Dark

Even the worst films have some redeemable qualities, be it good acting, a solid premise, or even a good musical score. This film has absolutely none of that. Rarely have I seen such inept and completely talent-less film making, but this...this takes the damned cake with the many poor decision are made. First, the premise; What, exactly, is going on here? Is it the story of a Lesbian who suddenly decides that she doesn't like girls anymore? Is it the story of the NYC blackout of 2003? Or is it a story of girl who is mentally ill in some way? None of these questions are really answered. What you will find, however, is a useless lesbian sex scene (denoting some form of abuse or BDSM that is never fully realized), some absolutely horrendous acting by the female lead, and supporting characters that should never be given a role in a film ever again. The movie moves in a plodding pace, barely anything happens, and when it does, it is hidden by the poor use of shadow during the "blackout".

I have seen some dreadful movies in my day, and if you look at my review history, I do not shy away from calling a spade a spade, but this film has got to be one of the most inept, embarrassing, and downright insulting excuses for a horror film I have ever seen. Nothing about this film will be remembered, and for good reason; it is a shameful vanity project that shows neither merit nor skill, and you be be lucky to never have seen it. Avoid it like it has an airborne disease and your immune system is compromised.

A young bisexual former-model-turned-yoga-instructor (Whitney Able) is in a deteriorating relationship with her girlfriend (Alexandra Breckenridge). When her girlfriend leaves town in the midst of an unresolved argument, she is left alone in their run-down NYC loft just as the famous blackout of 2003 occurs. She has encounters with a couple of potentially sinister men--a weird, overly friendly neighbor (Brendan Sexton III) and a guy she unsuccessfully tries to pick up at the bar. She may be being stalked and externally threatened in real-life, but judging from some quick-cut flashbacks and scars on her wrists, the worst danger may really be in her own mind. . .

I suspect when this movie is more widely released, it may have some trouble finding an audience because it looks enough like a horror movie to chase away a lot of the art crowd, but a lot of horror fans may not appreciate its artier trappings and its slow, subtle and largely psychological approach to horror. This movie falls in the school of horror typified by films like "Repulsion", "The Tenant", "Let's Scare Jessica to Death", and "Session 9". These kind of films are rarely made, especially these days. The last two I remember both came from south of the US border--"Magic, Magic", which I thought was unfairly panned, and "La Casa Muda", which was successful enough to inspire an American remake, but was then overshadowed by the failure of said remake. Personally though, I LOVE this brand of arty, slow-simmering horror. I wish they made more of them, but they are both hard to pull off and a hard-sell once produced.

The two actresses here are real revelations, especially Whitney Able. They are both known as typical "hot" actresses who take their clothes off a lot (actually they do that here too in an opening sex scene), but they have both gone through some physical changes for this movie and look quite convincing as a NY lesbian couple. Breckenridge's acting is spot-on in her few early scenes, and after she goes, Able has to really carry this movie herself, perhaps even more than Catherine Deneuve does in "Repulsion", where SHE could fall back on the talents of great director Roman Polanski. I don't mean to oversell either the movie or the performance, but it really works, and it really works because of her. It's also good to see the once-busy East Coast indie actor Brendan Sexton III, who was in "Welcome to the Dollhouse", "Boys Don't Cry", and "Session 9", but largely disappeared after that. This movie was also actually filmed in New York City, and like a lot of genuine NYC-filmed movies, the city itself is an important character.

This movie is not an easy sell to anybody, but people that really like "Repulsion"-type movies will definitely appreciate this.

I gave 3 stars because I spent so much time rolling my eyes watching this that I may have missed something worth seeing. There are few if any redeeming qualities associated with this film. I'm curious if it provided any inspiration for the 2019 film "The Wolf Hour" with Naomi Watts which is a far better film but still middle of the road for the genre. Skip this snooze fest.

After seeing this I can understand why this film seems to be so polarizing. If you go into it expecting a typical plot driven suspense/horror film you'll be disappointed. If you go in with an open mind and click into what the film is doing you'll be treated to an experiential, character driven thriller which pays off in the end. At its center is an award worthy performance by Whitney Able as a very damaged young woman (ex-model) whose internal demons manifest themselves in the darkness of her New York city apartment during the 2003 blackout. The performances are strong all around and it's beautifully shot, especially it's use of darkness and what you don't see. The film can be slow in parts but is ultimately in the service of character arc and building atmosphere. If you have patience you'll be rewarded with an astounding performance and suspenseful voyage into the id.

Twenty-somethings Kate and Leah are in a rocky relationship when Leah plans on heading out of town. Kate lives in the heart of NYC, pretending to like it just to make her relationship survive. Once a blackout occurs, Kate starts to have an internal struggle on what to do without Leah and coping on her own. I would have rather had Leah stay during the blackout and Kate go out of town, but the actress that played Kate (Whitney Able) did a superb job at bringing out all of Kate's character flaws. Leah didn't show any character flaws while she was onscreen. There are some editing flaws - as in the sound doesn't match up correctly with the characters' lips on screen. This happens about five times in the movie. Check out this movie if you like psycho-dramas. I watched this on Netflix.