suggest you look it up as that knowledge may congeal the seemingly disjointed story in your mind.

The imagery was beautiful while the story was rather simplistic, although I feel if the story was more complicated it may have distracted from the nature of the nightmare (horsehead) itself. There is so much communicated through the nightmare images that no narrative is needed to explain the journey if you are acquainted with the folklore.

Visually this film is at times quite stunning, but beyond that there's not much else to recommend it.

Unfortunately one reviewer had to compare it to Dario Argento's work, which then started a trend. In reality it is only the director of photography that resembled Argento in this film, the actual director had some nice ideas but fails to hold the film together. The comparison with such a brilliant director is nothing short of total nonsense.

The cinematography was the best part of this movie, providing a powerfully attractive opening scene which exquisitely recreates Fuseli's 18th century oil painting, The Nightmare. After this point however the film is gradually let down by weak acting, a poor script and an overall immature plot.

That's unfortunate because it seems this film had potential, taking iconography from sleep paralysis, some interesting ideas provided by Jungian psychology and consistently attractive scene construction. But all of this gets flushed down the pan by a director who seems determined to compromise everything this film could have been with an over reliance on visual effects and music apparently compensating for a lack of any real substance.

This film is the work of a great cinematographer and a director that needs to develop his ability, especially his screen writing.

This phantasmagorical French horror movie is about a young college student who is dealing with troubling memories of her past by studying Freud and experimenting with "lucid dreaming". When her maternal grandmother dies, she joins her mother in her grandparent's country estate where she uses her lucid dreaming skills to uncover dark family secrets.

This film somewhat reminded me of the Walerian Borowzyk film "La Bete", but without the shocking imagery or nearly as strong of a grasp of Freudian surrealism. The "Horsehead" monster that haunts the dreams of the heroine may be the literal embodiment of a "nightmare" (or "cauchemare" in French), but horses are such magnificent and beautiful animals that it's hard to make them look too frightening or threatening. The weird imagery and occasionally effective atmosphere of this film is somewhat of a throwback to an earlier era, and it is refreshing in an age where "horror" is often synonymous with tons of gory effects, "torture porn", and shot-on-video "found-footage" bullsh*t. But the images, while pretty and colorful, are a little pedestrian and frankly just not all scary.

The movie does get a lot of mileage out of pretty, young French actress Lily-Fleur Pointeaux. I think at least half the audience will be very favorably disposed to scenes where she luxuriates in a bathtub with her magnificent breasts bobbing and glistening (bobbing and glistening. . .). But she also does a decent job carrying the principal weight of this movie, especially considering I've only previously seen her in small supporting roles in films like "Ma Premiere Pas" and "We Need a Vacation".

This film could have used some stronger and perhaps more shocking imagery like "La Bete" or the more recent French/Belgian film "Amer", but it's not an entirely unpleasant way to pass 90 minutes.