1980 के दशक में कलाकार मैक्सिन मिंक्स को सफलता मिली, लेकिन अभिनेत्रियों का पीछा करने वाला एक रहस्यमय हत्यारा उसके अंधेरे अतीत को उजागर करने की धमकी देता है.1980 के दशक में कलाकार मैक्सिन मिंक्स को सफलता मिली, लेकिन अभिनेत्रियों का पीछा करने वाला एक रहस्यमय हत्यारा उसके अंधेरे अतीत को उजागर करने की धमकी देता है.1980 के दशक में कलाकार मैक्सिन मिंक्स को सफलता मिली, लेकिन अभिनेत्रियों का पीछा करने वाला एक रहस्यमय हत्यारा उसके अंधेरे अतीत को उजागर करने की धमकी देता है.
- पुरस्कार
- 8 कुल नामांकन
सारांश
Reviewers say 'MaXXXine' concludes the X trilogy with mixed reactions. Mia Goth's performance and 80s aesthetic are praised, yet the plot is criticized for predictability. Homage to classic horror and Hollywood is appreciated, though some find it lacks tension and originality. Supporting cast performances are varied, with standouts and forgettables noted. Cinematography and soundtrack are strengths, but pacing and climax are often criticized. Fans of the series find it enjoyable, while others feel it falls short, making 'MaXXXine' a divisive entry.
फ़ीचर्ड समीक्षाएं
I just got back from an early screening and wanted to share a few thoughts. Overall, it was a good time. Some of the tone felt more like a drama than horror as there are no real tense or scary moments, but I understand that horror isn't always interpreted that way.
If you haven't seen Pearl, you'll be fine. I do feel that you would need to at least watch X beforehand to understand some of the backstory and references.
I was very into the style of the movie, that 80s glam/sleaze look and feel was nailed perfectly. Ti West is good for that as seen in his earlier work, especially The House of the Devil. X remains my favorite of the trilogy but if you're a fan of the other two movies, you'll enjoy this. Mia Goth is always worth a watch.
The soundtrack, costumes, and performances were all done very well.
If you haven't seen Pearl, you'll be fine. I do feel that you would need to at least watch X beforehand to understand some of the backstory and references.
I was very into the style of the movie, that 80s glam/sleaze look and feel was nailed perfectly. Ti West is good for that as seen in his earlier work, especially The House of the Devil. X remains my favorite of the trilogy but if you're a fan of the other two movies, you'll enjoy this. Mia Goth is always worth a watch.
The soundtrack, costumes, and performances were all done very well.
Shoutout to the filmmakers for a great trailer because that's about where the greatness ends.
This film has a pretty solid start for the first 15-20 minutes that seems to set the tone, but it abandons that tone along the way pretty fast. The plot is lackluster and does nothing at all to make you care about any of the characters other than Maxine. Although, sometimes, Maxine is insufferable. Several of the decisions she makes in the movie do not make sense and are incredibly inconsistent with the character.
EVERY "twist" in the movie's plot is predictable if you've watched more than 10 movies in your lifetime.
Kevin Bacon was awesome as usual. That's the only reason I gave this a 3.
This film has a pretty solid start for the first 15-20 minutes that seems to set the tone, but it abandons that tone along the way pretty fast. The plot is lackluster and does nothing at all to make you care about any of the characters other than Maxine. Although, sometimes, Maxine is insufferable. Several of the decisions she makes in the movie do not make sense and are incredibly inconsistent with the character.
EVERY "twist" in the movie's plot is predictable if you've watched more than 10 movies in your lifetime.
Kevin Bacon was awesome as usual. That's the only reason I gave this a 3.
Ti West's wrap up to the Maxine/Pearl trilogy is an eminently watchable, if disappointing thriller, set in the mid-80s. Mia Goth again plays the main character, now a Porn Star who wants to go 'legit' by doing a horror film with the hopes that it will make her a real star.
West (who also wrote) does a decent job evoking the era. He ups the stakes by setting it against the back drop of the Night Stalker case and the decade's Satanic Panic. The Los Angeles locations are authentic including scenes at Universal and Warner Brothers studios. The supporting cast includes Kevin Bacon as a sort of Southern fried Jake Gittes, Elizabeth Debicki as an up and coming film director who aspires to being an artist with a capital "A", Giancarlo Esposito as a very hands on Agent, and Michelle Monaghan and Bobby Cannavale as detectives. They all are good, with Bacon and Cannavale having the juiciest roles. A couple of the lines about Hollywood are amusing throwaways. Still, without Goth, none of it works. She's clearly channeled this character, and you sense it on screen.
On the downside, West insists on including incredibly graphic violence in close-up that once would have earned it an NC-17 (or, at least a trip back to the MPAA). Sure, it's a "horror film", but it feels over the top even in that context. West's experiments in this trilogy over three distinct time periods is more interesting in concept and design than results. MAXXXINE intentionally looks like some modern update on 80s revenge pictures from the likes of Cannon and New World. West seems to think that aping those films but with a "smart" 21st century perspective is enough; But, for all of Goth's fine work (and, to be fair, West's technical skill) it can't help but feel like an empty exercise. For all its attitude it still ends up being just a grindhouse exploitation movie itself. There aren't any true insights nor commentary, just a juiced up modern version of the same old. West has talent (and, for now, Goth), but, his retro obsession is becoming a dead end.
West (who also wrote) does a decent job evoking the era. He ups the stakes by setting it against the back drop of the Night Stalker case and the decade's Satanic Panic. The Los Angeles locations are authentic including scenes at Universal and Warner Brothers studios. The supporting cast includes Kevin Bacon as a sort of Southern fried Jake Gittes, Elizabeth Debicki as an up and coming film director who aspires to being an artist with a capital "A", Giancarlo Esposito as a very hands on Agent, and Michelle Monaghan and Bobby Cannavale as detectives. They all are good, with Bacon and Cannavale having the juiciest roles. A couple of the lines about Hollywood are amusing throwaways. Still, without Goth, none of it works. She's clearly channeled this character, and you sense it on screen.
On the downside, West insists on including incredibly graphic violence in close-up that once would have earned it an NC-17 (or, at least a trip back to the MPAA). Sure, it's a "horror film", but it feels over the top even in that context. West's experiments in this trilogy over three distinct time periods is more interesting in concept and design than results. MAXXXINE intentionally looks like some modern update on 80s revenge pictures from the likes of Cannon and New World. West seems to think that aping those films but with a "smart" 21st century perspective is enough; But, for all of Goth's fine work (and, to be fair, West's technical skill) it can't help but feel like an empty exercise. For all its attitude it still ends up being just a grindhouse exploitation movie itself. There aren't any true insights nor commentary, just a juiced up modern version of the same old. West has talent (and, for now, Goth), but, his retro obsession is becoming a dead end.
"MaXXXine" is a direct sequel to "X" (unlike "Pearl" which sort of stands alone). In it, Maxine Minx gets a role in a legitimate film called "The Puritan 2" (a sequel to "The Puritan") and is anxious to finally become a real star. However, her past from the events of "X" start to catch up to her when a detective (who is working for a mysterious man) finds her, and among the backdrop of the "Night Stalker" slayings in Los Angeles, people around Maxine are starting to die...
"MaXXXine" is far the weakest of the three "X" films. That's not to say it's bad, but it doesn't have the real horror and novelty of "X" and the "can't look away" suspense of "Pearl." The person behind everything is pretty obvious, and there are really many threats that are simply too quickly and easily resolved, so much of the suspense is limited. Goth is great, as always, but there really isn't anybody else in the cast that really stands out. And there is a real lack of actual "horror" in this movie. "X" was a great, flat out horror movie. "Pearl" was more horrifying, perhaps, as opposed to pure "horror." But I'm not sure "MaXXXine" really qualifies as a "horror movie" at all. And the ending... meh.
I have no hesitation recommending "MaXXXine" -- the story is interesting, Ti West is a wonderful filmmaker, Maxine Minx is a great character, and Mia Goth is great in the role. But as is the case in more trilogies, the first is clearly the best and each one decreases in quality.
"MaXXXine" is far the weakest of the three "X" films. That's not to say it's bad, but it doesn't have the real horror and novelty of "X" and the "can't look away" suspense of "Pearl." The person behind everything is pretty obvious, and there are really many threats that are simply too quickly and easily resolved, so much of the suspense is limited. Goth is great, as always, but there really isn't anybody else in the cast that really stands out. And there is a real lack of actual "horror" in this movie. "X" was a great, flat out horror movie. "Pearl" was more horrifying, perhaps, as opposed to pure "horror." But I'm not sure "MaXXXine" really qualifies as a "horror movie" at all. And the ending... meh.
I have no hesitation recommending "MaXXXine" -- the story is interesting, Ti West is a wonderful filmmaker, Maxine Minx is a great character, and Mia Goth is great in the role. But as is the case in more trilogies, the first is clearly the best and each one decreases in quality.
This is the movie I was the most excited about out of three. I am a bit sad it was a bit underwhelming.
It is certainly the weakest of the 3. I watched it with my family and we all agreed.
It's just not a compelling story, what exactly is the point? The character development is also extremely shallow, I wasn't really rooting for anyone.
Now, I do love the horror film homages, I loved the chase in the movie set, it reminded me of Scream 3.
I also loved seeing the Bates Motel and the House from Psycho.
Visually it's also beautiful. This looks like it was shot on actual film. It is grainy, vibrant, colorful, lots of contrast, the camera work was great. I just love when a film looks like a film and not an amazon ad. The tone was also a mess, it's a bit of a thriller, a bit of a drama, and just a tiny bit of a horror.
Sadly, the story just falls short, it just wasn't the grand epic finale I was expecting.
It is certainly the weakest of the 3. I watched it with my family and we all agreed.
It's just not a compelling story, what exactly is the point? The character development is also extremely shallow, I wasn't really rooting for anyone.
Now, I do love the horror film homages, I loved the chase in the movie set, it reminded me of Scream 3.
I also loved seeing the Bates Motel and the House from Psycho.
Visually it's also beautiful. This looks like it was shot on actual film. It is grainy, vibrant, colorful, lots of contrast, the camera work was great. I just love when a film looks like a film and not an amazon ad. The tone was also a mess, it's a bit of a thriller, a bit of a drama, and just a tiny bit of a horror.
Sadly, the story just falls short, it just wasn't the grand epic finale I was expecting.
क्या आपको पता है
- ट्रिवियाMaxine's "Oui" shirt is a reference to Oui, a men's adult pornographic magazine published in the United States featuring explicit nude photographs. Oui ceased publication in 2007.
- गूफ़The Bette Davis quote shown at the beginning of the film is misquoted. It is actually "Until you're known in my profession as a monster, you're not a star."
- भाव
Maxine Minx: Do you know what happened to the last person who tried to kill me? I crushed her fucking head.
- क्रेज़ी क्रेडिटFitting with the film's 80s aesthetic, after the credits, a "Be kind rewind" sticker is shown, like on many video store rentals.
- साउंडट्रैकGimme All Your Lovin
Written by Frank Beard (as Frank Lee Beard), Billy Gibbons & Dusty Hill (as Joe Michael Hill)
Performed by ZZ Top
Courtesy of Warner Records
By arrangement with Warner Music Group Film & TV Licensing
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is MaXXXine?Alexa द्वारा संचालित
- Was the movie The Puritan, depicted in this film, inspired by a real movie?
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Maxxxine
- फ़िल्माने की जगहें
- Universal Studios - 100 Universal City Plaza, Universal City, कैलिफोर्निया, संयुक्त राज्य अमेरिका(outdoor studio, Bates motel and house set: Maxine running away from Labat)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $10,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,50,97,632
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $67,05,038
- 7 जुल॰ 2024
- दुनिया भर में सकल
- $2,20,57,160
- चलने की अवधि1 घंटा 43 मिनट
- रंग
- पक्ष अनुपात
- 2.39 : 1
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