Red Widow

A nice based-on series with good acting, well-flowing development, beautiful photography and a good score. It is not on par with the original NL multi-season show, but well-done nevertheless and I would have liked very much a second season.

The cliffhanger deserved that much!

I was glad that one of our public broadcasting networks in my country (the Netherlands) was finally able to produce a darn good drama TV show.

The tone, atmosphere, casting, dialog, pacing and direction were to a very high standard and helped tell the intriguing story. For the first time in history a dutch drama series was able to measure up to the quality of production of the first season of "the Wire"! It's really a shame that this show got in the wrong hands with ABC. It was a really misguided decision to adapt a foreign TV show that has only 1 solid story (first season, effectively an extended mini-series) and no real reason to tell the story after that. HBO is the only US channel I know, that could do a story like this right.

What we end up with is ABC and Melissa Rosenberg? I've read that Melissa Rosenberg, the developer of the US adaptation planned to fill 7 seasons! The production team clearly doesn't understand how to effectively tell this story. Why choose San Fransico as a location for telling a drug smuggling mafia story, most credibility is lost right there. Some roles have been grossly miscast. The tone is too lighthearted and is at times even campy. The pacing is so far off that you're not able to follow the story, let alone connect with the characters...

...It's a shame that the US has been robbed of a good TV show by ABC and Melissa Rosenberg.

...It's a shame that this bland mess is now associated with my country.

Can Marta successfully transform herself from soccer-mom suburban housewife to big-league drug smuggler? She's quite delicious, and convincing, too, as she struggles with her new, and very much unwanted, role. She fumbles and stumbles, and we agonize over her struggle, rooting for this very nice young mother to succeed in the world of tough drug smuggling. Talk about being out of one's depth! But she is, after all, the daughter of a Russian mobster, so evidently she's got the genes for the job. "Marta, you've changed," her father says, impressed with her new toughness. Indeed! And we get to root for her to be successful in a serious criminal activity. I have to wonder how the writers will resolve the dilemma of allowing a criminal action to succeed, while not offering any approval of heroin smuggling.

Or will she succeed? If she does not, how will she keep her family safe? Who shot her husband dead? Who took the 75 kilos of heroin that had been stashed in her boat? Man, am I hooked on this show.

It helps that Radha Mitchell is intensely desirable. If there's a serious flaw in the plot, it's the way Bob shrugs off her advances, as she tries to befriend him, planning to bribe him to be a partner in the crime. It's hard enough to believe that Marta could enjoy a luxurious life in an expensive Marin County home while never noticing that her husband's rental-fishboat profession cannot possibly support such a rich lifestyle. It's much harder to believe that any man with normal hormones could blithely brush off the advances of such a woman, slender, sexy, and clearly interested in him. That just does not compute.

Marta is the heart of the show, and manages to be credible at both soccer-momhood, and wannabe-drug smuggler. One moment she's laughing with ice cream and her children – and then the phone rings, and she's back in the drug-smuggling world, and utterly terrified. That's what makes the show work. We love her, and we really want her to succeed in this awful Russian-mobster role. I can't wait until Sunday, and the next episode.

The series has some intriguing possibilities. The core cast of Radha Mitchell and Goran Visnjic is very solid - and Radha's (Marta's) family also has a range of better possibilities. The sleeper in this series might be Luke Goss' character, Luther. At this point, he is underused.

At present, the writers have too many illogical sub plots that allow potentially good characters to dangle. A good example of a misused character is Colin's portrayal of James Ramos. Even though the plot wanders, the acting is good. It's also refreshing to see some new talented faces rather than simply recycled actors.

If the writers would tighten up both the plot and characters, Red Widow has the potential to be a real winner.

As an aside, I think this franchise would have a much better chance on CBS rather than ABC. CBS manages its drama franchises much better, including time slotting and lead-ins. Red Widow could be a great fit with this network's lineup. However, with more focused writing, Red Widow might help ABC find its way back to prime time ratings success.

If this great cast of actors can't make Red Widow work, then they weren't given much to work with. I watched every episode, and aside from the fact that it's just not believable that the intelligent, involved, loving Marta would not know more about the source of her family's income - it's also not believable that she emerged from her horrific childhood as this confident, balanced, ordinary soccer mom...not to mention her sweet sister. The brother was believable as an egomaniac twisted with anger and a need to prove himself to be the top dog, and make his father proud. Schiller's character never did anything bad, but we were supposed to be afraid...very afraid. After the 3rd episode I only watched the show to see how on earth the actors were going to make the plot twists seem believable because the writing was terrible. With the excellent cast, this show had a chance, but even this cast of great actors couldn't sell this limp biscuit.