White Bird in a Blizzard

White Bird in a Blizzard is set in the 1988, and tells the story of Kat Conner, played by Shailene Woodley, a 17 year old girl who seems to live a normal life until her perfect, homemaker mother, Eve, played by Eva Green, disappears one day. Having lived in a dysfunctional relationship with her mother, she feels little pain or sadness towards her mother's absence. She doesn't even blame her father, Brock, played by Chris Meloni, as he is too much of a wimp to have anything to do with her disappearance. As a few years go by, and Kat goes to College, she begins to realize just how much her mother's disappearance really impacted her, as she finds herself investigating and discovering the truth about what really happened.

White Bird in a Blizzard is based on a novel by Laura Kasischke and adapted by director Gregg Araki. Simply put, it is a somewhat bizarre, silly, sex romp, featuring a great lead performance by Shailene Woodley. This film fits director Gregg Araki's usual teenage sex and violence overtones, and features some pretentious and overbearing dialogue that almost comes off as an unintentional comedy. There are also some interesting things in this film, directing-wise: an unusual opening with a shot of Eve, the mother, on her back and a recurring dream sequence throughout involves Kat seeing her mother naked in the snow (hence the title). This is actually supposed to be a symbol for the film and a clue to the audience about the truth of the mystery. Additionally, the film's use of flashbacks is both bizarre and fascinating at the same time, making the relationship between mother and daughter all the more dysfunctional and creepy.

In the lead role, Shailene Woodley demonstrates her talents portraying a teenager who really doesn't know who to trust. The flashback where her mother comes into the room and tries to psychically assault her features some very fine acting by Woodley. In comparison, Eva Green appears more "over the top' and gives a notably "hammy" performance, portraying a clearly disturbed woman. In one of the scenes, for example, when she tries to act younger than her age and then breakdowns, it is mildly disturbing and gloriously cheesy all at the same time. The other actors in the film are good, especially Chris Meloni as the father who has a secret to hide, and Angela Bassett as a psychiatrist.

Overall I thought this was interesting film, but I don't know what to really make of it.

"And just like that, my virginity disappeared. Just like my mother."

I did not make that quote up; Shailene Woodley's character (Kat Connors) actually says this while she narrates her life to a psychologist played by Angela Bassett. I wasn't familiar with director Gregg Araki's previous work, but I found this mysterious thriller problematic and at odds with itself. On the one hand it focuses on Kat's sexual awakening, but on the other we are introduced with some cartoonish characters like Eva Green's Eve Connors who seems to be playing a similar role as she did in 300 and Sin City. She gives a very campy performance, while Woodley is playing an authentic character. I just found the tone of the film very strange and didn't buy into the mix of styles. Araki is playing with genre conventions here mixing the coming of age tale with other familiar thrillers, but it didn't work for me because the dialogue at times is unbelievable and Araki seems to be leaving us false hints of what actually happened only to pull the rug under us with a twist at the end of the film. White Bird in a Blizzard is based on Laura Kasischke's novel of the same name and was adapted by Araki himself. I've never read the novel so I don't know if it has a similar tone, but the film felt surreal at times. There are some great looking scenes during Kat's dream sequences, but there isn't much more going on story wise.

It's funny because the plot of this film is what I thought The Disappearance of Eleanor Rigby would be like. A woman goes missing and the film would revolve around the mystery behind her disappearance. Kat (Shailene Woodley) narrates the events of her mother's disappearance (Eva Green) claiming she had never been in love with her father, Brock (Christopher Meloni). Kat believes she simply got fed up with Brock and walked out on him. Her relationship with her mother hasn't been great either so she doesn't seem to mind her absence. She is comfortable with her current situation and doesn't think she even needs to talk to a psychologist about it. When she was young her mother treated her like a pet, but once she got older she began to resent her for her youth and beauty. Kat meanwhile is in a relationship with her next door neighbor, Phil (Shiloh Fernandez), who is her first love. Lately he hasn't seemed too interested in spending time with her, and when her mother goes missing, she and her father file a report with Detective Scieziesciez (Thomas Jane) who she finds attractive despite the age difference. Kat is very open with her two best friends, Beth (Gabourey Sidibe) and Mickey (Mark Indelicate) about her sexual life. There isn't very much going on with the plot since Kat doesn't think much about her mother's mysterious disappearance and we know how she feels because she is narrating the story to her psychiatrist. Things change when a few years pass and Kat returns home from college. She discovers that her mother's disappearance has affected her more than she realized and we begin to discover new elements about the mystery. This final act of the film plays out more as a traditional mystery movie and I was actually surprised with the final reveal. It is a shift of tone from what we had seen during the first half of the movie which played out as a coming of age sexual awakening tale. I can't recommend White Bird in a Blizzard, but it does have its moments. Shailene Woodley delivers a very strong performance (but I still think she was better in The Descendants and The Spectacular Now) and she is a talented young actress. I wasn't a fan of Eva Green's campy performance, but I have read some praise. Other than Woodley's performance I don't think there is much more worth recommending here.

"I was 17 when my mother disappeared. Just as I was becoming nothing but my body, she stepped out of hers and left it behind." Kat (Woodley) is about to graduate high school and has great friends, a loving father and a mother (Green) who is very unstable and bitter. One day her mother goes missing and no one knows what happened. Little by little Kat and her father begin to move on. During Kat's return home during a college break the mystery comes up again but this time Kat wants to know what really happened. This is a great movie and I highly recommend this. There are enough aspects to this that keep you guessing and interested the entire time. The only bad thing I can say about this is that it was released a few weeks too late. Had this come out before I saw Gone Girl I think I would have liked it more. The idea is fairly similar but I though Gone Girl was better. That movie had me guessing the entire time and I was wrong every time. I love movies like that. This one had me guessing too but I was able to stay ahead of it just enough to where I wasn't as surprised like I was with Gone Girl. That said though I do highly recommend this movie and is one to check out for sure. Overall, a great movie that is hurt a little by the amazingness of Gone Girl being released the week before. I give this an A-.

This movie starts off slowly. It is in the perspective of a gorgeous teenager who is solely concerned with her boyfriend. When her mom goes missing, she assumes that her mom kept her promise to leave her dad. As she recaps the relationship between her parents, the viewer is compelled to feel sorry for the wimpy father and agree with the teen's apathy towards her aggressive mother. In utter dismissal of her mom's abandonment, the teenager tries to focus on her boyfriend's reduced sexual interest. However, her intuition about her mother's disappearance keeps alerting her through inexplicable dreams. Then, when the teenager becomes an adult, things get GOOD! At the end, I realized that I really underestimated this movie. I had no idea this movie was going to be this good. I am glad I watched it and I want to see it again in order to catch some clues that I may have missed. The plot twist at the end REALLY caught me off-guard and I am still wondering if there was some hint throughout the movie that I missed. If anyone catches the hints, be sure to post them as spoilers.

Kat is a 17-year-old girl in the suburbs, growing up in the late 1980s and observing her parents' dysfunctional marriage at close hand while trying to cope with first love, relationships, sex and friendships - all the growing pains that being 17 involves. When her mother disappears one day, the police think she's probably run off, perhaps with a boyfriend; Kat thinks her mother just got so fed up with her boring, empty, perfect-housewife life that she finally left it to find something better. Kat herself doesn't know how she feels about that; truly, she doesn't really feel much of anything, especially because her mother had recently been so intrusive in her life. Her father seems meek and lost after her mother leaves, but both of them will eventually have to pick up the pieces and go on. If only Kat would stop having those disturbing dreams about where her mother might be....

This is really far more of a coming-of-age story than it is anything else; aside from some dream images, there's very little that would fit the term "fantastical," even though I saw it at Montreal's Fantasia Festival. There is some very fine acting, from Eva Green as the mother, Shailene Woodley as Kat, Christopher Meloni as Kat's father and Thomas Jane as a police detective, and both writer/director Gregg Araki (from the novel by Laura Kasischke) and the cast do a very good job of capturing that confusing stage of adolescence, where one is not quite fully grown up but is certainly not at all a child anymore either. I very much enjoyed the film, even if Fantasia is an odd place to see it!