Red Widow

We've seen this a hundred times. The whole suspense is centered on the truth behind the opening event being withheld from the main character. And because of this undisclosed truth, the red widow embarks on an illegal and suspenseful journey. We are left with a few main characters and an idea that we must stay tuned as these characters are painfully developed, all while hoping the red widow will learn the truth! But, we all know she can't learn the truth until she is fully engaged and unable to leave her new life.

Unless: a nuclear bomb goes off like in "24", or a truly exceptionally twisted plot develops along with the characters like in "breaking bad", or an outrageous number of new interesting characters are introduced like in "game of thrones", OR the red widow starts kicking butt after a brain download like in the matrix....this will be a painful soap opera struggling to became a good action/drama. With a boring head bad guy and a lame group surrounding the mediocre red widow, I think it's clear this is likely to be a one season and done flop.

Marta Walraven (Radha Mitchell) comes from a crime family, and when her husband is gunned down, she finds herself entangled by his underworld business. Crime boss Nicholae Schiller (Goran Visnjic) blames her husband for stealing his drugs, and forces her to work for him. It turns out that her brother Irwin Petrov (Wil Traval) was actually the one who stole the drugs.

All the underworld crime drama isn't anything new. But in order to get involved, there has to be some rooting interest. The fact is there is nobody likable. Every character is problematic, even the kids. The girl is clueless. The boy is annoyingly idiotic. The family is completely dysfunctional. So who cares what happens to these people. Certainly not me.

The series has some intriguing possibilities. The core cast of Radha Mitchell and Goran Visnjic is very solid - and Radha's (Marta's) family also has a range of better possibilities. The sleeper in this series might be Luke Goss' character, Luther. At this point, he is underused.

At present, the writers have too many illogical sub plots that allow potentially good characters to dangle. A good example of a misused character is Colin's portrayal of James Ramos. Even though the plot wanders, the acting is good. It's also refreshing to see some new talented faces rather than simply recycled actors.

If the writers would tighten up both the plot and characters, Red Widow has the potential to be a real winner.

As an aside, I think this franchise would have a much better chance on CBS rather than ABC. CBS manages its drama franchises much better, including time slotting and lead-ins. Red Widow could be a great fit with this network's lineup. However, with more focused writing, Red Widow might help ABC find its way back to prime time ratings success.

I was glad that one of our public broadcasting networks in my country (the Netherlands) was finally able to produce a darn good drama TV show.

The tone, atmosphere, casting, dialog, pacing and direction were to a very high standard and helped tell the intriguing story. For the first time in history a dutch drama series was able to measure up to the quality of production of the first season of "the Wire"! It's really a shame that this show got in the wrong hands with ABC. It was a really misguided decision to adapt a foreign TV show that has only 1 solid story (first season, effectively an extended mini-series) and no real reason to tell the story after that. HBO is the only US channel I know, that could do a story like this right.

What we end up with is ABC and Melissa Rosenberg? I've read that Melissa Rosenberg, the developer of the US adaptation planned to fill 7 seasons! The production team clearly doesn't understand how to effectively tell this story. Why choose San Fransico as a location for telling a drug smuggling mafia story, most credibility is lost right there. Some roles have been grossly miscast. The tone is too lighthearted and is at times even campy. The pacing is so far off that you're not able to follow the story, let alone connect with the characters...

...It's a shame that the US has been robbed of a good TV show by ABC and Melissa Rosenberg.

...It's a shame that this bland mess is now associated with my country.

I have been forced (by my wife) to watch every single episode of this turkey. The scenario is preposterous, the acting mediocre, and the casting is absurd - don't they think we know what a Russian accent sounds like? Could anyone look at her father and find him threatening? Sunday night, Marta - who is living in a multimillion dollar house in San Francisco and has no income, no skills, no work history, and no prospects - gives away a $100 thousand necklace and in a fit of stupidity destroys $75 thousand worth of stolen cocaine, knowing that several people have been killed (including her late husband) over it. Then when Schiller says he wants it back...she is surprised? WTF? If there were a death penalty for bad writing, the writers of "The Red Widow" would be in big trouble.