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Is this Jackie Chan at his best? Of course not, but if you like him or the particular style of movies, then you should be able to have fun with this. It's not really science to put a movie like this together, things just happen and the action sequences are decent enough put together (again don't look for excellence).

Even former Jackass and now Chan partner has a role that is fitting. He's no Owen Wilson of course or Chris Tucker for that matter. But he does his schtick and it ... sticks. The jokes may not have the impact some could have and many things are predictable, but that's the way it is. Don't overthink it (any of it), just sit back, relax and take it in

This film tells the story of a Hong Kong policeman who has to catch an American con man, chasing him from Macau to Russia. Along the way, they encounter trouble with Russian gangs and Mongolian tribes. They have to do everything to survive.

"Skiptrace" is in English but it is clear that it is aimed at the Chinese market. The film itself is adequately entertaining, with a lot of action scenes done in a funny way that makes you chuckle. However, it just looks like every other recent Jackie Chan film, even the action sequences are beginning to feel strangely familiar. It is an adequate choice to kill an evening, but don't expect too much because Hollywood action films have moved on but this hasn't.

Skiptrace finds Jackie Chan trying that odd Chinese-American combination yet again, but unfortunately he fails miserably this time. Johnny Knoxville fails to fire up that natural flair of comedy that Owen Wilson had so effortlessly aced in the Shanghai franchise. Unfortunately the movie falls like dominoes owing to a bland plot and an unvarying disconnect that rips apart whatever Skiptrace was trying to walk upon.

DIRECTION OF SKIPTRACE

The direction of Skiptrace is absolutely pathetic. Renny Harlin isn't really sure what he wishes to show. You can see that confusion in his frames. Or maybe that element of clarity is missing from his head that clouds his judgment. Editing will compel you to shake your head. It is that bad.

Humour is quite confined, always acting contrary to our expectations. With Johnny Knoxville in the vanguard to stay as the primary entertainer of Skiptrace, expectations naturally shot up high. But Johnny made it all mediocre. You keep waiting for something funny, but then the wait becomes punishing.

The plot is forced upon to entertain a deliberate road trip. You feel the emptiness of it all when you see nothing substantial emanate from any corner. We are always heading towards something, so that's kind of good.

Chan and Knoxville create an okay chemistry though it is hard to compare their pairing up with the likes of what you have seen over the years.

NOSTALGIC OLD TIMES

Gone are those days when Jackie used to be young, and his fight scenes used to be the ogling kind. It always sends me back in time, when I try to remember all of his arresting fight sequences from the likes of Project A series, Who Am I, City Hunter, Armour of God and Police Story franchise. He still manages to entertain us nevertheless, but the quantum of combat bits in his movies has seen a gradual decline over the years. Maybe old age is doing that to him. It is in a way sad, because even when his movies didn't bank on a good storyline, he used to still uplift them with his jaw-dropping brawls. We miss that profusely.

Now that I think of it every Jackie Chan movie is ending up like that. Maybe for a change he should use a stunt double so that he doesn't hurt himself delivering those parkour like stunts, as is quite evident from his end credit scenes.

THE FINAL VERDICT

Skiptrace makes for a passable watch, preferable when you are fine with your brain taking a holiday for a change. You cannot help but think, it is time Jackie Chan amp up his entertaining quotient, by partnering up with either Owen Wilson or Tucker again. At least that magic was working for him.

It's always a crap shoot whenever a Hollywood film tries to bring martial arts into mainstream North America. Jackie Chan has for the most part bridged that gap successfully while integrating comedy. Unlike with his past comedic partners in crime from Owen Wilson and Chris Tucker. Johnny Knoxville fails miserably. It's not entirely his fault. It's the film itself. It seems to me Renny Harlin is trying to mash bits of Shanghai Noon with Rush Hour with a dab of Supercop. The film doesn't gel at all. The flow is all over the place and scenes are too implausible. Each scene, seems to be a gag. There's conversation/joke/story line implied then at the end of the scene, the punchline. Then it moves on. Action scenes are obvious Chan-born, which sometimes do not feel unique unlike his past Hollywood films. Feels too contrived, not original enough. I am a big fan of Jackie Chan - Johnny Knoxville is coming along trying to be taken seriously, but Renny can't seems to improve either actors and that shows in this outing. His last decent film, Long Kiss Goodnight should be used as reference to make better action movies.

I have to say, I was shocked to see Renny Harlin's name pop up in the credits, who's best film was, in my opinion, Cliffhanger but is also know for Die Hard 2, Long Kiss Goodnight and Deep Blue Sea. He didn't quit after those, but slowly slipped off the big name notice board in recent years, hence my shock seeing him directing Chan the Man.

I can't help but think Harlin received a lot of creative input from Chan and co, having a strong, distinct Hong Kong cinema feel. However the opening credits is something Guy Ritchie would do, thinking it's more of a show-off instead of suiting the film. I found that a lot with Harlin's films.

I grew up watching Jackie Chan films and I absolutely idolise the man, but, I hate to say it, Jackie appears to lose some of his magic in Rush Hour 3 back in 2007, though Forbidden Kingdom and the rebooted Karate Kid restored my faith, and I have yet to see Police Story 2013. He's not as fast as he once was, he's 62 now, but even though a lot of the action sequences here are copies from a lot of his previous movies, he's still Jackie Chan and delivers the goods.

It's a clichéd storyline of struck-off cop Chan hooking up with gambler low-life, Knoxville in order to catch the bad guy. Johnny Knoxville another man who's not afraid to perform his own stunts. He's come a long way since performing daring pranks in Jackass to now sharing the screen with greats like Dwayne Johnson, Schwarzenegger and now Jackie. I wonder if he looks back thinking "wow" there I was drinking Preston's sweat and boom!

The action isn't always consistent going from being quite impressive to being mediocre and poor, again, a trait I associate with Harlin. The fight sequences mimic a lot of Jackie's slapstick fighting style. But the acting overall is quite terrible, Knoxville being the only believable character here. His wit is actually quite funny and refreshing.

There's some nice touches and funny scenes like the bowling alley and Jackie singing Adele! But a lot of it is silly and totally out of sync, rushing around faster than Jackie's stunt team. however looked like a lot of fun. It even includes Jackie's trademark outtakes at the end credits.

Unfortunately, Harlin doesn't let me down and does what is expected, a film with some great ideas and potential that fails to impress. Not even Jackie Chan's masterful Kung Fu and Knoxville's quick-fire sarcasm can save this film. Still, it's entertaining, brainless fun but certainly not one of Jackie's best, ever.

Running Time: 6 The Cast: 6 Performance: 4 Direction: 5 Story: 5 Script: 5 Creativity: 6 Soundtrack: 5 Job Description: 4 The Extra Bonus Points: 0

46% 5/10